Johnny Brenda's and WKDU present
Woolen Men, Lame Drivers, Literature
1100 Chestnut Street
Philadelphia, PA, 19107
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
PET MILK is a band from Philadelphia formed in 2010, proponents of punklife and kitchen-sink romance, perennial victims of post-teenage ennui. We love noise and pop, are influenced by Black Tambourine, Nico and New Order, and are currently recording our debut LP with Josh Meakim (of A Sunny Day in Glasgow and Arc in Round). We encourage you to tell someone that you love them and to mean it.
The Woolen Men are three — two Oregon natives and a Washingtonian. They play punk influenced DIY music in the Pac-NW tradition of Dead Moon and the Wipers. More than a sound or style, that means a kind of work ethic — do-it-yourself and do it a lot. The band is happiest touring up and down the I-5 or bunkered in their practice space with the cassette 4-track rolling. And it shows. Live, the band is thunderous and energetic and the magnetic chemistry of the three of them playing together shines through in the recordings.
This self-titled album released by Woodsist Records is their debut LP, following a handful of largely self-released EPs. Instead of changing their technique of recording fast and loose to capture the live energy of their sound, they recorded and recorded and recorded until they had enough songs to make up an album only of material with that elusive spark of a great recording. The ten tracks here represent five different sessions, and as many songs made the cut as were left behind. The LP was made to endure, with little attention payed to current trends or “in” sounds — what matters to the band is that the songs are well written and executed with integrity. The whole thing was recorded to analog tape.
The Woolen Men are Alex Geddes, Lawton Browning and Raf Spielman. They live and work in Portland, OR. Raf previously released an album of solo material under his Polyps moniker for the Woodists sister label Hello Sunshine.
Teenline power pop is their natural fighting weight," KFJC's Thurston Hunger writes in a review that draws comparisons to everything from The Clean, and Replacements to Graham Parker and Jay Reatard, "but they'll weird it up!" Inspired by Guided By Voices, Lame Drivers spent the past decade in a basement recording tapes, cd-r's, and compilation tracks for limited self-releases and labels like 75orLess, Eggy, State Capital and Not Not Fun. Now the power trio is touring on a Flexi-Book EP, a split 7" with tourmates The Woolen Men on SGG, and a "Lamest Hits" on Gulcher (Kurt Vile, Home Blitz, The Gizmos).
Philadelphia, PA’s Literature features Kevin Attics, Nathaniel Cardaci, Chris Schackerman, and Seth Whaland. Attics, who’d written for numerous music trades as a teen, met Cardaci and Whaland at the house venue they both operated in Austin, TX. Cardaci and Whaland each ran small imprint labels and, a million adventures later, the trio decided to form a band. Upon moving to Philadelphia the group befriended Schackerman who also joined the fold.
In 2012, following a well-received single and a track on Gerard Cosloy’s "Casual Victim Pile II" compilation they released their debut album, Arab Spring, which became a cult hit within the indiepop community. That album is sharp and immediate, almost mod-ish in its attack, but always tuneful and going for melody where it counts. They toured the US in support, and have performed with the likes of The Pains of Being Pure at Heart, Eternal Summers, Ted Leo, Sic Alps, White Fence, Gentlemen Jesse, Hospitality, and Brown Recluse. They also appeared on Terre T's Cherry Blossom Clinic.
In 2013 they released a follow-up 7", "Tie Dye" and contributed a track to Esopus Magazine alongside artists like Jens Lekman and The Shins. They also played at that year’s NYC Popfest, which helped cement the buzz that was steadily growing amongst savvy pop fans. Arab Spring was treated to a re-mastered re-press, which followed the first pressing and quickly sold out.
Autumn of 2013 saw the band begin work on their second album, Chorus, with lauded engineer Gary Olson (whose body of work includes records by Crystal Stilts, Mad Scene and The Beets) at his Marlborough Farms studio in Brooklyn, NY. As a beautiful autumn turned into one of the harshest winters in recent memory, Olson and the band began stretching out, enhancing the album with studio techniques dating back to the late 60s including true-tape flanging, sending vocals through Leslie speaker cabinets, and the same analog style of automatic double-tracking created at Abbey Road Studios.
The result is an album that is as immediate as it is timeless, full of effortlessly catchy and well-crafted tunes that echo pop legends like Smiths and Orange Juice. All of that time in the studio has resulted in a rich, considered sound that puts the band's arranging and playing front and center. Chorus is one of the most exciting pop records in years, and marks Literature at true contenders.
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