The Chain Gang of 1974, Bel Heir
628 Divisadero St
San Francisco, CA, 94117
Doors 7:30 PM / Show 8:00 PM
This event is 21 and over
The mysteriosos behind Sir Sly are dark knights in the truest sense. Since first making their presence known last summer, the LA outfit have been running the tastemaker underworld with their monochromatic blend of vigilante pop, leaving onlookers with nothing more than a pair of explosive tracks and a hero-shaped shadow to go on. So it's with great pleasure that we're able to pull the curtain back today and unveil our next release, as we bring Sir Sly's debut 7" into the world on Neon Gold next month in conjunction with our UK sister label, National Anthem.
Sir Sly is not one sir but three - Landon Jacobs, Jason Suwito, and Hayden Coplen to be precise - who have been hard at work for the past few months writing, recording and producing all aspects of their debut offering in Suwito's studio. From the arresting cold open to the ever-restless denouement, lead A-single "Ghost" doesn't just pass our every litmus test, it passes right through it, swimming through a fog of wartorn synths and floating with timeless melancholy in an ocean of unforgotten pasts. Elsewhere, the vinyl's AA-side "Gold" - for which the band have put together the perfect visual accompaniment (below) - jangles with moody desperation and reckless abandon, while digital-only B-side "Where I'm Going" delves deeper into the depths of the trio's doom-and-gloom pop noir.
-Neon Gold Records
The Chain Gang of 1974
"My brothers and I were surrounded by music growing up," explains Kamtin Mohager, the shape-shifting singer/multi-instrumentalist behind the Chain Gang of 1974. "Not Beatles albums or anything like that; more like the Persian records our parents played all the time. And when we got older, it was up to us to discover everything." Born in San Jose and raised in Hawaii, Mohager spent his first 13 years obsessing over inline hockey and the idea of being drafted by the NHL one day. A series of life-changing events were set in motion once Mohager's family moved to Colorado, however. The first of which involved the final scene from Real Genius—quite possibly Val Kilmer's finest hour—and its penultimate ‘popcorn song', a.k.a. "Everybody Rules the World." "I love ‘80s music, but not typical new-wave stuff," says Mohager. "Like I'm way into Tears For Fears and Talk Talk, the other side of the spectrum, really." That's abundantly clear on White Guts, a record that's nearly as restless as Chain Gang's previous collection of early recordings, Fantastic Nostalgic. The way Mohager sees it, his first proper release was "all over the place, from a piano ballad to songs that sound like Black Rebel Motorcycle Club, Primal Scream or Justice." White Guts, on the other hand, funnels three years of instrument-swapping, sample-splicing experience into a lean, focused listen. So while "Stop!" and the rather epic "Hold On" hint at everything from LCD Soundsystem to Talking Heads, they make perfect sense in the context of deep cuts like the synth-flecked "Don't Walk Away" and bass-guided "Matter of Time," shimmering power ballads that could have been on the soundtrack of Sixteen Candles or Pretty in Pink. What sets the Chain Gang of 1974 apart from other Reagan-era revivalists is Mohager's innate sense of rhythm, a skill he acquired at an early age. And we're not just talking about his parents' punchy, groove-riding record collection. We're talking about family gatherings and traditions that taught Mohager how to make a crowd of cool kids uncross their arms and dance like there's pistols pointed at their feet. "Everyone lets loose at our shows," says Mohager. "It's a party, man. If only I had a dollar for every time someone bum-rushed the stage or grabbed one of our instruments." Things are bound to get worse, too, as his live band—a quartet that's a far cry from Mohager's original iPod/bass setup—spends the next six months spreading the Chain Gang gospel far beyond its Rocky Mountain beginnings. Or as the man behind every last beat puts it, "I'm letting the music just be, and if something's meant to happen, it's meant to happen."
Bel Heir is a project that has existed for over 6 years. It has had several other names and several other members in the past. We feel we have finally reached a point where we can bring it to the public. The music created and presented has never felt more natural.
We have spent countless hours in a studio outside of Philadelphia developing and perfecting the sound we were looking for. We created an enormous amount of material and finally decided to release it, but in a different manner than many are used to today.
We will be digitally releasing a single on the first Tuesday of every month for a full year. As with the traditional 45 vinyl releases, each single will have an A-side and B-side (2 tracks). We hope you will join us on this journey.
$12 ADV - $14 DOOR
Tickets Available at the Door