Finch & Cervantes' Present
The Band of Heathens w/ Oakhurst
2637 Welton St.,
Denver, CO, 80205
Doors 8:00 PM / Show 9:00 PM (event ends at 2:00 AM)
This event is 16 and over
The Band of Heathens
ICelebrating ten years together, The Band of Heathens is set to embark on a banner year with founding members Ed Jurdi (guitar, keys, vocals) and Gordy Quist (guitar, vocals) along with Trevor Nealon (keys, vocals), Richard Millsap (drums, vocals) and Scott Davis (bass, vocals). Fresh off the boat from the SiriusXM Outlaw Country Cruise, this Austin, TX based world class rock n roll outfit has two new releases slated for 2016. The Green Grass EP premieres four new BOH originals and a faithful cover of The Band’s “Bessie Smith,” featuring Joe Fletcher, and will be followed by their 8th full length album tentatively slated for release in September.
In the coming months, they will be sailing the high seas aboard Kid Rock’s 7th Annual Chillin’ The Most Cruise, hitting select markets in the Rockies, Midwest and the Southeast and are set to return to The Ride Festival in Telluride, CO with Pearl Jam and many others later in the year. For their spring and summer 2016 tours, fans will receive a free digital download of the five-song limited edition EP, Green Grass, with all advance ticket purchases. The CD version will only be available at their shows and in the web store: www.bandofheathens.com/music. For a limited time anyone can download the title track for free at http://bit.ly/BOH_GreenGrass_2016.
The title track of the EP, “Green Grass of California,” is a timely tongue-in-cheek marijuana anthem. “The issue of legalization has become both a ballot issue and a hot topic of discussion around the water cooler, so I like the idea of pushing it a little bit and getting involved in the discussion,” says Ed Jurdi. We’ve been playing that song live and it’s something that everyone’s been talking about with us after the show, so it’s connecting and is something that is on people’s minds.”
“It’s nice to think that we can shed some humor and light on some of these subjects that were once ‘taboo,’ but are now becoming more mainstream and integrated into the fabric of the country,” continues Jurdi. “I like the idea that we’re part of the dialogue where we drag some old draconian ideas out of the closet and expose them to the light and realize that they aren’t quite so scary in the daytime.”
The EP is a return to the kaleidoscopic rock n roll sound that the band has fearlessly forged over the course of their ten-year career. Seamlessly blending country, and R&B, on tracks like “DC9” or integrating lyrical prose with rock n roll and pop sensibilities on “Out On Each Other”, the music showcases the combustible creative chemistry of the band’s current lineup. “There’s a deeper sense of exploration on these tracks that feels really special,” remarks Gordy Quist.” I think it’s the best the band has ever sounded, and I think it’s a good reflection of where we are right now.”
Both new releases for 2016 feature the sonic shift in the band, straying further into their roots of a more which harnesses the rollicking energy of their live shows, and away from the more folk/singer-songwriter direction which they took with their 2013 release Sunday Morning Record. The new album also shows some new geographic influences with some of the recordings being done in Asheville, Austin, and Nashville.
Outside of the Heathens recording their own tracks for this year’s releases, the band spent much of their time the last couple of years backing and recording with artists like Kid Rock, Hayes Carll, and East Nashville’s own Tim Easton. The members have also been working on a variety of other projects, with Quist, continuing to live in Austin, producing records for a handful of artists and Jurdi having moved to Asheville, NC spending some more time at home with his daughter and making rounds with a number of other songwriters.
Having launched their musical career in Austin with 2006’s Live From Momo’s and 2007’s CD/DVD Live at Antone’s, as well as being honored as “Best New Band” at the Austin Music Awards (2007), 2008 saw the release of their eponymous first studio effort in a self-titled, produced by iconic Texas troubadour Ray Wylie Hubbard. That album won widespread fan approval and copious critical acclaim, as did 2009’s One Foot in the Ether, which, like its predecessor, reached the #1 slot on the national Americana radio charts. Also in 2009, the band gained substantial TV exposure, performing live sets on PBS’ Austin City Limits and the legendary German music show Rockpalast. The Band of Heathens were nominated for “New Emerging Artist” at the Americana Music Association’s Awards in 2009 & “Best Duo or Group” in 2010. In 2011, the they released their third studio album Top Hat Crown and the Clapmaster’s Son, followed in 2012 by the two-CD/two-DVD set The Double Down: Live in Denver, which once again spotlighted the band’s mastery as a live unit. Keep an eye on the band’s website and social networks for more about their first full-length album since to 2013’s Sunday Morning Record, due out in the fall of 2016.
Whether it's in front of thousands of festivarians, hundreds of friendly bar dancers, dozens of fellow pickers, or each other in the studio, Oakhurst leaves it all on the field. This quintet brings their stories to the stage in the form of pure energy and passion for acoustic music. With gifted percussion and a driving low end, the banjo, guitar, fiddle and vocals have all the space they need to tell you a story. Love, life, loss, and whiskey are likely to be the topic of the day- come on and jump in the get down for a spell.... The band spikes traditional bluegrass with rock & roll and a kamikaze rhythmic sensibility. That danceable concoction along with stringed shootouts, ringing harmonies, and citybilly swagger keeps the band in high demand. Oakhurst’s unpretentious, go-for-it interpretation of a genre that's roots are often handled reverently, sparks interest in bluegrass by folks who don’t know Doc Watson from Doc Holliday.
$17 Day Of Show
Tickets Available at the Door
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