1026 Spring Garden St.
Philadelphia, PA, 19123
Doors 8:00 PM / Show 8:30 PM
This event is all ages
BARONESS formed in 2003 in Savannah, GA, comprised of a group of friends who grew up together in Lexington, VA, a small town in the Blue Ridge Mountains.
Shortly after their formation, the band released two EPs and a split EP with Unpersons entitled respectively, First, Second and A Grey Sigh in a Flower Husk. From their origin right through the release of these EPs, BARONESS toured non-stop throughout America and Europe, building up a steady underground fan base.
In late 2006, the band began working on their first proper full-length, and debut for Relapse, Red Album. Recorded by Philip Cope (Kylesa), the album was a big step forward from the band’s earlier material; they began to develop a sense of melody and song structure as a counter-balance to the EP’s brute intensity. The release of Red Album saw the band touring world-wide and year-round for the next two years. The record received high critical praise, eventually garnering the #1 Album-of-the-Year slot in Revolver Magazine.
In between tours, and exactly two years after writing Red Album, BARONESS returned to the studio to record a follow-up record. The band enlisted the help of Grammy-nominated engineer/producer John Congleton (Explosions in the Sky, St. Vincent, Black Mountain, etc.). In 2009, Relapse released Blue Record, another comprehensive step forward for the band’s ever-evolving sound. The record continued the band’s growing sense of melody while directing the focus to an “album-as-an-art-form” concept. Blue Record was named 2009’s Album-of-the-Year by Decibel Magazine, and made an impact on the Best-Of lists in publications as varied as Pitchfork, Village Voice, PopMatters, Revolver, Rock Sound and Metal Hammer.
BARONESS’ mission statement has always been simple: keep an open mind, confront challenges, avoid repetition and take the music to diverse audiences. BARONESS toured constantly and extensively for two years straight with Blue Record, sharing the stage with such bands as METALLICA, MASTODON, DEFTONES, and ISIS. The band also played a variety of festivals, including Coachella (US), Oya (Norway), Bonnaroo (US) and Soundwave (AUS).
BARONESS took the year off in 2011 for the first time in nearly a decade in order to focus on writing a new and more challenging third full-length album. After a year of writing and refining, the band entered Water Music Studios in Hoboken, NJ with co-producer John Congleton to record Yellow & Green. Tracked in both Hoboken and Congleton’s own Elmwood Studio in Dallas, TX, the new full-length will be released on July 17th.
Yellow & Green was released in July via Relapse Records and debuted at #30 on Billboard's Top 200 Album chart. The double-album was dubbed a "thrilling hard-rock epic" by Rolling Stone, the New York Times said the 18-track release included "a grand sprawl of riffs and ruminations" and Artist Direct, after awarding the band "Rock Band of the Year" honors said "they epitomize the spirit of the greats like Led Zeppelin and Black Sabbath, while remaining wholly unique. It's something we need more of. Baroness are everything that a rock band should be -- and more."
As the year came to a close, Baroness dominated year-end lists with Entertainment Weekly and Spin both naming Yellow & Green their #1 metal release of 2012 and iTunes awarding "Take My Bones Away" the distinction of best metal song of the year. Decibel (#2), Guitar World (#15), Loudwire (#4), Magnet (#12), Pitchfork (#3 on Metal Albums, #25 Best Albums of 2012), Revolver (#4), Stereogum (#18) and the Village Voice (#6) also gave the album top honors.
Internationally, the album fared similarly, receiving top honors from Terrorizer (#2), BBC Music (#13), Metal Hammer Germany (#4), Metal Hammer Norway (#4), Metal Hammer UK (#14), Close Up Sweden (#4) and Visions Germany (#4).
Stay tuned for more Baroness news.
Pallbearer is a metal band from Central Arkansas, formed in 2008 after spending time playing in various bands around the Little Rock underground metal scene. Paying homage to doom metal of old while still looking wholly forward, the band built upon the underground success of their initial demo offering in 2010 and their debut full length "Sorrow and Extinction" was released in February, 2012 to virtually universal critical acclaim. Now the band slowly marches onward to deliver its progressively-tinged beautiful gloom on a global scale.
The trio tread a unique musical path that draws equally from several disparate music worlds. The austere and appropriately-titled album is a somber, sobering affair that brings together hypnotic psychedelic harmonies, lush and introspective sonic textures, and a relentless intensity found in the most blackened metal to stunning effect.
Whether through driving melodies, explosive noise, or the most fragile of interludes, Winter Hours hits hard and resonates deeply within the listener