Woods, The Fresh & Onlys

“Woods’ brand of pop shamanism has undergone several gradual transformations over their past few albums, but on With Light And With Love, the tinkering reveals an expanded sonic palette that includes singing saw, heavier emphasis on percussion, and a saloon piano that sounds like it was rescued from a flooded basement. Distinct from both the stoned volk of their earliest recordings and the Kraut-y dalliances of more recent fare, With Light And With Love showcases a more sophisticated brand of contemporary drug music that owes more to Magical Mystery Tour than motorik. If you’ve ever thought of Woods as a pop group comprised of weirdos, or a weirdo band that happens to excel at playing pop songs almost in spite of itself, With Light And With Love provides a corrective in the form of songs that show these two elements as natural, inextricable bedfellows. Throughout the album, vocals are frequently emitted through Leslie speakers and guitars perform one-string ragas like Sandy Bull reared on shoegaze and skate videos. With Light And With Love is an album of deeply psychedelic, deeply satisfying songs for a new age of searchers, of Don Juan and Animal Chin alike.” – James Toth

The Fresh & Onlys

“We make albums to be heard as albums,” says Tim Cohen. “We always toil over the sequencing and slight pauses.” House of Spirits, The Fresh & Onlys’ fifth album since 2008, testifies to their rigorous full-length approach. Their most adventurous outing yet, House of Spirits devotes its A-side to the character of dreams. Written partly during his stay at an isolated horse ranch in Arizona with only a guitar, Korg keyboard and drum machine, Cohen focused the album’s lyrics on firmer narratives than on past material, but his imagery veers towards absurdity, reflecting the unreliable visions culled from his nightly subconscious activity. The album’s latter half finds his speaker awoken, resolute and lucid. All throughout, Cohen says the album grapples with the “idea that home is where your feet are.” While still possessing the impeccable pop faculties displayed on Long Slow Dance and Soothsayer, The Fresh & Onlys also deal experimental atmospherics and drum-machine anchored ballads like never heard from the group before.

“The things I remember from dreams are when something is slightly off. You’re in your house but realize suddenly that it’s not yours,” says Cohen. In that sense, album opener “Home is Where?” is a statement of the album’s intent. When Cohen’s speaker notices a “bowl full of eyes on the floor,” or “cauldron of hearts on the stove” during his comforting walk through “the good life,” the brisk but nuanced track morphs into a surrealist nightmare.

Jessica Pratt

“To say that Jessica Pratt is an old soul would be a vast understatement,” says Jenn Pelly of Pitchfork. “The young San Francisco singer/songwriter’s deeply intimate folk sounds so sincerely cast in from the 1960s that it’s hard to believe she didn’t release a proper LP during that period of time.” Pratt’s spooky and seductive self-titled debut is the inaugural release on Tim (White Fence) Presley’s new imprint, Birth Records. “I never wanted to start a label,” Presley says, “but there issomething about her voice I couldn’t let go of.”

Pratt’s debut release includes recordings from over the last five years, and steady advances in sophistication of recording and melody are evident throughout. To the artist, the record is a time-lapse document of discovery, both musical and personal. But in strangers’ hands, Pratt’s debut is another kind of discovery altogether. A fully-formed emerald artifact dug up cobwebby and cold but no less green for its time spent buried. Sun-bleached and sounding a thousand years old, Pratt’s debut is arrestingly brand dazzling new, and watch how the lights in your living room go soft and yellow when you put it on.”

$15 adv / $17 door

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Woods, The Fresh & Onlys with Jessica Pratt

Friday, September 20 · Doors 8:00 PM / Show 9:00 PM at The Chapel