There's little doubt that Marnie Stern lives up to her reputation as "the lady who shreds," but for Marnie, shredding is not enough. After putting out three critically-acclaimed albums, Marnie could have gotten away with putting out another album filled with her richly layered sound, singular frenetic finger tapping and almost philosophical lyrics. However, as anyone who has given her last few albums a good listen can tell, Marnie is not one to stand still. Instead she attacks her musical evolution with full frontal bravado, reveling in musical risk instead of relaxing in the comforts of the known. For Marnie, musical possibility drives her ambition.

Her new album, The Chronicles of Marnia, finds Marnie not only working with a new drummer (Oneida's Kid Millions), but also passionately subtracting from her normally dense song structures to craft a sound that is both familiar and wholly original. "I always gravitate towards interweaving and a more abrasive sound," Marnie said about working on the new album. "I was working with Nicholas Vernhes from Rare Book Room Recording in Brooklyn, and he was the producer. He wanted my voice clearer and fewer guitar parts. I tried it because I wanted to try something different."

Her trademark exuberant guitar work is still present, in fact, absent a few layers of grit, it's even more evident. "We stripped away a lot of the layers and a lot of unnecessary interweaving guitar parts. There's less clutter and more of staying on a part without adding too much instrumentation." Through the subtractive production process, Marnie's voice became more prominent, a fact that kind of concerns Marnie, "I get worried that I am coming across as someone who thinks they are a 'singer,' as opposed to my usual mishmash of voices that aren't always in key," she said about the album's more pronounced vocals. "I grapple with that attitude because I think it's important as a musician to try and be as proficient as possible, or try to put a lot of work into it. I suppose in my own way, I put a ton of time into singing and trying to find interesting melody ideas, I just never think of myself as having a 'nice' voice." It's an enervating change for an artist who in the past has always skillfully buried her vocals under the guitar and drum tracks.

The musical transformation evident on her new album isn't entirely unexpected, as fans who have listened to both "For Ash" and "Every Single Line Means Something" in a single sitting know. That same slow progression can be seen between 2010's self-titled album and the forthcoming The Chronicles of Marnia. Marnie can't help but laugh when thinking back on her musical evolution. "I'm sure if I went from the first album to this one, I'd have a heart attack. Luckily it's been gradual enough for me to enjoy the changes." And there's little doubt that her fans will too. Even as Marnie evolves from what Pitchfork called her "art-metal math-rock bubblegum pop" genre, fans will still find themselves jumping head first into the album and quickly bonding with the emotionally resonant material, cascading hooks and transcendental guitar riffs. Plus, the album shreds. She is Marnie Stern after all.

Many may know Sandra Vu as the face behind the kit for L.A.'s Dum Dum Girls, but that's all about to change. Back in 2009, following the dissolution of her band Midnight Movies, Sandra started writing and recording music under the name SISU (pronounced "see-soo") as a means of working through her disappointment and disillusionment. Since then, SISU has grown from a pet project to a bonafide band, with a lineup that includes guitarist Ryan Wood, drummer Nathanael Keefer, bassist Chris Stevens, and keyboardist/vocalist Jules Medeiros (also of Dum Dum Girls).

Listeners may be surprised to find that SISU offers a strikingly different sound and mood from Dum DumGirls: sparse electro beats, sinewy basslines, undulating synths, shimmering guitar, gossamer flute, and Vu's voice, floating vulnerable and breathy above it all. It's exquisite, devastating music.

Their forthcoming EP Light Eyes will be released on vinyl via the newly-formed Mono Prism Records and on cassette by Burger Records on April 23. In June, they unveil Blood Tears, their long-awaited full-length debut for Mono Prism.

E V Kain (ex-Hella)

"The newly emerging self-produced band E V Kain released their first single, a happy lighthearted machination of atypical rhythm. November 12, past members of the bands Hella, Cigar, and Broken Bells dropped 'Yes No Maybe,' a fond promise of things to come from this technical three piece. 'Yes No Maybe' promises a lot of potential to listeners of this up and coming band, blending smooth melody with complex time signature rhythms."



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