887 West Marietta St. Studio C
Atlanta, GA, 30318
Doors 7:30 PM / Show 8:00 PM
This event is all ages
Vanessa Carlton had been going at full sprint since she was discovered by legendary record
executive Ahmet Ertegun when she was still a teenager, signed by Jimmy Iovine soon after, and
exploded onto the pop scene with the platinum-selling, Grammy-nominated Be Not Nobody in
2002. But as she was nearing thirty, Carlton felt lost.
Carlton needed a fresh start and ultimately, she made her way to Peter Gabriel's Real World
studios in Box, England, where she created something that harks back to a different era of
music-making: ten intimate, evocative songs, recorded direct to tape with a close-knit team of
collaborators. The songs that make up rabbits on the run, her 2011 release, retain Carlton’s
impeccable melodic sensibility, but are consistently surprising and unpredictable.
“I felt like I wasn’t navigating, but the time was navigating me,” says Vanessa Carlton. “I wasn’t
manipulating the process at all. I got to that place where you don’t think about how you’re
going to do it, you just do it in the way that feels the most clear and right. That shouldn’t be
so exotic, but I’d never gone through it before.” Now Vanessa is back at work embarking on
a brand new album. She returned to the site of her inspiration, Box, England to work with
producer Steve Osborne once again at Real World Studios. Be on the lookout for the release of
Vanessa’s fifth studio album in early 2014.
Patrick Sweany likes the spaces in between.
On a given night (or on a given album) he'll swing through blues, folk, soul, bluegrass, maybe some classic 50s rock, or a punk speedball. He's a musical omnivore, devouring every popular music sound of the last 70 years, and mixing 'em all together seamlessly into his own stew. Yet, the one thing that most people notice about Patrick isn't his ability to copy - it's his authenticity. Like his heroes, folks like Bobby "Blue" Bland, Eddie Hinton, Doug Sahm, Joe Tex, Patrick somehow manages to blend all of these influences into something all his own.
It's no wonder that as a kid he immersed himself in his dad's extensive record collection: 60s folk, vintage country, soul, and, of course, blues. Patrick spent hours teaching himself to fingerpick along to Leadbelly, Lightnin' Hopkins, and other folk-blues giants.
In his late teens, Patrick began playing the clubs and coffeehouses around Kent, OH. He quickly gained a reputation for the intricate country blues style he was developing: part Piedmont picking, part Delta slide - with an equally impressive deep, smooth vocal style.
It wasn't long before Pat drew the attention of other notables like Jimmy Thackery who was impressed enough to bring Pat on the road, and Roy Book Binder, who, after hearing Patrick's self-released debut CD I Wanna Tell You, arranged his first appearance at Merlefest in 2002. Book Binder also turned his longtime friend Jorma Kaukonen on to Patrick's music, landing Pat a perennial slot at the legendary Fur Peace Ranch alongside guitarists like GE Smith, Marjorie Thompson, Bill Kirchen and Bob Margolin.
But Pat wouldn't stay in the acoustic world for long. His love of 50s era soul and rock fused with the adrenaline-soaked garage punk revival happening throughout the Rust Belt pushed Pat to form a band.
After 3 critically acclaimed CDs (the last two produced by longtime collaborator Dan Auerbach of The Black Keys), Patrick has expanded his touring radius to 49 states and the UK. He's played premiere festivals all over the U.S., and supported national acts such as The Black Keys, The Gourds, The Wood Brothers, Sonny Landreth, Hot Tuna, and Paul Thorn on tour.
His latest record, That Old Southern Drag, hit the streets February 15, 2011. It was recorded to 2" tape in Nasheville, TN (Patrick's new home) and features contributions from Joe McMahan (Allsion Moorer, Webb Wilder, Mike Farris), Scott McEwan (Tarbox Ramblers), Tim Marks (Will Kimbrough, Taylor Swift), and Chris West (The Dynamites), among others. Southern Drag expands Patrick's roots music palette without losing his signature Deep Blues sound.