The Iguanas

The Iguanas

Joe Cabral ●
René Coman ●
Doug Garrison ●
Rod Hodges
Sin to Sin
The word “Americana” gets tossed around rather loosely these days; it can mean anything from a hipster
with a recently-discovered acoustic guitar to a decades-long denizen of the Grand Ole Opry. But when you set aside
the Johnny-come-rootly types from the real deal, it’s a sure bet that you’re going to stray into Iguana territory. Based
out of New Orleans for the past couple of decades – save for a short, Katrina-imposed exile in Austin – the Iguanas
define a sound of Americana that crosses cultures, styles, eras… and even languages.
Their latest album, Sin to Sin, is their first studio recording since 2008’s If You Should Ever Fall on Hard
Times, and its release coincides with their appearance at the New Orleans Jazz & Heritage Festival.
“The title for the new album,” says sax player/vocalistJoe Cabral, “comes from one of the tracks we cut
during the sessions that didn’t make it onto the record.” At this point, the band’s guitarist and vocalist Rod Hodges
picks up the trail. “It’s a line from a tune called ‘Blues for Juarez,’” he says, “that goes, ‘We rode the back roads
from sin to sin.’”
The Iguanas’ two-decade road may not exactly have driven them from sin to sin, but it’s taken them all
over the map, both figuratively and literally. While bassist René Coman is the only member of the band who is a
native of the Crescent City, a languid swampiness so deeply suffuses their sound that you can almost smell the
peanut shells on the floor. But there’s far more depth to it than the N’Awlins patina that rests, sometimes lightly,
sometimes heavily, on anything the city touches. It’s almost as if the Iguanas dragged sand up from Juarez and mud
from the Mississippi Delta, threw them both into the white-hot crucible of rock, and built their foundation from
there, with drummer Doug Garrison anchoring their sound deep in the groove.
“Spanish was spoken around the house when I was growing up,” says Cabral, “but I was listening to all
kinds of stuff: Herb Alpert, Boots Randolph, country music, rock, polkas… The area of south Omaha where I grew
up was the classic American blue collar ethnic melting pot of Irish, Italians, Poles, Mexican-Americans, who all sort
of brought these pieces into the mix.”
“How could we not wind up in New Orleans?” asks Rod Hodges, a little rhetorically. “I mean, at Tipitina’s
they might have Doug Sahm one night and Fela Kuti the next.” And sure enough, even on their first album (The
Iguanas, Margaritaville/MCA 1993), the band was comfortable planting Allen Toussaint’s oft-covered “Fortune
Teller” cheek-by-jowl with cumbia master Celso Piña’s “Por Mi Camino (Along My Way),” leading Entertainment
Weekly to conclude, “never have accordions and saxophones been so much in love.” People echoed that sentiment in
their review of Nuevo Boogaloo (Margaritaville/MCA 1994), saying “any group that can turn on a dime from a
gorgeous R&B ballad like "Somebody Help Me" to the steamy tropical funk of "La Tentación" is clearly here to
And stay they have, through half a dozen studio albums, countless tours and JazzFest appearances, and a
flood that did it’s best to take their adopted city with it. It’s a testament to the band’slongevity and endurance that
they’re still configured pretty much the way they were 20 years ago, while their onetime label, MCA, has gone the
way of mousse-abused coiffures and Hammer pants.
Joe Cabral is pretty philosophical about the band’s persistence in the face of challenges that would have
felled – indeed, have felled – lesser bands. “First of all, this is all we know how to do; we’re musicians. But more
than that,” he continues, “we respect the power of the band as an entity, and each individual in the band steps up to
play his part. When it’s good, that’s really what it’s all about.
Rod Hodges agrees. “I don’t want to get all heady and mystical about this, but it’s not really an outward
reward we’re looking for. We still all enjoy playing music, we all get along, and finding a group of people who can
say that after all this time is a pretty rare thing.


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