Overseas is truly collaborative music made by old friends – Will Johnson of Centro-matic, David Bazan of Pedro the Lion, and brothers Matt and Bubba Kadane of Bedhead and The New Year. The self-titled debut from Overseas is a dreamy waltz of foreboding and reconciliation, a coin flipping head over tails in spotlight slow motion, landing briefly on its edge before accepting that it’s both sides at once if it’s anything at all. To hear Johnson & Bazan – such distinct, singular voices – trading tunes on the same record is a powerful experience, Will’s yang to David’s yin. Not to mention the latter’s understated bass playing, the former’s melodic drumming, and the subtle yet brilliant invention of bandleaders the Kadane brothers, who steadfastly pump the bellows that fuel the group’s creative fire, bringing its songs to life with their intuitive musicality. In collaboration, this quartet is tasteful, egoless, the collective emotional impact of their work always crater-deep. It’s a manifestation of the trust, camaraderie and mutual respect that comes with their enduring friendships.

Radar Bros.

Radar Brothers return with Eight, a very special new release only available on LP and digital beginning January 29. Featuring an expanded band of brothers including Stevie Triechel and Be Hussey from The Illustrated Garden as well as new members Dan Iead (formerly of The Broken West) on guitar/pedal steel, Brian Cleary on keyboards and Ethan Walter on piano and synthesizers. Between the two keyboards and Iead and Putnam's guitars, the band orchestrates a swirling fervor that glides over Triechel and Hussey's rhythmic aggressions.
The band called the record Eight (being their eighth),

and it may well be Radar Brothers' darkest, hardest rocking, most psychedelic, and yet most intensely personal album to date. From Putnam's tribute to Joni Mitchell's cover art (The Hissing of Summer Lawns) to the surreal, picturesque lyrics to the unidentifiable textures and sounds that pour from your speakers like liquid paintings—this may also be the band's most visual album to date.

So forget everything that you know or have ever thought about Radar Brothers. From the very start, Eight explodes with newness and bold, otherworldly jaunts. While paying tribute to their past on several songs, the band retains its swagger in this new territory throughout the rest.

Chris Brokaw

Chris Brokaw was born in New York City and raised in the outlying suburbs. He attended Oberlin College, where he took exactly two music-related classes: Multi-track Recording and Steel Drumming. In 1986 he moved to Boston, Massachusetts; and in 2011 relocated to Seattle, Washington.
Chris is perhaps best known for his work as the drummer in CODEINE and the guitarist in COME, who made several albums in the 1990's for the labels Sub Pop and Matador that are considered landmarks in American independent rock music.

Since 2001, Chris has focused primarily on his work as a solo artist, making numerous albums of vocal and instrumental music. This has ranged from full on rock ("Red Cities", "Incredible Love") to explorations of the 6-string and 12-string acoustic guitars ("Canaris", "VDSQ Solo Acoustic Volume 3") to the experimental and abstract ("Tundra", "Gracias, Ghost of the Future"). Throughout, Chris has maintained an active solo touring schedule in the US, UK, Europe, Canada, Australia and Russia.

He has composed original music for the following films: "I Was Born, But" (Roddy Bogawa, 2004), "Road" (Leslie McCleave, 2005, which received the award for Best Original Score at the Brooklyn International Film Festival); "Sospira" (Lana Z. Caplan, 2011); "Taken By Storm" (Roddy Bogawa, 2011); and "Now, Forager" (Julia Halperin/Jason Cortlund, 2012). The latter two films screened in 2012 at MOMA in New York City.

Chris has also performed and recorded as an accompanist to Thurston Moore, Evan Dando, Christina Rosenvinge, Jennifer O'Connor, Rhys Chatham, Steve Wynn, Alan Licht, GG Allin, and Johnny Depp.

He has composed music for the Dagdha Dance Company (Limerick, Ireland) and Kino Dance (Boston); collaborated with playwright Rinde Eckert and director Robert Woodruff on the new opera "Highway Ulysses" (2002, American Repertory Theater, Cambridge, Mass.); performed as one of 77 drummers in the Boredoms' "77 Boadrum" in New York; and performed as one of 200 guitarists in Rhys Chatham's "A Crimson Grail" at Lincoln Center, New York. His band Dirtmusic (with Chris Eckman and Hugo Race) performed at the Festival In The Desert, in Essakane, Mali, and collaborated with the Touareg band Tamikrest on an album recorded in Bamako, Mali.

Currently, Chris plays in the bands Wrekmeister Harmonies, The New Year, and The Empty House Cooperative, all of whom have new albums in the works for 2012 and 2013. He also plays in a duo with Geoff Farina (ex-Karate), netting two albums ("The Angel's Message To Me" and "The Boarder's Door"), and in a new duo with Stephen O'Malley (Sunn O))) ) called The Catamites.

2012 will see the release of "Gambler's Ecstasy", a rock solo album five years in the making. Chris will do an extensive US tour in September and October, performing solo, opening for the Japanese band Mono; and will tour further in 2012 and 2013 with a bassist and drummer.



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