Free Happy Hour - Drink Specials, Free Food, Live Blues!
Blue Monday Free Happy Hour With Derek O'Brien
WC Clark, Malford Milligan, Mike Flanigin, George Rains, Scott Nelson
2015 East Riverside
Austin, TX, 78741
Doors 5:00 PM / Show 6:00 PM (event ends at 8:00 PM)
Watch & Listen
Blue Monday Free Happy Hour With Derek O'Brien
Derek “Big House” O’Brien is a Texas-style blues guitarist, sometime bassist and record producer based in Austin, TX.
A stalwart of the house band at the famous Austin blues club Antone’s Nightclub, O’Brien is most often found backing up other Austin frontmen, including Delbert McClinton, Lou Ann Barton, The Texas Tornados and almost anyone recording on the Antone’s Records label.
O’Brien has also backed up major blues names such as Buddy Guy and Muddy Waters. Ted Drozdowski, writing on Gibson Guitars’ website, says, “O’Brien has a terse, arrow-sharp and spare style comparable to Jimmie Vaughan’s – light on flash, but soooo right. Check it out.”
“Modern Texas blues at its best…impeccable, soothing soul and flashy, jumped-up roadhouse blues…heartfelt emotion and sweet as molasses soul delivery…as a vocalist, he's untouchable.”
“W.C. Clark has it all…everything from good old rock 'n 'roll and gritty roadhouse R&B to strutting Memphis soul, second-line funk and contemporary blues.”
“If the blues is played right,” says Austin, Texas native W.C. Clark, “it makes your soul feel clean.” Indeed, master guitarist/vocalist Clark – known as “The Godfather of Austin Blues” – has been playing the blues right and cleansing souls from the east side of Austin to stages around the world for over 40 years. He's been mentoring countless young blues and soul players in the finer points of the music for almost as long. Blues stars from Stevie Ray and Jimmie Vaughan to Angela Strehli to Lou Ann Barton to Marcia Ball have all perfected their craft under Clark's tutelage. Clark's mix of modern Texas blues, searing guitar and heartfelt, Memphis-style soul vocals have made him a favorite of blues and R&B fans alike.
The HOUSTON CHRONICLE said Clark is “one of Austin's most pervasive live performers…he is a powerful and poignant soul man with hard-earned blues wisdom.” The NEW YORK POST calls Clark “a legend of the blues world.”
Before he began releasing albums in 1986, Clark was often referred to in the local press as Austin's Best-Kept Secret. Between the overwhelmingly positive media attention, the popular notoriety, the bigger and better tours, the secret was out. The AUSTIN AMERICAN STATESMAN says its hometown hero is “one of the greatest modern blues performers in the world…blending rock with R&B, soul and a touch of funk.” The AUSTIN CHRONICLE describes his music as “Good rockin’, soul-drenched Austin blues. A potent combination of gritty Texas guitar wedded to devastating, gospel-rich Memphis vocals.” Clark has won several Austin Music Awards for the “Best Blues Band”. Thanks to a series of stellar albums (each accompanied by piles of passionate press) and a reputation as a powerful live performer, the man know as “The Godfather of Austin Blues,” is now among the best loved guitarists and vocalists in the blues world.
Wesley Curley Clark was born into a musical Austin family in 1939. His father played guitar and his grandmother, mother, and sisters all sang gospel in the church choir. “I had so much music in my soul,” Clark recalls, “all I had to do was pick up an instrument and play it.” He learned the guitar as a youngster and at age 16 played his first gig at the Victory Grill, where he was introduced to Texas blues legend T.D. Bell. Soon after, Clark switched to playing bass and joined Bell's band, The Cadillacs. In the early 1960s he began a six-year stint with Blues Boy Hubbard and The Jets at the popular Austin nightclub, Charlie's Playhouse. There he met R&B hitmaker Joe Tex, who recruited W.C. to fill the vacant guitar slot in his group. Clark toured the Southern “chitlin' circuit,” learning music first-hand from Tex and countless soul and blues stars along the way, including Tyrone Davis and James Brown. Along the way, Clark perfected his ability to lift an audience into a soul frenzy. When he returned to Austin, Clark found the musical landscape changing with a whole new crop of young white kids beginning to venture out to the blues clubs to learn how to play. The scene was completely transformed as future stars like the Vaughan brothers, Bill Campbell, Paul Ray, and Angela Strehli came to Austin and discovered the rich musical legacy of bluesmen like W.C. Clark.
