Ides Of Gemini
1003 Arch Street
Philadelphia, PA, 19107
Doors 7:00 PM / Show 8:00 PM
Standing motionless and anonymous beneath the painted faces, hoods and robes which their sect demand, the six nameless ghouls of Ghost deliver litanies of sexually pulsating heavy rock music and romantic lyrics, which glorify and glamorise the disgusting and sacrilegious, with the simple intention to communicate a message of pure evil via the most effective device they can find: Entertainment. This is Black Metal at it's most original and deceiving; compositions such as "Ritual" and "Death Knell" majestically weave their melodic spell of evil through the senses until the listener finds themselves utterly possessed and open to any diabolical suggestion.
Ides Of Gemini
IDES OF GEMINI is a collusion of musical forces precipitated by the haunting and inimitable vocal prowess of singer/bassist Sera Timms, also of Los Angeles dark-psych alchemists BLACK MATH HORSEMAN. The compositions are the long-simmering mental fallout of veteran music and film journalist J. Bennett (guitar/backing vocals), who has spent most of the last 14 years writing for such publications as Decibel, Terrorizer, Revolver, Alternative Press and Thrasher. The third and final corner of the triangle is Kelly Johnston, whose martial drumming techniques and soaring backing vocals literally brought IDES OF GEMINI to life as a performing entity.
Last year, Timms and Bennett recorded and self-released IDES OF GEMINI's four-song EP, The Disruption Writ, which was anointed "My Favorite Demo of 2010" by the highly influential music blog Invisible Oranges. Lyrically, the songs detailed the terrifying permanence of dismemberment in all its unsettling forms: psychological, emotional and physical. Musically, though? Someone on the Internet called it "dream doom." Nobody likes to be pigeonholed, but IDES OF GEMINI will gladly take up temporary residence in that particular nook for the sake of shorthand. Which is to say that "dream doom" will do the trick for now. And now is nothing if not fleeting. Mostly because IDES OF GEMINI are about to unveil their full-length debut, Constantinople, on May 29th (May 28th in the UK) via Neurot Recordings.
The nine songs on Constantinople evince the light and shade of the IDES dynamic: the vicious and the atmospheric mingling in a spacious panorama of high white ether. Respected metal journalist Etan Rosenbloom described it best on MetalSucks.net: "Guitarist J. Bennett lays down imperial metal riffs swathed in so much reverb that they seem isolated from the rest of the world. Bassist/vocalist Sera Timms layers her affectless voice in ghostly counterpoint, turning tales of spiritual discord into disturbing lullabies…If something seems missing from Ides Of Gemini's sound, that's exactly the point. Their accretion of small musical gestures inverts metal's normal use of space. They imply terror without ever exposing it. Each song is an accumulation of outlines, a sort of sonic daguerreotype."
Produced by IDES OF GEMINI and engineered and mixed by Chris Rakestraw (Danzig, Skeletonwitch) at Sunset Lodge Recording in Los Angeles, Constantinople was mastered by James Plotkin, formerly of doom masters Khanate and currently of Jodis. The artwork and design was conceived by Sera Timms and J. Bennett and constructed by Sera Timms.