BLISS

BLISS: Blisspop Crew Night!

Will Eastman’s DJ performances have earned him the title “DC’s titan DJ” from the Washington Post. Leader of numerous indie bands since age 15, Will pushes boundaries, melding house, techno, disco, and left-field sounds in his DJ sets and productions. His career began in 2000 when he started Bliss, a monthly resident night focused on emerging dance music held in a no-attitude/no velvet rope setting. While DJing at night, he worked by day for the Smithsonian’s National Museum of American History documenting histories of the electric guitar and sound recording technologies. His Bliss residency, however, meant to be a temporary creative release, would set him on course for a music career. Growing over time in popularity and stature, Bliss became DC's longest running emerging dance music club night, lasting 15 years, eventually morphing into the dance music website Blisspop. Building on his experience with Bliss, Will ultimately dedicated himself to a full time DJ and music production career. His debut single, “Feelin’”, received endorsements from dance music legends Fatboy Slim and Donald Glaude. More original productions and remixes received broad support from artists diverse as Daniel Avery, Aeroplane, and Tiesto, and earned features on BBC Radio 1 and NPR. In addition to his solo work, he’s a member of the group Volta Bureau, whose song, "Alley Cat", topped Beatport’s Indie Dance chart for 11 weeks in 2011.

Using curatorial skills shaped during his time at the Smithsonian, Will is resident DJ at several touring parties that encapsulate and pay tribute to musical eras and guilty pleasures: No Scrubs: 90’s Dance Party and Hot In Herre 2000’s Dance Party. The events have sold out the legendary 9:30 Club in DC 25 times since 2008 and now tour the East Coast. In addition to making and playing music, Will is founder and principal owner of U Street Music Hall, a music-focused venue that hosts top DJs and live bands. Named one of America’s top 10 dance clubs by Rolling Stone and best dance club in the region by the Washington Post, U Hall’s laid back environment with no dress code, 1,200 square foot cork-cushioned floor, award-winning sound system, and internationally recognized programming have made it an underground favorite since its 2010 opening.

Ozker

While the District of Columbia has seen a fluctuation of creative types recently, few artists have influenced the scene as prolifically as OZKER. Organic and locally grown, OZKER has established himself in the past few years as one of DC's hardest working DJ, producer, graphic designer and mural artist, all the while spreading that undeniable aura of being a loveable, huggable type of guy. His devotion to the infectious groove and its counterpart, the bottomless beat, is matched only by his devotion to that trademark follicle foliage that you're bound to see bobbing up and down behind turntables throughout the city!

Ozker has opened for such noted talent as Dillon Francis, The Bloody Beetroots, Will Eastman, Gigamesh, Classixx, Tensnake, Oliver, The 2 Bears, Bit Funk, Anna Lunoe & Nickodemus, amongst many others. He holds several monthly residencies in the city, including nights at Eighteenth St Lounge, Dodge City, Marvin and the Velvet Lounge.

Nestled between Baltimore and Washington, DC in PG (Prince George’s) County, Maryland shaped life for artist Baronhawk Poitier. Spending the bulk of his youth sorting through records and other music memorabilia at The Record Exchange in Silver Spring, Maryland, exposed him to decades of music which heavily influenced his pursuit of a career in DJing and production. As a solo artist, he's played before Vanessa Williams, Nicky Siano, Grandmaster Flash, Slick Rick, DJ Spinna, Dubtribe Soundsystem, Metro Area, Disclosure, Claude Vonstroke, Oscar G, Chromeo Karizma/ Kaytronik and local DC legend Sam “The Man” Burns. The DMC DJ competition and turntablist event has featured him during several of the DC regional battles as one of their party-rocking favs. Poitier was recognized alongside mentor and teacher Kris Klayton aka Karizma/ Kaytronik with a grant from the Maryland Historic Trust and the Maryland State Arts Council in 2015. Together they presented a Baltimore style of dance music production to the entire community through a showcase at the Maryland Folklife Festival and the release of his first EP under the direction of Karizma for R2 Records. His passion for cultural preservation and artist recognition began while working under Junious “House” Brickhouse” as a Artistic Directors and Sound Designers for the 501(c)3 non-profit organization Urban Artistry Inc., an International Culture and Education Project founded in 2005. Serving as a steward for urban dance and music culture globally presented him opportunities to headline battles and dance competitions such as: "The International Soul Society Festival" (USA), “Jam On It” (Bulgaria), "Who Can Roast The Most" (USA), "Clash CPH" (Denmark) and the USA qualifier for the "Flow Mo Anniversary (FINLAND)."

Within LGBTQ dance music community he has earned a name for himself as a member of The NeedlExchange, a DC based, queer DJ collective with partners Bil Todd & Tommy Cornelis. Baronhawk plays an integral role building a resume for the artist group coordinating and playing events such as; Hot Mass (Honcho, Pittsburgh), Fag Bash (P Town) and opening sets for TNXDC showcases featuring The Honey Soundsystem, Sleazy McQueen, Gay Marvine, DJ Harvey, Horse Meat Disco, Kim Ann Foxman and Honey Dijon. Collectively by working through TNX and Urban Artistry, Baronhawk Poitier continues his passion for igniting dance floors into a frenzy while educating fans about cypher etiquette and culture.

$10.00

Tickets

***Free before 12am for 21+*** Ages 18-20 entry by advance ticket only. Advance ticket sales end one hour before doors open. No photo/video allowed.

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