Conflict of Interest

Dale Earnhardt Jr. Jr.

"Formed in late 2009, Dale Earnhardt Jr. Jr. is the off-kilter title under which Detroit-area natives Joshua Epstein and Daniel Zott record, release and perform music.

Initially beginning as an exercise in collaboration undertaken with very little intention of ever being publicly consumed, the band's trajectory has been as unexpected as it has been unlikely. In just a few short years, fans have seen the project grow from basement recording project--to media curiosity--to an international touring ensemble widely recognized for their joy-fueled live offerings.

While Epstein and Zott have no ties to popular NASCAR circuit driver Dale Earnhardt Jr. nor his late father, the band's peculiar name was initially suggested to the duo on a lark. The pair assert that the strange moniker has been kept in tact due to the freedom they came to realize such a title gave them to explore whatever musical endeavors they could think up. "The idea being", Epstein says, "that if one can accept a band being named Dale Earnhardt Jr. Jr., then you've already opened yourself up to listening to anything that band can come up with. You've already decided to leave expectations behind".

From that mantra, the foundation of their partnership was built. Each having spent a good deal of time in various recording and performance environments prior to working with one another, Epstein & Zott set out to explore the many intricacies of cross-genre songwriting and production together with a willingness to borrow as much from the Beach Boys as the Geto Boys if it meant a more dynamic form of pop music. An organic vs. synthesized perspective which by necessity lacked a specified audience or desired outcome, outside of challenging oneself."

Cults (DJ Set)

It's often said that the most subversive pop music – from the Shangri Las to Rihanna – is that which wraps sinister tales within a sugar-coated shell. If so, then it's hard to imagine a band pushing that manifesto further than Cults. On the surface they could be sickly sweet – a smitten duo called Brian Oblivion and Madeline Follin who spin gorgeous melodies across their girl group-inspired bedroom pop. But dig deeper and a whole new world opens up, one that contains songs about apprehension, substance abuse and the pain of moving from adolescence into adulthood. Oh, and those inspirational, moving speeches that appear, ghost-like, behind the music? They're from a selection of notorious cult leaders. …

"I think what makes something beautiful is when it's pretty but there's something wrong with it too," muses Brian. "So where our music is upbeat and uplifting, behind that there are heartbreaking lyrics and quotes from Charles Manson, Patty Hearst, Jim Jones … I wanted quotes of ugly people saying beautiful things. That's the pinnacle of beauty to me, when someone who is so obviously disagreeable in every way can say something perfect."

The Cults story is really one of chance meetings, chances so fortuitous you may wonder if something stronger – something more like fate – was at work. How else to explain the fact that Madeline happened to be in San Diego, Brian's hometown, and the two happened to be in attendance at the same concert with a mutual friend. How else to explain the fact that, for some unknown reason, Madeline had left half her belongings in San Francisco, prompting Brian to offer to drive the round trip to collect them, during which the pair would cement their relationship by bonding over each other's iPod collection (from Lesley Gore and Jay-Z to Justin Timberlake). And how else to explain the fact that Madeline and Brian both happened to be embarking on a imminent move to New York to study film, ensuring that they spend endless hours of time together and Brian got the chance to hear Madeline singing over the first songs he'd ever written.

Thrilled but shy about their new recordings, the pair tentatively put them up on a Bandcamp page in February 2010 and gave the tracks to a few friends under the stipulation that they don't share them. Fortunately their friends didn't always obey orders and "Go Outside" found it's way to music blog Gorilla Vs Bear who posted the unknown demo to a roaring reception. More fate, you might say. And here's some more – Gorilla Vs Bear just so happened to be starting up a label, Forest Family Records, and were looking for an undiscovered new band to launch it with.

In April of 2010 Cults released a "Go Outside" 7″ single with Forest Family that sold out before the copies even went to print. Over the next several months the band would release a few more tracks from these early recordings, record a track called "Oh My God" for Adult Swims single series, build on the true nature of their musical desires and evangelize new listeners nationwide.

After a few standout performances last fall at the 2010 CMJ Festival in which music's elite praised the duos' simplistic pop charm, Cults decided their next move would be to put a full album out with a bigger label and signed to the newly-created Sony imprint ITNO. The band's self-titled release is – like the original demos – self-produced, although engineer Shane Stoneback (Sleigh Bells, Vampire Weekend) was brought on board to tighten things up. A love of hip hop is also evident in their use of repetition: "We wanted the melody to be the thing that breaks the music out of its monotony," says Brian. "In that sense some of our songs aren't far off from early Wu Tang stuff where they'd sample soul records."

That all this happened for Cults in the space of a year says a lot about the band's sense of spontaneity. And the fact that most people didn't know the first thing about them when they heard their music? That just worked to their advantage – especially as a sense of mystery and intrigue has been absent from rock 'n 'roll for too long.

"Bands have become way too handy at promoting themselves," says Brian. "There's nothing left to ponder if there is too much information – you can just consume it and throw it away."

And as for why the band chose the name Cults: "A lot of our songs are about what we're going through right now – the fear of growing up and facing adult responsibility," says Brian. "And in a way that fear is what makes people join cults in the first place – wanting to escape competition and success and be a part of something bigger, communal. We also want to live our own lives with our own schedules and expectations, so in a way this band has become our own cult."

One minute, Lucius sounds like a '60s girl group; the next might conjure images of Emmylou Harris. The charisma and charm of the women at Lucius' center, Jess Wolfe and Holly Laessig, helps transform good pop songwriting into an endearing performance.

Conway is a singer, writer and a sayer of things that are on her mind and stuck in her side. She wants to tell you what she sees and how she sees it. She hopes you talk back.

Born in south St. Louis, born again in Brooklyn and currently coming into her own in LA, Conway offers a solo debut reflective of a journey that has been a trip!! "I take it to the heart. I take it to the head." She's all in.

House DJ Yip Deceiver

Yip Deceiver is the brainchild of multi-instrumentalist Davey Pierce, which was originally intended to be a solo project, but has since become a collaborative effort with Nicolas Dobbratz. Yip Deceiver's music is an exciting take on experimental dance pop with strong hooks, and playful elements of new wave, 80s R&B and electro. Both members pull double duty in Of Montreal's live band, and Dobbratz also plays with the disco-pop act Sugar & Gold. The band just completed its first US tour supporting its self titled debut EP -- out now digitally, but on CD and LP format April 19 -- available from Aerobic International. Yip Deceiver is currently working on its debut album due out late 2011.

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