El Ten Eleven

El Ten Eleven

El Ten Eleven is a Los Angeles-based instrumental indie rock duo consisting of Kristian Dunn and Tim Fogarty. What separates El Ten Eleven from their musical peers is that they are only two musicians on stage creating pounding landscapes of sound with no laptops or sequencers. Dunn switches off (sometimes mid-song) between a double-neck bass/guitar and a fretless bass, while his feet dance on an extensive floorboard of looping devices and effects pedals. He plays everything live, loops himself and juggles all the layers of tracks on top of each other. Fogarty switches between traditional acoustic drums, roto toms and electronic drum pads, usually within each song. To add to the insanity, Fogarty will occasionally loop himself as well.
The densely textured, atmospheric instrumental sounds of their first two full-length albums (the self-titled debut El Ten Eleven and their follow-up Every Direction Is North) have been praised alongside the work of such post-rock elite as Tortoise, Explosions in the Sky, and Sigur Rós. With their third album, These Promises Are Being Videotaped, the duo took a leap in a new musical direction more akin to the work of dance-rock envelope pushers Ratatat and Soulwax.

For their fourth full length, It's Still Like A Secret (November 9, 2010), the duo has taken the best elements of their first three albums and combined them into something extraordinary. "On each record we learned a lot about what works and what doesn't," Dunn explains. "This is hopefully the perfect amalgamation of everything we do."

Like their last few LPs, the band has opted to self-release this one on their own label, Fake Record Label, despite labels pursuing them. "I've had seven record deals, major and indie, and it never seemed to really work," reveals Dunn. "As soon as we started doing things on our own, El Ten Eleven began to find some real success. That's what our song 'Ian Mackaye Was Right' is about. Doing things yourself."

Testament to this DIY ethos is the pair's unyielding touring regimen. A duo of road warriors, they have built up their fan-base the old fashioned way: by getting out on the road and playing their asses off at more than 400 shows. They have looped around America more times than they can remember and although they have yet to leave the confines of North America, their music has been heard loud and clear across the globe. "We have so many fans from all over the world," exclaims Fogarty. "We get emails from Moscow, Estonia, Australia, Malaysia, Japan…it's amazing!"

This far-reaching fanaticism is likely due to the universal appeal of the music they create. After all, wordless music needs no translation. Perhaps because of this, the band's songs have been heavily used in the realms of television, film and advertising and continue to be highly sought after. Of significant note are two highly acclaimed PBS documentaries - "Helvetica" and "Objectified" – both of which were nominated for Independent Spirit Awards. These films, directed and produced by Gary Hustwit, were scored by Dunn and prominently feature El Ten Eleven's music. The band has just signed on to score his third film, "Urbanized," which will be released in 2011.

Eliot Lipp didn't choose to become one of the most looked to artists in contemporary electronic music, but somehow, Lipp's sound, one that uses vintage gear to create a unique take on Hip Hop and House, has quickly garnered the respect among the industry's most influential musicians and producers as well as the deep admiration among audiences worldwide.

Since being discovered by Scott Herren (aka Prefuse 73) in the mid 2000's, and releasing albums on the cutting edge labels Eastern Developments, Mush and Hefty as well as backing the hype with a relentless touring schedule of influential live shows all over the globe, Lipp has quickly become one of the barometers for the revival of electronic music in the States.

Originally hailing from Tacoma, WA, Lipp paid his dues in the underground scenes of almost every primary market in the US, Europe and Asia, including stints in Los Angeles, San Francisco and Chicago before dropping roots in the Brooklyn scene that has continued to produce some of the most recognized artists in contemporary indie and electronic music.

Lipp's signature sound, a crossbreed of 90's Hip Hop and House, 70's Funk fusion as well as classic Electro, has and will continue to breakdown barriers and transpose trendy scenes. Whether programming Hip Hop beats, writing dirty basslines, collaborating with the likes of premier producers, DJs, MCs and musicians, examined by SPIN, URB, Pitchfork and other media or playing popping parties at clubs and festivals worldwide, Eliot Lipp will continue to do his part in revolutionizing electronic music.

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