WHAT WE TALK ABOUT WHEN WE TALK ABOUT BAIO

1. CHRIS BAIO IS A PASSIONATE LOVER OF DANCE MUSIC WITH ECLECTIC TASTE AND NO ALLEGIANCE TO GENRE. HE IS COMMITTED TO GIVING THE WORLD THE GIFT OF POSITIVE VIBES AND LUSH SOUNDS.

2. BAIO IS THE BASS PLAYER OF VAMPIRE WEEKEND. BEFORE THAT, HE RAN A RADIO STATION, THREW SICK BASEMENT SHOWS AND DJ'D PARTIES AT COLUMBIA UNIVERSITY IN NEW YORK. HE LIVES IN BROOKLYN WITH AN INCREDIBLY BEAUTIFUL CAT.

3. HIS PERFORMANCES HAVE ROCKED CLUBS ACROSS THE GLOBE FROM IBIZA TO PARIS TO SYDNEY TO SEOUL. NO ONE DOES NOT LEAVE CRYING. EVER.

4. HE IS DEDICATED TO MAKING YOU MOVE…

5. AND TO MOVING YOU.

Twin Shadow DJ Set

"A lot of Confess is about sacrificing part of your life to something you love to do," says George Lewis Jr., the nom de plume of Brooklyn indie pop sensation Twin Shadow. "Love and commitment may not be part of my life at this point. So a lot of this record is about my relationships with people, and dealing with the sacrifices I've made."

Confess is the gorgeous, dynamic follow-up to Twin Shadow's 2010 breakthrough Forget. That first record, co-produced by Grizzly Bear's Chris Taylor and initially released on Taylor's Terrible Records label before getting picked up by 4AD, garnered a lot of praise from the likes of Rolling Stone ("fully-formed, haunted and haunting"), Allmusic ("lush, intricate pop"), and Pitchfork, which named it one of the best albums of 2010. Soon after its release, Lewis began amassing even more fans during a string of headlining club dates (a feat that Lewis will repeat this summer and fall on his "Ton Up" tour), while also opening for Florence and the Machine and playing a number of festivals, including Coachella, Sasquatch, Bonarroo and Austin City Limits.

But throughout that initial rush of attention, a lot of similar adjectives were thrown around to describe Twin Shadow: Heartfelt. Honest. Nostalgic. Lewis's background was dissected – his birth in the Dominican Republic (as a twin, hence the band name), a lonely childhood in Florida, the eventual move to New York and the fashioning of his own stunning debut album, recording almost entirely on his own, in hotel rooms and in his cramped Brooklyn apartment.

It was, in a way, the portrait of an isolated figure. While Confess continues to examine relationships, loss and regret, there's also a newfound sense of optimism in the songs, and an acceptance of the sacrifices Lewis has made to get to this point. "There was a charm to the way I did my first record, but you can't chase that experience down again," says Lewis, who recorded most of the new record in a Los Angeles between a home built studio and a proper recording studio with keyboardist Wynne Bennett. "It was nice to be alone in my apartment, but now I get a sound in my head it's nice to have the tools and people in front of me to make it happen."

An early morning motorcycle ride also led Lewis down a new musical path. Taking his vintage bike out on the road at 6 a.m. after a long hiatus (following an accident some time before), the singer reached an epiphany. As the speedometer crept up to three digits, "My mind was clear," he later wrote on his website. "I inched toward 100 on the speedometer and punched the last five. TON UP! My mind is filled with words. My heart is full of love. This is where I want to be. I want to stay here, and I want to tell you everything."

Months later, Lewis still remembers that ride. "The record as a whole is kind of like the feeling I had riding that motorcycle," he says. "My bike became like my symbol. It represents my music: I have this classic thing that's old that I'm always trying to fix up and keep it new. And I say 'ton up!' because that's what it feels like to play my songs, especially live. We get out there and we're so pumped up it sounds like we're going 100 plus MPH."

The songs on Confess do feel invigorated, as well as louder, more dynamic and certainly more adventurous. "Golden Light" kicks things off in a wash of keyboards and a slowly building beat, evoking a bit of Peter Gabriel. "That first track reminds me of my travels in Europe," says Lewis. "And it's almost my world music, in a way. I think it really opens the door for the rest of the album."