In the early 1970s, Clark formed Southern Feeling along with singer Angela Strehli and guitarist/pianist Denny Freeman. He then met and befriended Jimmie Vaughan's firebrand guitarist brother Stevie Ray, who occasionally sat in with the band. After Southern Feeling dissolved, Clark took a day job as a mechanic, but was courted relentlessly by Stevie, who was determined to have W.C. as a member of his own band. Clark eventually quit his job to become the bass player in the Triple Threat Revue with Stevie, keyboardist Mike Kindred, drummer Freddie Pharoah and singer Lou Ann Barton. While playing in this band, Clark and keyboardist Kindred co-wrote Cold Shot, which became one of Vaughan's biggest hits and recently earned W.C. his first platinum record.
Clark left Vaughan in the late 1970s and formed his own band, The W.C. Clark Blues Revue, and self-released his first recording, Something For Everybody, in 1986. The band became stalwarts on the Austin scene throughout the 1980s and early 1990s, playing regular gigs at legendary venues like Antone's and opening for the likes of B.B. King, James Brown, Bobby “Blue” Bland and Albert King. Clark's star – at least locally – was rising.
As his celebrity increased, the critically acclaimed PBS television show Austin City Limits celebrated Clark’s 50th birthday in 1989 brought Clark together in front of a live audience, with his disciples Stevie Ray Vaughan, Jimmie Vaughan, Kim Wilson, Lou Ann Barton, Angela Strehli and Will Sexton all taking part. The broadcast, one of the series' most popular, brought Clark to the attention of a national audience for the first time. In 2000, AUSTIN CITY LIMITS aired an extended jam between W.C. Clark and Stevie Ray Vaughan as part of a Stevie Ray Vaughan special.
In 1994, Clark's friend Kaz Kazanoff introduced him to Hammond Scott of Black Top Records. Impressed by what he heard, Scott released Heart Of Gold that same year. Texas Soul followed in 1996, exciting fans and critics alike. “Honey dripping soul, the toughest of Lone Star Blues,” hailed THE CHICAGO TRIBUNE. With the accolades building and the reach of his music extending, Clark won a coveted W.C. Handy Blues Award for “Soul Blues Album Of The Year” for Texas Soul.
His next release, 1998's Lover's Plea, found Clark singing and playing stronger than ever. Lover's Plea earned him another W.C. Handy Blues Award, this time for Artist Most Deserving of Wider Recognition. Another televised performance, (as part of The Best Of Austin City Limits), hit the airwaves in 1998, setting the stage for a national tour in support of Lover's Plea. Once again, critics and fans went wild. The Chicago Reader called Clark “a veritable superstar.”
On his album, From Austin With Soul, Clark made his Alligator Records debut, he forcefully carried his soul-drenched blues to heights he's previously only hinted at. Clark wrote five of the album's 13 songs (Bitchy Men, Let It Rain, Got To Find A Lover, I'm Gonna Disappear, I Keep Hanging On), and included well-chosen covers from a variety of artists, including Clarence Carter (Snatching It Back), Gatemouth Brown (Midnight Hour Blues), Bobby Bland (Got Me Where You Want Me), Albert King (Get Out Of My Life, Woman), and Johnny Adams (Real Live Livin' Hurtin' Man). Clark's emotional duet with Marcia Ball, on Don't Mess Up A Good Thing, is only one of the album's many musical highlights. Recorded at Arlyn Studios in Austin and produced by Mark “Kaz” Kazanoff, the album features a stellar cast of the city's best musicians, including bassist Larry Fulcher, drummer Frosty Smith, guitarists Derek O'Brien and Pat Boyak, keyboardist Riley Osborne, and Kazanoff himself leading a punchy horn section. BLUES REVUE declared, “With From Austin With Soul, Clark has painted his masterpiece. Few artists rival Clark’s ability to sing as soulfully as Al Green and play guitar with such tasteful precision.” BILLBOARD celebrated the release, calling Clark “Superb. He’s a soulful vocalist and a tasty guitarist with an enormous amount of talent.”
