777 Valencia Street
San Francisco, CA, 94110
Doors 8:00 PM / Show 9:00 PM
This event is all ages
Emily Wells is a performer, producer, singer and composer known for her varied use of classical and modern instrumentation as well as her deft approach to live sampling at shows. Classically trained as a violinist, she also plays drums, keys, beat machines and whatever else she can fit in her road case.
Born to a music minister in Amarillo, Texas, Wells began learning violin at 4 at a community college. The family later moved to Indianapolis, where she discovered Bob Dylan, Nina Simone and Biggie Smalls and gradually moved from the Suzuki method to songwriting, guitars and home recording. Releasing her own music from a young age, Wells learned to keep her work close, and toured independently while developing her palate and performance across the U.S. It was in a humble garage studio in Los Angeles that Wells' recorded her 2008 breakthrough, The Symphonies: Dreams Memories & Parties, picking up praise from sources as varied as NPR and SPIN, who compared her to "a feral, streetwise Nina Simone."
Three years later, Wells returns with Mama, a collection of songs as richly hued as ever, but imbued with a newfound warmth no doubt owing to the space it was conceived in. Wells rented a tiny cabin on a Topanga Canyon horse ranch and went to work, producing Mama and playing most of the instruments herself (with a little help from longtime touring companions, drummer Sam Halterman and bassist Joey Reina). She recorded the raw tracks to tape without punch-ins or loops, often in one take. In contrast to The Symphonies, these songs are less conceptual and experimental in both sound and content, and more traditional and universal in structure and the studies of love and grief. 2012 will find Wells touring behind Mama, her first release for Partisan Records, and preparing for the release of Pillowfight, her long whispered-about collaboration with legendary producer Dan The Automator.
After releasing their debut album Bellow in February on Manimal Vinyl Records, the band toured relentlessly with acts including The Album Leaf and El Ten Eleven. They will remain on the road for much of 2012 while continuing to work on material for a new album.
"On 'Holy (Or)der,' Sister Crayon maximizes a sonic landscape of ethereal loops and twangy keyboards that evoke childhood music machines contrasted with Terra Lopez's warm-deep-sad vocals (primarily words, occasionally pure instrumental sound). SC exists on that fine line of sadness and bliss, ever unstable, ever reaching across their driving methodic beats for sanctuary before the fadeout." --Sacramento Underground Music Examiner
"What you get with this band is sincerity, thoughtfulness, intense beauty, wisdom, joy, and (perhaps, best of all) music that should be at once pondered and cherished. Stumbling onto Sister Crayon is like finding a book of apocalyptic poetry in the confessional booth of an old, burned out cathedral." --SPIN.com