Cody ChesnuTT

Cody ChesnuTT

Universally hailed as a thrilling new figure in music for his edgy, lo-fi debut, The Headphone Masterpiece, back in 2002, Cody ChesnuTT is a soul troubadour whose frank, socially conscious ruminations on life continue to challenge popular notions of what modern soul music can look and sound like: a raw storyteller for the people wearing a guitar and a toothpick-chewing smirk; a wide-eyed, intense soul brother in a crazy-fly get-up singing about bedraggled love in the land of Lost Angeles - he’s all of that, but wiser now while still wearing poetic license on his skin like a battle scar.

A decade earlier, Cody explored the Atlanta’s early ‘90s R&B scene as a singer, and then toiled in his LA-based band, The Crosswalk. His time spent alone exploring raw new sounds in his bedroom finally paid off in 2002 with the release of The Headphone Masterpiece. Industry tastemakers like music writer dream hampton (and The Roots drummer and Late Night With Jimmy Fallon bandleader) Questlove took to the record immediately, hearing in Cody’s music the kind of emotional intensity and savvy, irreverent wordplay that was sorely missing in Black music in the early 2000s as the neo-soul movement sputtered to a near halt, losing several of its key players to their own hiatuses. A song from The Headphone Masterpiece was re-tooled as “The Seed 2.0” for the Roots’ seminal album Phrenology, exposing Cody’s music to a wider mainstream audience.

Landing On A Hundred, Cody’s second full-length LP, marks his return to the music game after a period of family-man retreat and reflection that did a world of good for him after his meteoric rise to near fame. The title is a reference to the slang saying, “Keeping It One Hundred,” or telling the whole truth, and for lovers of true blue Southern soul this new album is a must-have - he recorded it with a ten-piece band in Memphis-based Royal Studios, the sonic birthplace of some of the deepest works by soul and blues luminaries like Al Green, Buddy Guy and Ike & Tina Turner. “The original tracks were cut on two-inch tape,” Cody explains. “My hands were tingling because I got to sing on the actual microphone that Al Green recorded with. Nothing has changed. The downhome acoustic treatments are still in place.”

Topics on Landing On A Hundred cover lots of grown-folks business: a man’s road to redemption after years of womanizing and crack addiction, the power and labor of slow-burning marital love that eclipses mere material expressions of affection. Keeping it truthful is ultimately what matters most in Cody’s songs: how it reveals itself in your darkest thoughts, how it can heal old wounds with a handclap and a foot stomp. Truthfulness emanates from Cody’s vocal chords and the strings of his guitar while his, strong, sensitive voice continues to command listeners with its riveting sound, leading them to their own higher ground.

Johnny Popcorn

Funk/Soul has been arranged and dragged through the years so much, its aged prematurely. Bands have evolved and even died as its progressive strain mutated and grew. Being a genre so bratty and angst ridden, funk is a recycled phenomenon, Its infectious armor healing after a continuous battering.


In 2000, music was beginning to morph and grow an over-skin where generic bands could take shelter. At that time, Johnny Popcorn was in its early stages and was just a release for its members. Considering the project as something fun outside of their regular music careers, Johnny Popcorn would be the outlet when things got too stressful. Fittingly enough, recording some Johnny Popcorn hits seemed to hit the spot.

Consisting of two members, (Hezekiah and Tone Whitefield) the duo's inspiration and experience is the masterpiece that cements Johnny Popcorn. Vocalist and song writer Hezekiah is no stranger to the music industry with 3 full length solo albums as a Hip-Hop artist. Feeling like he was neglecting his Southern Funk/Rock upbringing passed down by his parents from Kentucky and North carolina, he was inspired to do something new and exciting which ultimately settled into a new found passion. Bass guitarist and all around producer Tony Whitfield, would aid Armstrong on his Punk/Rock/Funk/Soul assault with a diverse spark of rawness and sound the act needed for progress.

The JOHNNY POPCORN name was inspired by Hezekiah and Tone joking around at open mics and putting fake names on the list. When the time came... the show host said the name, Johnny Popcorn, on the mic and the audience chuckled and repeated the name. Thus Johnny was born. A substance so meaningful to them, it deserved its own ego.

$13.00 - $26.00


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