Clark won the 2003 W. C. Handy Award for “Blues Song of the Year” for his composition “Let It Rain” and was nominated for the 2004 W. C. Handy Award for “Male Soul Artist Of The Year”.
Clark’s Alligator release, Deep In The Heart, is another slice of stunning soul mixed with contemporary electric blues. With wrenching, heartfelt ballads to celebratory, horn-fueled Texas stomps, Deep In The Heart is a blistering ride through sinewy Memphis soul and foot-stomping Texas roadhouse blues. With friends Marcia Ball and Ruthie Foster duetting on three songs, Deep In The Heart is the most fully realized and soulfully intense album of Clark’s long career. Deep In The Heart garnered more attention from the WC Handy Awards with nominations for “Blues Album of the Year” and “Soul/Blues Album of the Year”. Clark was nominated for “Soul/Blues Male Artist of the Year”.
BLUES REVUE says “Clark conjures the vocal power of Otis Redding and Wilson Pickett and the guitar of Steve Cropper and Albert King.” LIVING BLUES calls him “a first-rate and funky, passionate and powerful performer…a singularly skilled leader among modern blues artists.” “Armed with a powerful, gospel-approved voice, Clark delivers his songs with God-fearing intensity.” – GUITAR PLAYER
Clark has toured relentlessly for years including performances at the Chicago Blues Festival, European Blues Festivals, Ottawa and Toronto Blues Festivals, various festivals in Europe, Russia and Turkey. Along the way he has met up with old fans and friends and undoubtedly gained new ones everywhere he plays. The rest of the world is now in on what the city of Austin has known for decades: W.C. Clark is an innovative and creative artist whose soulful singing and tasty guitar playing reach out from Austin, with soul, to all corners of the music-loving world.
With his 2011 release, Were You There?, Clark has compiled songs from his live performances that have been requested again and again by his fans. With his non-stop touring, Clark's star continues to rise, as his soulful singing and blistering guitar playing guarantees that his constantly growing fan base will never stop shouting for more.
Malford Milligan is a world class blues/soul singer, based out of Austin, Texas. With his nationally acclaimed band "Storyville," he recorded 3 CDs; 2 with Atlantic Records, and 1 with November Records. He performed on "Austin City Limits" 3 times; twice with "Storyville," and once with Eric Johnson. Malford Milligan has also appeared on the Conan O'Brian show. Malford Milligan has toured with BB King, James Cotton, Edgar Winter, Double Trouble, Kenny Wayne Shepard, and many more. Malford is now fronting "The Malford Milligan Band."
Malford has recorded on more than 30 albums with such artists as, Hal Ketchum, Marcia Ball, Doyle Bramhall, Alejandro Escoveda, Sue Foley, Stephen Bruton, Chris Smither, Eric Johnson, Double Trouble, The Boneshakers, and Toni Price among others
Mike Flanigin is a masterful player of the Hammond B3 Organ, an instrument that went out of production in 1974. However, in his hands, it sounds more alive than ever. Deep funk, thick chords and powerful basslines propel his sound into the modern age...twisting jazz, soul, and rhythm & blues into a sound all his own.
A musician’s musician...he’s impressed greats from all genres of music...Eric Clapton, Norah Jones, Jimmie Vaughan, David Byrne, Ryan Adams, Al Kooper, Bill Frisell, Madeleine Peyroux, James Burton and Larry Goldings have all sang his praises after hearing him perform.
George Rains played drums with Guy Parnell. He plays right-footed and left-handed because Ronnie Thayer (whose drums were set up on the Cellar bandstand) wouldn't let George move any of the drums! Nevertheless, George quickly became the best drummer in town, had the good sense to get OUT of town, and went on to play and record with San Francisco group MOTHER EARTH, and with Van Morrison, Boz Scaggs and Doug Sahm. After returning to Texas, George settled in Austin and currently plays with whom he pleases, notable among these being Austin favorites Junior Brown and Jimmy Vaughn.
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