TRVE Brewing 1 Year Anniversary
Speedwolf, In The Company Of Serpents, Belhor, Call Of The Void, Primitive Man
7 S. Broadway
Denver, CO, 80209
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
TRVE Brewing 1 Year Anniversary
Our goal is to give you a rad place to hang out and drink killer beer. Founded on the Summer Solstice of 2011, our mission has always been to create beers that are beyond the pale. To us this implies new ideas, channeling Loki, and embracing chaos. It means drawing from the sounds and sights that inspire us most in life.
Our beers may or may not exactly adhere to any particular guidelines – we’re style blasphemers and category agnostics – but you can count on the fact that we’ll always brew damn good beer.
To us, TRVE represents being a part of a counter culture without immersing yourself to the point of taking it too seriously.
Speedwolf: " This next song's about drinkin' the devil's blood, and killin' angels! I know I've been there . . . " Metal, oh metal.
In The Company Of Serpents
In the Company of Serpents are a doom/sludge two-piece from Denver, Colorado. Founded in early 2011, the band came into being when vocalist/guitarist Grant Netzorg met drummer JJ Anselmi at a show their former bands were playing. Later that Spring they recorded a 4 song demo in a friend's basement studio, which they paid for in AR-15 Ammunition and beer. Shortly afterwards, In the Company of Serpents entered Moduel Overload studios in Denver to record their self-titled debut, which was subsequently self-released on cassette in early 2012.
In late 2011 JJ left the band on amicable terms, and Joseph Weller Myer has been slaying the skins in his stead ever since. In May of 2013 Joe & Grant entered the studio to record their follow-up, Of the Flock, which was subsequently mixed and mastered by Billy Anderson. Of the Flock was self-released on vinyl on Halloween of 2013.
Call Of The Void
Colorado's CALL OF THE VOID produces the aural equivalent of getting repeatedly kicked in the teeth by a ten-ton, steelforged beast. Originally formed in Boulder as Ironhorse in late 2011, the band plays a furious mix of punk, hardcore and grind. CALL OF THE VOID’s uniquely challenging alloy got the band started off strong the quintet began playing local shows beside heavyhitters like Gaza and Cattle Decapitation almost immediately, and signed to Relapse in late 2012 before even releasing a single record.
CALL OF THE VOID released its debut album Dragged Down a Dead End Path in early 2013 and quickly received copious praise from publications such as Pitchfork, Metal Hammer, and Invisible Oranges. Upholding its reputation for devastating live performances, the band appeared at Denver Black Sky in 2013 and is scheduled to play Southwest Terror Fest in October 2015 in support of Sleep, Thou, The Body, Bongripper, Graves at Sea, and many others. CALL OF THE VOID has also toured the continental US, appearing alongside Today Is The Day, Eyehategod, The Acacia Strain and Relapse colleagues Weekend Nachos and Primitive Man.
The band dropped its second fulllength Ageless in February 2015, raising its alreadyhigh profile even further and earning praise from the likes of Metal Hammer, Decibel, New Noise, and MetalSucks. 2015 also saw a lineup change for the band: vocalist Steve Vanica announced his departure from CALL OF THE VOID in July 2015. Said the band, “touring and being in a band is not for everyone and priorities change. We’re saddened to not have Steve behind the mic anymore, but we are excited to still continue on with the same core, making great music.” Yet this change won’t hold CALL OF THE VOID back; the band is retaining all its other members, with guitarist Patrick Alberts set to assume vocal duties. Despite the aggressive negativity of CALL OF THE VOID’s music, the future looks promising for the Colorado quartet: nothingness may beckon, but CALL OF THE VOID has found the perfect balance of temptation and restraint, its nihility teetering on the edges of triumph and despair.
Denver’s PRIMITIVE MAN’s music matches its name: a savage, sparse mix of death metal, blackened noise, and doom riffs. The threepiece was formed in February of 2012 by Ethan Lee McCarthy, Jonathan Campos, and Bennet Kennedy (all current and former members of Vermin Womb, Withered, Clinging To The Trees of A Forest Fire, Death of Self and Reproacher). In October of 2012 the band recorded their debut LP Scorn at Flatline Audio with Dave Otero (Cephalic Carnage, Cobalt, Catheter, CTTTOAFF). Scorn was released a collaboration between Throatruiner and Mordgrimm Records. After the release of Scorn, the band parted ways with Kennedy and recruited Isidro "Spy" Soto to temporarily take over on drums for a number of tours/releases before settling on a permanent replacement in drummer Joe Linden in 2015. The band also self-released a three-song EP in February titled P/M.
The unique metal hybridization of Scorn caught the attention of Relapse, who liked the record enough to sign the band and reissue the full-length in summer 2013. Dubbed a "totally malignant sounding record and one that will consume you whole if you’re not careful,” by Cvlt Nation and called “the best worst thing that has ever happened to you,” in an 8/10 review from Metal Hammer, Scorn found PRIMITIVE MAN celebrating a slow-roasted apocalypse through seven suffocating hymns of hatred, disease and sonic deviance. The record put the band on the map for many listeners, and enabled PRIMITIVE MAN to embark on a relentless touring schedule that would soon see the band playing live shows across the US and Europe (often for the vast majority of the year) in company with acts such as Magrudergrind, Weekend Nachos, Hexis, Reproacher, Fister, Celeste, Opium Lord, and Northless. PRIMITIVE MAN also played Denver Black Sky in 2013 alongside Relapse brethren Dying Fetus, Exhumed, Skinless, Iron Reagan, Mammoth grinder, Call of the Void, and Weekend Nachos.
All of Ethan McCarthy’s projects have been prolific, and PRIMITIVE MAN is no exception – the band released four splits between 2013 and 2015, and dropped another bombshell of nihility in 2015 with its Relapse EP Home Is Where The Hatred Is. The EP was well-received by publications including Metal Injection, MetalSucks, Revolver, and Exclaim!, the latter of who stated, “unapologetically bleak and permeated by loathing and hostility, Home Is Where The Hatred Is will either leave you wanting more or contemplating teetering off a ledge.” Despite their primeval, bludgeoning approach, PRIMITIVE MAN wouldn’t exist without their savage awareness of modern humanity: simultaneously old and new, atavistic and groundbreaking, PRIMITIVE MAN stands to redefine current conceptions of hope, faith, and metal music.