Rusted Root

Rusted Root

The quintessential live band, Pittsburgh’s Rusted Root celebrates their 20th anniversary this year. Formed in the early 90’s by singer/guitarist Michael Glabicki, Rusted Root’s worldly style quickly charmed fans of roots music and world rock. To date they have released 7 albums and sold over 3 million records worldwide. After debuting in 1992 with the self released 'Cruel Sun,' Rusted Root signed with Mercury Records and released the 1994 platinum selling breakthrough 'When I Woke,' which featured the massive hits "Send Me On My Way," "Ecstasy" and "Martyr." Their huge success allowed the band to tours with Santana, The Grateful Dead, Dave Matthews Band, The Allman Brothers Band, HORDE Festival and, perhaps most notably, the highly coveted support role on the landmark Jimmy Page/Robert Plant reunion tour. Their new album 'The Movement' is out now!

Goodnight, Texas

If you take out a map and measure the midway point between San Francisco and Chapel Hill, North Carolina — the homes of songwriters Avi Vinocur and Patrick Dyer Wolf, respectively — you’ll find an unincorporated town called Goodnight, Texas (population at last count: 18). That’s what the duo discovered when they went looking for the center of their long-distance collaboration, a musical project that sounds, appropriately enough, like a cross-country drive on Interstate 40: Expansive, full of possibility, American in every sense of the word — the perfect place for missing someone but regretting nothing, for losing yourself in the crackle of guitar through speakers and having a good long think.

After meeting in San Francisco in 2007, Vinocur and Wolf built a friendship based on trading words and tunes. “I had never been able to sing with anyone before Pat. I was terrible at it,” says Vinocur. “But I didn't even have to try to harmonize with him. I still sort of have a hard time believing how easy it still is.” When Wolf moved to North Carolina in 2009, the songwriters kept in touch, finding their stylistic midpoint amidst banjo, guitar and mandolin, a love of working-class anthems. Though the two singers have notably different styles — Wolf showcasing a life long love of acoustic folk; Vinocur clearly comes from the world of garage rock, and leans toward darker blues — the duo shared a mutual admiration and easy harmony, as well as a fascination with late
19th century small-town America: A vision of a grittier, simpler world, full of raw pain and mysterious beauty. In 2012, after picking up a rhythm section (Alex Nash and Scott G. Padden), Goodnight, Texas released their debut LP, A Long Life of Living, to much critical acclaim.

The band’s contagiously entertaining dynamic at live shows, as well as the album’s energy, soul and range — from red-blooded, foot-stomping rock ’n’ roll to wistful front porch ballads to haunting tales of doomed romance — has made devotees out of both music critics and a growing legion of fans spread out across the country. Goodnight, Texas spent the last year and a half out on the road, supporting acts like Shakey Graves and Rusted Root, in addition to playing two sold-out hometown shows at the Fillmore alongside Bombay Bicycle Club and Nicki Bluhm and the Gramblers. The band released their sophomore record, Uncle John Farquhar, in the summer of 2014.

“It's a more upbeat, a little more fun, but it's still got some heaviness,” says Wolf of the new record. “The highs are higher and the lows are lower.” Vinocur, in particular, is excited to release “Dearest Sarah,” based on an actual Civil War letter written from husband to wife in 1861, a song Vinocur’s been working at for nearly eight years. “I wrote it in 2006 as a 4/4 acoustic guitar song and played it at two shows before taking it out of my set list.” says Vinocur “It was a lot of lyrics to remember and I was worried I
would mess them up and ruin the song's impact. I knew it was a significant song to me, but it wasn't quite right yet.” Vinocur says the song was “all but forgotten until I re-watched Ken Burns’ Civil War where Sullivan Ballou's letter is read. Very shortly thereafter, on a particularly lonely trip to New Zealand in 2012, I re-learned it on a
rooftop in Auckland and switched it to mandolin and waltz time. I added the bridge riff and the whole vibe came together. Finally I felt it was done and we re corded for release on our new record, 8 years after I first wrote it."

The album itself is named for Wolf’s great-great-great grandfather, and a sermon he delivered on the occasion of Abraham Lincoln’s death graces the record’s liner notes. “In my eyes, he serves as kind of the first entry in the scrapbook that is this album concept,”
says Wolf of the old photo of Farquhar that originally captured his imagination. “I was thinking of the album as a scrapbook - a collection of clippings over the course of the past century and a half,” says Wolf. “The oldest entries of the album package relate to
John Farquhar, who was my maternal great-great-great grandfather, a minister in Lancaster PA: the cover of his Abraham Lincoln sermon is the cover of the liner notes booklet. Inside the booklet a letter that he wrote to his cousin in Massachusetts during
the Civil War after visiting makeshift hospitals right outside the battle of Gettysburg. These documents are sort of the anchor of the work, so we've got this familial link to a seminal point in America's history and an example of both his (John Farquar’s) public and private voices."

Americana is arguably an overused term at the moment — but what sets Goodnight, Texas apart from the pack is its richly imagined, full-color stories. In the longstanding folk tradition of Bob Dylan, Woody Guthrie and Johnny Cash, Goodnight, Texas sings songs that are each a world in and of themselves — transporting listeners from the battlefields of the deep south to a saloon full of hard-drinking but good-natured regulars to the nervous feeling in the stomach of a poor boy about to ask for his girl’s hand in

Uncle John Farquhar showcases this talent perhaps better than ever, with the two songwriters’ styles playing off each other to great effect, balancing a wry sense of humor with an obvious respect for the ghosts of this country’s past. Whether in Vinocur’s realm of epic sagas of loss and animated hit-the-road tunes or Wolf’s natural gift for deceptively sparse, emotion-driven songwriting, we can feel the sun-baked earth, taste the sweat of a day’s labor, hear the hound dog howling in the yard. Our protagonists are lonely travelers and scorned lovers ad sympathetically conjured bank robbers, and for the duration of a song, we are rooting for them with all we’ve got.

Lorne & The Wayhighs

It's a BIG BEAT DANCE ROCK JAM sound that began in the Fells Point blues bars of Lorne Smith's hometown Baltimore. It was shaped in San Francisco on the stages of The Independent, Great American Music Hall, Bimbo's, Slim's, Cafe Du Nord, and the Boom Boom Room. It grew up on Ocean Beach, around a campfire, and by the river. Now, backed by all-stars of the SF scene, it is released to the world as Lorne & The Wayhighs. Get a free download of the brand new single “SHE’S A LION” here:


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