Drusky Entertainment Presents
Air Dubai, 2PO, Sahtyre
1306 E. Carson Street
Pittsburgh, PA, 15203
Doors 6:00 PM / Show 6:15 PM
This event is all ages
Like some kind of sonic Pulp Fiction, Bad Rabbits fuse futuristic R&B and post-rock for a slick one-two punch.
Think Sly Stone fronting Bad Brains, and you're maybe a third of the way there. The multi-cultural Boston five-piece—Fredua "Dua" Boakye [vocals], Sheel Davé [drums], Salim Akram [guitar], Graham Masser [bass], and Santiago Araujo [guitar]—confidently struts through genres with unrestrained swagger and a whole lot of attitude. It's sexy and soulful replete with seismic falsetto about youthful love and "dirty" girls. It's bedroom music as much as it is dance floor music. It's simply American Love.
Bad Rabbits began drumming up a flurry of buzz in 2009 with their self-released EP, Stick Up Kids. Their sweaty, intense live shows solidified an impressive and devout following as they shared the stage with the likes of Wu-Tang Clan, Passion Pit, Deftones, Travie McCoy, T-Pain, GlassJaw, Common and John Legend and played the Vans Warped Tour. However, one pivotal gig with Foxy Shazam in San Francisco helped lay the preliminary groundwork for American Love in 2011.
"After we finished playing, this kid with tattoos and plugs in his ears rolled up to us," remembers Sheel. "He was pissed that he missed the show so I asked if he had a house we could play at. We grew up playing metal shows in basements, so we were down to kick it and jam. The next day, we played his kitchen. He just understood what we were doing musically, and he had all kinds of ideas. That kid was our co-producer B. Lewis."
The band flew Lewis out to Boston, and they started seriously collaborating. Over the course of 2012, they composed, recorded, and fine-tuned the songs that would eventually comprise their debut. Along the way, the group honed their style precisely.
"We wanted to bridge the gap between the two musical worlds we come from," explains Salim. "One of them is classic R&B, and the other is rock. They may seem disparate, but we tried to fuse them."
That mission is certainly accomplished on tracks like the first single and album opener, "We Can Roll". After a sultry keyboard swell, the song climaxes on an anthemic hook fortified by hulking guitars. Dua reveals, "It's like a ride or die anthem for your girlfriend or boyfriend basically. As corny as it may sound, it encompasses that feeling when you get the right person. You want the person to 'roll' anywhere and everywhere with you. It's a trap wedding song."
That theme of young love carries over to "Fall in Love", which Converse will premiere on Valentine's Day 2013. A big horn section pipes along with a swinging vocals and smooth bass. Sultry lyrics bubble up over the pulsating funk on the verse, emblematic of their grasp on 21st century R&B.
In many ways, diversity drives Bad Rabbits. The music reflects the cultural melting pot the band members embody. Sheel, Dua, and Santiago are all first-generation Americans as their parents originally hail from India, Liberia and Ghana, and Italy and Argentina respectively. As a result, the album remains all-inclusive.
"That's where the concept of American Love comes from," Sheel adds. "These diverse backgrounds forming one entity represents what America is. It reminds me of when I used to go see Deftones and GlassJaw as a kid. Their audiences weren't only into a variety of music, but they were also multi-cultural. I always thought that was so cool. We may come from different cultures, but we all bond over music."
American Love is something else that listeners worldwide can bond over. "I feel like everyone can really get to know us with this album," says Salim. “Our hope is that it will introduce new people to Bad Rabbits but also show our progression to those who have already been exposed to the band."
"We're just doing what comes naturally," Sheel concludes. "It isn't about trying to be something we're not. It's about just going with the flow ultimately. We're not forcing anything."
Sit back and fall into American Love.
Easier experienced than described, Air Dubai is a bustling seven-piece hailing from the burgeoning music scene of Denver, CO. With disparate musical backgrounds and indiscriminate influences, the boys of Air Dubai have truly created something new: pure, melodic cacophony. When vocalists Julian Thomas and Jon Shockness conceived the product of their musical aspirations in the summer of 2008, the short-lived duo underwent a rejuvenation in the spring of 2009 with instrumentalists Nick Spreigl, Lawrence Grivich, Michael Ray, Taylor Tait and Wesley Watkins rounding out the band's current line-up. The band as it exists will go on to collect several titles (including Westword Magazine's Best Hip-Hop Band, and KTCL 93.3's Hometown for the Holidays competition) and universal praise for their eclectic brand of spicy alternative music: always well done, but never over-sauced.
Wonder Age, their debut long player released October 5th, 2010, is the embodiment of two years of anticipation built solely upon Air Dubai's critically acclaimed live performance. An Air Dubai show is a truly unique experience – an open invitation into the passion and soul behind Air Dubai, but also simply a testament to having a good time. Both national and international publications will say that Air Dubai stands confident in delivering both. While their impressive roster of accomplishments would suggest that Air Dubai might be seasoned and frail, and reaching the bottom of their slope, the truth however is quite the opposite. This young band has the world ahead of them – working efficiently and successfully to catch up to it. Though Air Dubai is certain to document their experiences, life lessons, and discouragements – through their infectiously tasteful music – all along the way.
Los Angeles hip hop has enjoyed a renaissance of talent not seen since its 90's heyday. A wealth of diverse acts have been bubbling under the surface and looking to break nationally. Sahtyre, the latest and most promising new act, has just released his newest project, "LSD (Prelude)."
"LSD", an acronym for "Love. Sex. Drugs," is Sahtyre's most ambitious work of art to date. Having collaborated with Hippie Sabotage and Chase Moore, we find Sahtyre channeling the spirit of his personal musical heroes and delivering a record that at times has more in common with drug addled rock stars than most rappers. "LSD (Prelude)" is a dark and personal record for Sahtyre that sets it as an alternative to the rest of the burgeoning L.A. hip-hop scene.