Holy Carp / Production Simple Presents
Roadkill Ghost Choir, The Lonely Wild
2100 South Preston Street
Louisville, KY, 40217
Doors 8:00 PM / Show 9:00 PM (event ends at 11:59 PM)
This event is 21 and over
Roadkill Ghost Choir
Emerging fully-formed from the desolate heart of Central Florida, Roadkill Ghost Choir make unsettling, powerful American rock, Tom Petty by way of Radiohead and Cormac McCarthy. Set against Kiffy Meyer’s ghostly steel pedal, singer and main songwriter Andrew Shepard triumphantly conjures an allegorical American landscape of drifters, specters and violent saints. Andrew’s brothers Maxx (drums) and Zach (bass) Shepard round out the rhythm section, and Stephen Garza handles lead guitar.
The band’s debut full-length, In Tongues, recorded in Athens, Georgia and in their home studio in Deland, Florida with producer Doug Boehm, was released on August 19, 2014. The album was met with critical praise from Rolling Stone, Billboard, SPIN, Paste and more. The band’s most recent tour included stops at Bonnaroo and Lollapalooza. Prior to the full-length album, they released their debut EP, Quiet Light, in 2013 in the midst of a touring run that included opening for Band of Horses and 2013 festival slots at Governor’s Ball, Austin City Limits and Shaky Knees in Atlanta, GA. In January 2014, the band was invited to perform on the David Letterman Show, where they performed standout track, “Beggar’s Guild.”
The Lonely Wild
Rarely does a young band emerge with a combination of skills, talents and vision fully developed. But the LA-based quintet The Lonely Wild is that true gem who's writing and arranging talents are only surpassed by its members' ability to work seamlessly as a singular, dynamic voice.
Formed in 2010, The Lonely Wild is the brainchild of Andrew Carroll who had moved to Los Angeles to study writing, music and film. Carroll and multi-instrumentalist Ryan Ross met in school and quickly discovered that their skills as composers and arrangers complimented one another's abilities. The two added lead guitarist Andrew Schneider, vocalist/multi-instrumentalist Jessi Williams and drummer Dave Farina to round out the mix – each a friend or fellow LA performer bringing their own unique background and talent.
Picking up solid momentum from their critically acclaimed debut EP, Dead End, The Lonely Wild quickly made a name for themselves in and around greater LA with fans such as Nic Harcourt (KCSN), Chris Douridas (KCRW) and Kevin Bronson (BuzzBands LA) on board. The band continued to hone their dynamic live performance through a series of high-profile shows opening for John Doe, Damien Rice, The Elected, Laura Marling and Lord Huron in addition to their highly successful residency at Silverlake's famed Satellite.
In early 2012, the band holed up in The Hangar in Sacramento for a weeklong recording session. Working through consecutive 16, 18 and 24 hour days to produce what would ultimately become The Sun As It Comes, an album filled with gut-wrenching emotion, fragile beauty, and explosive energy. "It was a true labor of love," Carroll says, "and a sheer force of will, that allowed us to
finish this record. We all knew it was the most important artistic statement we had ever made, so we had to pull out all the stops."
The title-track kicks things off, opening with sparse guitar and dual male/female vocals of parents imparting a lesson to a child. As the arrangement expands to multiple layers and textures, the lyrics transition to a more global scope with the second verse questioning how long someone can
ignore the sound of one drum being played by "the hands of millions."
"The song was inspired by the Arab Spring," explains Carroll. Despite the arguably polarizing subject matter, the lyrical nuance and cinematic arrangement ascend to an emotional climax, bringing the listener closer to the beauty that can lie in unsettling chaos.
Heavily influenced by Matt Taibi's The Griftopia, "Banks and Ballrooms" explores the idea of success being defined solely by monetary wealth. Drums pulse and persist, almost as if leading the charge of the common-man marching to confront the 1% head-on.
The album's up-tempo "Everything You Need" hits the ground running with thumping guitars and rhythm section before the mariachi-influenced two-part trumpet line interjects. Sung in tandem by Carroll and Williams, the narrator professes that they will be the constant in the listener's life, singing, "I will beat your heart," a line that recurs throughout the album – a subtle beacon of hope.
The epic track "Buried In The Murder" is a sonic voyage that perhaps best showcases The Lonely Wild's unique and genre-defying sound. Carroll's lyrics act almost as a confession of guilt for playing a part in corruption, greed and entitlement. With an arrangement reminiscent of a classic western, the song allows The Lonely Wild to truly showcase their unique ability to perform each
part with bombastic confidence as a singular unit. No one voice outshines the other; no member more important – collaboration rarely found in a developing band.
Slated for an April 2, 2013 release via their own Ursa Major Recordings (distributed and marketed by Thirty Tigers/RED), The Lonely Wild's The Sun As It Comes is a record that reflects upon the times in which we live while taking the listener on a sonic journey of impressive heights.