Start Making Sense (Talking Heads Tribute) w/ Great White Caps

Start Making Sense

If David Byrne is one of the geniuses of modern times, then Start Making Sense is a tribute to genius. The musicians in this 8-piece Talking Heads cover have come from psychedelia-funk, NYC underground spoof bands, worldbeat jam, head-banging punk and from onstage with Frank Zappa's band members to bring to stage a "once in a lifetime" experience. A rockin', funkin', danceable celebration of the new-wave punk we loved from the 80's with frontman Jon Braun as a spot-on David Byrne - suit too big and all.

Great White Caps

It seems that Surf Rock has resurfaced every decade or so since dominating the music scene in the 1960's. The genre's latest spike in popularity does not come from the sunny beaches of Southern California. This time around the coolest Surf Rock band is spearheaded by four guys from Bethlehem, Pennsylvania. Montag the Magnificent (Guitar, Vocals, Wardrobe), Johnny Utah (Drums, Rookie Cop), Sylvester Seaweed (Bass, Ninja) and Warchild (Guitar, The New Guy) came together in 2009 to form Great White Caps. From the unkempt hair, to the bright beach gear they wear on stage, Great White Caps embody the vibe of Surf Rock in body and spirit.
Each member's individual love for the ocean - they all boogie board or surf - and rock music brought them together. Though none of the guys were actually old enough to witness the great Surf Rock bands of the 60's, GWC loves the carefree nature that existed back then. Instead of settling into the role of the same old boring retreads, they took sounds from 60s music, visual cues from 80s beach wear and the attitude, volume, and energy of early Red Hot Chili Peppers.
Another great inspiration is the 1991 Patrick Swayze cult surf film Point Break (they have a song named "50 Year Storm"). They love the flick but felt the score should have been soaked in reverb and thundering drums so, they created just that. The band often performs their version of the soundtrack to Point Break to enthusiastic crowds. Performing live is a love of GWC, so much so that they worked on all of the songs from their debut album for a year and a half before recording Sting of Death. The album—named after the 1965 "killer jellyfish" flick—sounds as if Surf Rock never left the mainstream. Staying true to the genre's roots, GWC mixes heavy instrumental tracks ("Dance of the Bioluminescent Plankton," "Sweet Teat Meat") with hilariously fun vocally driven songs ("Totally Pissed About These Shitty Waves") over 14 tracks. The album was released in June of 2011 on CD and digitally and will be available on vinyl later this year.
In these very serious times GWC does a great job bringing a good time to listeners, and they don't plan to stop anytime soon. "We just want to give people the soundtrack to all the best times in their lives," says Montag. "We plan on putting out many, many records and taking it as far as we can take it. It's kind of like surfing, you stand up on a wave and you ride it until it throws you off."

Close To Good

A foreign Discotech ablaze, trapped in a dungeon, slugs wrapped around your brain, a hidden killer on the loose.

These are the central themes of the music of Close to Good: the Philly-based quartet of Carl, Dave, Rob & Kevin. A unique mix of heavy dance, jazz, dark, and 8-bit-nostalgia takes audiences to the lunar surface and back.

Over the past year, Close to Good has become most known for their high-energy live performances that deliver an aggressive burst of progressive dance-funk that often builds into a tightly composed tension-release, peaking in kick-driven melodic reprisals of their distinct central lyrical themes.

Their continually honed sound is beginning to find itself lying somewhere near the edge of space-time, transporting listeners to the buzzing land of Transylvania where the quartet is playing the anthem for the battle of the century between Dracula and Megaman.

$10 - $12


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