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An enigma of individuality, Danielle "Danz" Johnson is her own sound. Fueled by an obsession with music stemming back to growing up in the Catskills of New York, music has always been her mainstay.
Danz joined the NYC music scene at 18 as a DJ and Promoter whilst going to Hunter College. After a few years in NYC, Danz relocated to Tampa, Florida where she began teaching herself to create music in Ableton. The result was Computer Magic – a solid mesh of space-like dance beats and personable lyrics.
Danz returned to New York and with drummer Chris Egan, who's played with Solange Knowles, Adam Green, and Turing Machine among others – started performing live.
Two years later and Computer Magic has just finished a tour in Japan, while simultaneously releasing Scientific Experience, a compilation CD on Japan's P-vine & Tugboat Records, and will be releasing a debut full length album this year.
"His music is reminiscent of tender makeout sessions from 1987. Or how I imagine it would be if I hadn't been six at the time," tweets @billbergstrom. And it's true, there's a lushness and warmth to Pfenning's new songs that is nevertheless anything but sleepy – this is intense, sexual, lush-warm music. Not unlike the man himself.
In 2005 Aaron started the group that would first draw him serious attention, Chairlift. After producing an initial full-length (2007's "Daylight Savings") at Elliott Smith's studio in Los Angeles, the band relocated to New York, wrote & co-produced a new batch of songs ("Does You Inspire You" (2008)), and signed to Columbia Records. Chairlift toured everywhere people like bands, playing with such indie jewels as The Killers, Phoenix, Ariel Pink, John Maus, and MGMT. They did Bonnaroo, Lollapallooza, & All Points West, soundtracked an iPod commercial, and received an MTV VMA nomination for "Evident Utensil." After a vigorous two years working the Chairlift record, Aaron shifted his attention to Rewards early this year.
"Are you 'Rewards' for this bio?" the author wanted to know. "Aaron Pfenning IS Rewards, baby snakes," is what Aaron Pfenning texted back. This is very literally true. Over the last eight months, as Aaron has applied his gentle-yet-assured touch to the crafting of his new album, he has played all of the instruments, produced and engineered all of the recordings. For performances, he has experimented with everything from a solo show to a five-piece (including, yes, a two-piece, three-piece, and four-piece), always anchored by his seductive, leonine stage-presence and utterly unique vocals that swing easily from a croon to a howl.
Brandon Flowers told Entertainment Weekly, "It reminds me of the desert, the way he plays. That's something that I try to capture myself. I'm a little jealous that he does it so effortlessly."