506 W. Franklin St
Chapel Hill, NC, 27516
Doors 8:30 PM / Show 9:00 PM
This event is all ages
Two weeks. That's how long The Features had to work up roughly a dozen new tunes before they traveled some 2500 miles from their native Tennessee to Vancouver, Washington to make their new album "The Features" (Serpents and Snakes/BMG). There, the Nashville-based band spent a month crafting the most inventive and assured album of their career.
But when the four members first set up shop in the cabin-esque confines of Ripcord Studio, what they'd come out of there with was anybody's guess."A lot of it seemed pretty spontaneous," says the band's frontman, Matthew Pelham. "Because we didn't solidify anything, really, in those two weeks of practicing. So when we got there, there were a lot of loose ends to tie up."
It wasn't just a bold move, but a dramatic change of pace for a band that’s been praised as one of best live rock combos around. Over the years, they've served up slice after slice of hook-fueled brilliance - with subtle nods to new wave, '60s garage, southern rock, Krautrock and beyond - and perfected them over the course of countless shows and constant retooling in their practice space.
Capturing their thrilling, stage-tested sound was a no-brainer on previous albums. But for "The Features," Pelham and his bandmates - keyboardist Mark Bond, bassist Roger Dabbs and drummer Rollum Haas - were game to shake things up. Just two months away from the release of their hailed 2011 album "Wilderness," they decided that they weren't going to wait another two or three years to start work on the follow-up. They'd make it in the two months they had to spare.
That meant that almost none of the songs pegged for "The Features" had been performed in front of an audience - and several were still works-in-progress when the band arrived in Vancouver. "I don't think we really had any expectations," Pelham says. "We just thought, 'Let's do it differently.’"
From their first night in town - when they loaded into the studio and immediately started firming up the song they were set to track the next day - the band didn't flinch at the task at hand. With no time for second-guessing, they embraced a slew of previously untapped sonics and styles, resulting in their most adventurous set of songs yet.
Lead-off cut "Rotten" is a bold, multi-movement stunner, veering from serene synth-pop to proto-metal riffs, flirting with anthemic "Who's Next" arena-rock before shrinking back to its starting point. "This Disorder" - an instant classic in The Features' esteemed catalog - throbs with a tense funk pulse, jagged guitar swipes and staccato synth lines, as Pelham's tightly wound vocal offers words of caution in the scatterbrained smartphone age. "New Romantic" and "Ain't No Wonder" similarly straddle the line between classic new wave and Bowie-styled soul. But the album is thoroughly modern, too, particularly in the wide-open spaces of shimmering rockers "With Every Beat" and "In Your Arms."
Add it all up, and "The Features" is the sound of a band that's wholly comfortable with where they are - and know exactly where they want to head next.
“I feel like we walk this fine line,” says singer/guitarist Matt Pelham. “We’re not weird enough for a certain crowd and we’re a little bit too out there for the other crowd. We fall in the middle somewhere between mainstream and hipster, which puts us in this weird place, but we’re all pretty happy to be here.”
The album, which follows 2009’s acclaimed Some Kind Of Salvation, (released on Kings of Leon’s label, Serpents and Snakes, a venture with music publisher, Bug Music), began coming together upon The Features’ return home after a lengthy 2010 tour alongside Manchester Orchestra. Pelham and fellow Features Roger Dabbs (bass), Mark Bond (keyboards), and Rollum Haas (drums) enjoyed a brief domestic hiatus before quickly hitting the practice space to woodshed new material. Wilderness was produced with Brian Carter, who recorded their 2003 release, The Beginning EP, and engineer Craig Alvin at Carter’s Paradox Productions Recording Service in Nashville, Tennessee.
Coming into the studio straight away off the road gave The Features a full head of steam, which meshed with their desire to capture some of their on-stage power. The goal, Pelham says, was to make a record that sounded, “like the band was playing live in your living room.”
The result of the month-long sessions is as painstakingly crafted as it is full-on, with Pelham’s distinctive songcraft expertly matched by the band’s sonic inventiveness. “Big Mama” and “Rambo” had already been staples of The Features’ live show, while tracks like the swingin’ psych-pop opener “Content” were spontaneously created in the studio. Other highlights include the prog-fueled “Golden Comb, with its dynamic tempo changes and multipart arrangement, and the howling rocker, “Kids,” which brandishes the Tennessean band’s native gift for their own version of meaty, big beat boogie.
“I was hearing The Monks in my head,” Haas says of the latter track, “but I think it ended up coming out sounding more like Deep Purple.”
“It’s funny,” Pelham says, “all of us at this point seem to have gone back to things we grew up listening to. We’ve started to reappreciate classic rock, which was all we could get where we lived. It wasn’t until I went to college in Murfreesboro that I found there was another world outside of things like Tom Petty.”
Since releasing The Beginning EP in 2003, The Features have assembled quite the catalog of accomplishments, spanning single releases on the UK’s trendsetting Fierce Panda label, two well-received albums, and a long history of tours as headliners as well as supporting such like-minded artists as their pals Kings of Leon. As Wilderness demonstrates, the spirit of musical adventure continues to both define and motivate The Features. “We’ve always kept moving with new material,” Haas says.
“Even when we rehearse, we tend to not go through old songs. I’ve seen a lot of bands that rehearse the material down to where I think everyone would get bored of it. When we get together, even if it’s to rehearse for a tour, we tend to work on new ideas.”
“That’s the exciting part for us,” says Pelham, “to be in a practice space, creating a song. The more we do that, the more fun we have as a band. We like touring and playing live, but the creative process of putting a song together is the rush for everybody. So the more we can write and create, the more excitement there is within the band.”
With Wilderness, The Features have crafted yet another exceptional installment in what is shaping up as quite the impressive body of work. Ever evolving and always ambitious, this is a band in it for the long haul. The Features can’t imagine it any other way.
“I think most guys would’ve quit,” Haas says, “but all of us just love playing music. That’s the biggest part of it. We haven’t gotten bored with it yet.”
“Since we were kids, the only thing any of us ever wanted to do was play music,” says Pelham. “We aren’t really happy doing anything other than that. At this point, it’s gone on so long that I don’t know what else we would do. It’s all we know.”
Heyrocco is one word. Also a band. And a recipe.
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