Amy LaVere

Movies that claim to be “based on a true story” are often a loose interpretation, and this concept record, Runaway’s Diary, is a bit like that. I really did run away from home, if only for a few days, and parts of this song diary come from those honest emotions and true events. But I wanted these songs to flow like good film, like my daydreams do, so I took a storyteller’s liberty here and there. My hope is that this collection is an all-encompassing escape for the listener; a chance to runaway for 45 minutes and get lost in a good story.

In tenth grade my friend Becky and I decided on a whim to just split. Our friend Jenny drove us downtown to the Detroit bus station and we went to Chicago. We slept in the big train station where we were approached a number of times by what I’m sure were pimps wondering if we needed “work.” We definitely looked the part of teenagers ready to find trouble, and after a couple of nights we were caught and taken by paddy wagon to Juvenile Hall and then flown home. It was an adventure, and fortunately it had a safe and happy ending. Not every runaway gets so lucky.

In 2009 I was invited to play an opening run for an artist named Seasick Steve. His life story is full of hobo adventure. He ran away at 14, hopped trains, played music and had a million interesting jobs and stories to tell. After recounting some of his vagabond stories I thought how I would have loved to have him guide me through the ways of being a real drifter, had I not been caught in that Chicago train station. His stories made it seem romantic. Knowing Steve, he would have eventually steered me home and so my daydream turned into the song “Rabbit.” It opens the record, and I see it as something of a foreshadowing in the storyline.

The cover songs stitch together and round out the storyline. “Where I Lead Me” brings a little fun and defiance to the drifter in our story, when she’s feeling free and empowered and isn’t yet homesick or hungry. “How” struck me at once as a song always appropriate at some point in just about any story’s plot, and “Dark Moon” comes at the moment she’s realizing that there is always a dark side.

When I was a kid, my mother once said, “You could drop Amy naked in the middle of New York City with one dollar and she’d walk out clothed with a hundred.” Naturally this is one of my favorite things she ever said about me. I try to buy into it as I roll around the world. At times I am running away from a bad experience and other times racing to what I know will be a good show or a chance to see some friends. And when I am in the van traveling down the road, this is my favorite time of the day – I like to turn on a record and run away in the story, lose myself in the daydreams the music conjures. This record is for daydreaming.

Thank you for listening.

Exquisite Corps

A tiny garage in a downtown alley. A cello, a guitar, and a voice.

From these minimal beginnings, Exquisite Corps sprang onto Sacramento's music scene in the spring of 2010. Taking a year to solidify a line-up, they have since become a marriage of both classical and modern sounds melding string trio and indie rock trio into a whole. They have shared the stage with such acts as Said the Whale, Sister Crayon, The Ganglians, Sea of Bees, and many more, playing at Launch Fest two years in a row, the 2011 Sammies and Concert 4 Charity's Ballet+Live Music at the Crest Theater. On the heels of their recent sold out performance at the Crocker Art Museum's new auditorium they will release their debut record in July of 2012.


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