Micky and The Motorcars

Micky and the Motorcars, with their own band of Americana rock, bring an optimism and integrity only acquired after performing so long the only thing left to tell is the truth.
Eleven years and six albums after MMC was founded in Challis, Idaho, the band still writes more than 90 percent of its music as it defines the lives of brothers Micky Braun (vocals, acoustic guitar) Gary Braun (vocals, guit
ars, mandolin, harmonica) Joe Fladger (bass), Dustin Schafer (lead guitar) and Shane Vannerson (drums, percussion).
Micky and the Motorcars may be self-described as “a little rough around the edges,” but with its rocking sound, MMC shares real thoughts, is full of depth, and has a honest, raw emotion and energy bleeding through Micky’s heart straight out into the crowd. Anyone who has ever loved and lost or loved and drank or loved at all knows exactly where he’s coming from and what he’s talking about in a sincere, piercing way.
It’s also made Micky one of the most sought after songwriting collaborators on the scene, and consequently MMC songs have credits to brother Willy Braun, Randy Rogers, Cody Canada, former Jack Ingram bassist Robert Kearns, as well as Kevin, Dustin and Savannah Welch. Throughout its tenure, MMC’s Braun front men have been quoted repeatedly as “just wanting to play good songs.”
For Micky and Gary, whose genetic musical legacy precedes them, playing and singing is damn near the only life they’ve ever known. The boys grew up in the Western mountains, playing music with their family: older brothers (Reckless Kelly’s Willy and Cody Braun) and father (full-time musician, Muzzie Braun). The boys’ paternal grandparents were both were full-time musicians as well, and the boys watched their father play in his own Braun brother band with their uncles Billy and Gary.
For MMC’s Braun brothers, they hope to create their own legacy — of doing what feels good, what sounds right, and hoping it pays off. So far, it has. MMC has come a long way from playing for free and sleeping on random floors and couches.
Now, travelling nationwide more than 200 days year, the most rewarding thing for MMC is watching the raw emotion of the crowds. There’s an excitement, Gary says, never really knowing how everything is going to work out. But the ups and downs of the road somehow make it all worthwhile for the Motorcars, who don’t have any plans of slowing down.

There is an elusive sweet spot at the crossroads where soul music, country, and rock’n’roll intersect, and the Austin, TX-based band Shurman hits that bulls-eye dead on. The band is gaining a reputation as a “must see live act” built on their sweat-drenched shows that pack a powerful punch of rock laced with Motown inspired melodies and just the right amount of twang. Underneath the energy and grit of the band’s performance lie songs that breathe the truths of unrequited love, every day life experiences, and emotions that are both familiar and haunting.

The foursome’s latest offering for Sustain/Universal Republic, Still Waiting for the Sunset, is a smoking 12-song tour de force that blends the best of heartland rock with an enthusiastic nod to the rebels and hell-raisers of Country music’s past. The record blasts off with a propulsive kick of barroom existentialism on “Is It True” and wraps up with the blistering twang and statement of musical purpose of “Three Chords.” In between one finds everything that a fan of real American music holds dear: songs about life and death, love lost and found, noble and shady characters, and places both familiar and otherwise that speak from the heart with sincerity and conviction. Music that is so intoxicating and potent that it can lift a weary soul as well as drown the deepest of sorrows. In short, it’s the best elements of what rock’n’roll and country used to be, driven by the impassioned vocals of singer, songwriter, and guitarist, Aaron Beavers.

Co-produced by Beavers and Danny White, Still Waiting for the Sunset was tracked at Nashville’s 16 Ton Studios and Austin’s Premium Recording. Joining the band on the sessions are such Americana luminaries as steel guitar legend Al Perkins (known for his work with The Rolling Stones, Bob Dylan, The Eagles, Gram Parsons and a host of others), Grammy-winning artist Robert Reynolds of The Mavericks, rising Memphis soul singing sensation Susan Marshall on background vocals, and former Wilco/Uncle Tupelo drummer Ken Coomer on percussion.

Read more: http://www.myspace.com/shurman#ixzz0ylRjpTDD

Darren Hoff & the Hard Times

Darren Hoff spent nearly a decade singing and playing guitar with The Weary Boys, a band who's roots trace back to Eureka California before the founding members moved to Austin in 2000. They crisscrossed the nation dozens of times and self released six records. The boys called it quits in the summer of 2007 and after finding his first day job in over six years Darren's first thought was "I better start writing some songs". Nearly two years later Darren Hoff and his new band dubbed "The Hard Times" entered Jumping Dog studio with 10 tunes penned by Darren and an old Charlie Poole song.

The selection and inclusion of Darren's new band-mates came through a mix of circumstance and intention. Ben Massey, lead guitar, relocated to Austin a decade ago from his native Maryland. He has played more than a thousand gigs with various acts around Austin, a good number of them opening for Darren's old band. Darren and Ben kicked around the idea of starting a side project together for years but both were too busy for it to get off of the ground. That changed early in 2008 when they got together to work on a few of Darren's songs, put together a set of covers, and started booking some off-night gigs as a three piece with various bass players.

Brandon Burke was next to join up with a simple "sure" when Darren asked him "hey we have a show tomorrow, do you want to play drums with us?" Burke a recent transplant from Yakima Washington with an odd musical background, a paring of Metal and Jazz might not have been an obvious choice but they immediately clicked.

Florida born engineer Jim Hawkins made his way to Austin via Hawaii, California and Belize. He became friends with Darren and Brandon when they worked together at a music shop. Early in the summer of 2009 he signed on to record and co-produce their self-titled first release. The recording process and working relationship was so fruitful with Jim adding keys to a few tracks that he started sitting in at live shows. It was quickly decided that his keyboards, harmony vocals and acoustic guitar were a perfect fit and before completion of the recording he became a full member.

After a handful of bass players used to gig they were fortunate enough to get legendary Gilley's bandleader and David Allen Coe alum Billy Dee to start the recording process laying down bass on 9 of the 11 tracks. Meanwhile former co-worker at the same music shop and lead guitar player in local indie rock band The Alice Rose Gregg White popped in to say hi and mentioned he had recently purchased a new bass. Well the Hard Times needed a bass player for a gig two nights later and Gregg fearlessly jumped aboard. One gig turned into another and Gregg ended up doing the final recording sessions for the record.

The quintet look forward to gigging, writing and recording for years to come.

$12.00 - $100.00

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