Elsewhere on Confess, Lewis revs up the guitars ("You Call Me On"), engages in some sparse, soulful R&B ("Patient") and goes quiet for a few mournful ballads ("When the Movie's Over," "Run My Heart.") But even on the slower songs there's a livelier percussive presence, thanks to an interesting new sampling technique. "I grew up in Florida, so the first musical impressions I had were from local football games," he says. "So for this record, I'd go to football fields and record and sample the drums. It's a fun detour away from the drum machines I used on Forget."

As Lewis prepares to release Confess and headline a summer tour (not surprisingly dubbed the Ton Up tour and featuring an illustration of his vintage bike on the tour poster), he realizes he'll be jumping right back into the very maelstrom that he occasionally laments in his new music. But for him, it's a sacrifice worth making. "I could have done other things with my life, and I've wanted to do a million different things that I haven't been able to do yet," says Lewis. "I weigh the pros and cons of that a lot in my new record. But music is such an amazing artform—it can be appreciated by almost anyone, and it means so much to so many different people. I think it's still the best way to express myself."

MAKES ME MOVE aka dj M3 , is a respected and highly-experienced San Francisco Bay Area DJ, promoter and venue owner. He started out in 1994 with an infectious downtempo style of playing and over time honed it into a fluid, uptempo approach that is composed of house, techno and disco. This characteristically Bay Area method of DJing was carefully and thoughtfully developed by moving and delighting dance floors at his own Green Gorilla Lounge party, an event that he hosted at club and underground spaces all over San Francisco with Anthony Masnfield and starting the Disco Knights camp at BRC. In fact, Green Gorilla Lounge stands out as mythical in the city’s rich history of dance music clubs and parties.

Green Gorilla Lounge soon became well-known as an event where clubbers and music enthusiasts could hear legendary and soon-to-be legendary local and out-of-town talent. Many years of hosting and playing at these always exhuberant events allowed DJ M3 to become one of the San Francisco DJs who truly defined the sound of the city in the 1990s and into the next two decades. The parties also helped him develop his craft further and provided a platform from which he launched his Green Gorilla Lounge record label. His collaborations with Phil ‘Rene’ Collis of Bachelors of Science led to their further alliance as Sleight of Hands and to releases on Green Gorilla Lounge and other respected imprints such as, Smoke ’N’ Mirrors, Om, Sirenum, and Chillin’ Records. As Sleight of Hands they performed together at Outsidelands and Coachella in 2013 and at the San Francisco Treasure Island Music Festival in 2014.

DJ M3 moved onto other ambitious projects like the Tweakin'/Black Pancake record store and Triple Crown nightclub and has kept moving forward with his passion for music. He is now co-owner, along with Chris Smith of Om Records, of one of San Francisco’s best clubs, a central, downtown named Monarch and Great Northern in the design district. When he is not in the studio crafting future dance floor classics, he can be found rocking clubs, bars and underground parties all over the city with his signature DJ sound. With a colorful past behind him and a creative and future ahead there is no doubt that he will continue with his lifelong love of being behind the turntables and making music.

KEEP WATCHING - KEEP LISTING - KEEP DANCING

Richie Panic

Richie Panic is a SF based disc jockey, underground comedian, and producing dreamboat. Richie makes and applies various theories to the object of "dance music". He is really into Kate Bush, KMFDM, and Richard Allen. Richie Panic enjoys mattress fires, kitty cats, and swimming. He thinks everyone looked better when people read magazines. Get into what he is selling and you will live to your fullest potential. Do it today!

Sleazemore’s personality in American electro culture is big and hugelike the ocean is deep. The ever-ready party machine has been known called the antithesis of many bad decisions. His party in San Francisco, Light’s Down Low (nominated for best club in SF ‘08 music awards), is an essential spot, acting as a minor league for artists who shortly after become major players, and has recently become intenational with the opening of Lights Down Low Amsterdam and Lights Down Low France to much acclaim. Sleazemore’s graphic design is not only in demand, but has been one of the most influential of today’s electro scene. His track selection is consistently solid he’s been known to mix the hottest track of the minute with the hottest track of tomorrows when it’s not even 5 hours old. He’s shared the stage with the likes of Simian Mobile Disco, Green Velvet, Justice and the Ed Banger Crew, MSTRKRFT, Boys Noize, Laidback Luke, Jesse Rose, Miss Kittin, Tiefschwarz, Kid Cudi, Felix Da Housecat, Major Lazer, Matthew Dear, the Sounds, Sinden, Crookers, A-trak, Trevor Loveys, Dj Craze, The Glimmers, Tim Sweeney,The Jaun Maclean, Tommie Sunshine and countless others and has played everywhere from NYC to Berlin to Mexico City to Paris.

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