Mesmerizing, spellbinding and genre-defying: With their fourth full-length studio release Extras In A Movie, Papadosio reveals a striking cinematic cornucopia of sounds: orchestral, electronic, organic, acoustic, psychedelic and celestial. The 16 selections that comprise the song cycle are concise and structured – launch pads for the improvisational excursions that are a hallmark of the band’s celebrated concert performances.

“The writing process was a challenge for us, to see if we could integrate some songs that were shorter than five minutes,” notes the band. They envisioned the title Extras In A Movie as a concept connected to themes of interpersonal interactions and relationships.

Hitting virtually all major and secondary U.S. music locales and select festivals across North America, Papadosio tours on a massive scale but maintains a close intimacy with their fans. With the new project they are expanding their collective stylistic palette. “We like to have a lot of colors,” they explain. “We’re starting to push that envelope in the way we want to go – to give the people who are at the shows more of a variety of emotions. We don’t have filters. We record what’s happening.”

Originally from the creative collegiate hotbed of Athens, Ohio, the band is now centered in Asheville, North Carolina. Not that they are homebodies as they clarify. “For the past five or six years we’ve done maybe 150 dates a year and have been gone for 200 days. We were cutting back a little, but now with the new project the number of shows is about to go way back up.”

Extras In A Movie balances Papadosio’s celestial sonic ambience with an organic edge and multiple guitars, both electric and acoustic. “A lot more guitar in general,” they say. “ That’s something new with this record.” What also distinguishes the new music is the prominence of their vocals. Extras In A Movie opens with a dense, harmonic introduction titled “The Last Leaf” and across the span of songs emerges subliminal echoes of prog-rock forefathers like Jethro Tull, Yes and Genesis.

Trippy titles abound: “Gazing the Great Oscillator,” “Moon Entendre,” Anima Mundi.” Noting that these designations often come late in the creative process, if the band can’t find a suitable name, they might invent a word. “Obove” is such a creation. In the lexicon of Papadosio it is a term that references “an over arcing emotion.”

While the band gleefully dismisses observations on their collective intellect, an exegesis of their themes indicates complex underpinnings. A new song, “Therian” was inspired by archeological cave paintings depicting creatures that are half-beast and half human. “Bypass Default” is a treatise on being nagged by all of the earth’s problems, and is appropriately discordant. “The Wrong Nostalgia” includes a take on modern radio with the line “Who sold these assholes on the airwaves?” -- lyrics with an edge and a bite.

It is the band’s wish that Extras In A Movie will enchant loyal fans and introduce new audiences to the Papadosio universe. “Our intention is to give people music that can be themes in their lives so they can connect to the music. To provide them with a place to hang out so they don’t feel weird in what they are thinking -- to give their brains and their hearts a home.”

Extras In A Movie, Papadosio’s self-produced fourth full-length studio album, will be self released October 2, 2015

The Boston born, now generally Northeast based, but ever on-the-go Dopapod has come a long way from their college basement, DIY party roots. While maintaining to be as grassroots as their humble beginnings, the group has earned praise from taste making critics like Rolling Stone, Huffington Post, Jambase, Relix, and The Boston Herald, all the while tending to their ever expanding community of devoted listeners. The past 4 years have individually held the weight of about 150 shows, which have included numerous festival appearances like Bonnaroo, Wakarusa, Summer Camp, Electric Forest, Camp Bisco, Peach Fest, & Gathering Of the Vibes. All of this time on stage with each other has given the band the opportunity to explore the wide variety of influences that has impacted them to be the players they are today. But, don’t be quick to think that the no holds barred experimentation is unguided. While the brush in their hand uses every color, it’s the stroke on the canvas that gives Dopapod a distinct voice in the way of crafty songwriting.

That calculated, compositional mindset and restless nature to never sit too still is what has allowed Dopapod to fully realize their fourth studio release, Never Odd Or Even. Guitarist/vocalist Rob Compa giddily tells, “We really felt that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”

Determined to have that maturity translate in the studio, the band enlisted friend and producer Jason “Jocko” Randall to both engineer and produce the record. Keys/vocalist Eli Winderman couldn’t be happier about how things went. “We lived at his studio for about a month for these sessions and it just clicked right away. Jocko immediately became another member of band in many ways. With his attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.” Released in November of 2014, Never Odd Or Even serves as the spark that the band has ignited to launch them into and exciting 2015.

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