Town Mountain

ASHEVILLE, NC -- Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain's music is the first and second generation of bluegrass spiced with country, old school rock ‘n’ roll, and boogie-woogie. It's what else goes into the mix that brings it all to life both on stage and on record and reflects the group's wide-ranging influences – from the Grateful Dead's Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle.
The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.” Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Bobby Britt, and Zach Smith on bass.

Town Mountain just finished recording their 6th studio album at Echo Mountain Studios with roots music hero Caleb Klauder producing. Slated to release October 26th, the album is full of new material and features several guest artists including Tyler Childers who co-wrote one of the songs, Miles Miller (Sturgill Simpson, drummer), and other friends. They are also excited to be the host of the 2018 MerleFest Midnight Jam and will be performing at Joe Val Bluegrass Festival and John Hartford Memorial Festival among others in 2018.

Their 5th studio album, Southern Crescent, came out April 1, 2016 on LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana town of Breaux Bridge. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages in 2016 bringing their sound to new audiences. The critically acclaimed album debuted at #4 on the Billboard Bluegrass Chart while staying for ten weeks on the Americana Music Association's radio chart Top 40.

“This Asheville band killed it at the Ryman this summer [2016] opening up the bluegrass series and they put out this stellar collection of original songs that asserts them as the hippest, bluest traditional bluegrass band of their generation. In an era of bluegrass with manners, they cut with a serrated edge,” exclaims Nashville’s Roots Radio’s Craig Havighurst in his list of “Essential Americana Albums We Loved in 2016.” Town Mountain returned to the Grand Ole Opry in July 2017!

Other albums include Leave The Bottle (Pinecastle Records 2012), Steady Operator (Pinecastle Records 2011), and Heroes & Heretics (October 2008). They also independently released a LIVE album (2014 from a show at Isis Music Hall in Asheville) as well as a two-song EP (2015) of Grateful Dead tunes called The Dead Sessions. Their debut album (June 2008) is entitled Original Bluegrass and Roots Country and KSUT/Durango Telegraph’s Chris Aaland writes, “No critic has coined a better phrase to describe their sound.”

While the members have taken the road less traveled when it comes to the mainstream or traditional purists, they’ve been dubbed as "The Taco Stand Troubadours” by Aaland (due to their frequent stops at such establishments) and he calls them “one of those bands that has paid its dues and won over the Durango audience through the years, much like the Gourds and Leftover Salmon.

They have performed opening shows with Railroad Earth, Peter Rowan, Hard Working Americans, Greensky Bluegrass, Yonder Mountain String Band, Hackensaw Boys, Ralph Stanley and his Clinch Mountain Boys, The Del McCoury Band, The Seldom Scene, The Infamous Stringdusters, Bobby Hicks, The Steep Canyon Rangers, and Jim Lauderdale among others.

What has become one of the group’s more memorable live performance songs is their cover of Bruce Springsteen’s “I’m On Fire,” which they first recorded in 2008’s Heroes & Heretics, with Greer’s distinctive Southern drawl at the forefront. The track has reached over 3.3 million listens on Spotify. The Atlantic’s Matt Vasilogambros writes, “Bruce Springsteen is a natural fit for bluegrass… Even the Boss’s earlier music had hints of folk influences. Just listen to “I’m On Fire”… I keep turning to one cover, which I admittedly listen to more often than the original. It’s from Town Mountain… They dropped the synthesizer, added a banjo, a fiddle, and another singer for harmony, and made a gem.”

Another fan favorite is their Jimmy Martin-esque original “Lawdog,” penned by Barker in 2012, which music journalist Juli Thanki instantly called an “unearthed classic” when the album was released. They recorded a live version of the song at WAMU’s Bluegrass Country Radio in 2013 which has over 125,000 views and continues to be a barn burner to this day with the entire crowd singing along as barker sings, “I make my livin driving, I’m a bluegrass music man… Chasin the horizon, for another one night stand… I got a lot of miles to travel, and I’m runnin’ a little late… And a no show gets me nothin, so don’t you get in my way. I got no time for ya lawdog…”

“While it remains a bluegrass band in all things instrumentation and touring the bluegrass and festival circuit, it's’ sound crosses into American roots and even outlaw country, perhaps as a result of the gritty, mournful tone of Greer’s vocals.” Durango’s KDUR radio’s DJ, Bryant Liggett says, “It is reminiscent of the 1970s truck-driving film sound, the perfect accompaniment to a car chase through the south á la ‘Smokey and the Bandit.’”

Jon Stickley Trio

Jon Stickley Trio is a genre-defying and cinematic instrumental trio, who’s deep grooves, innovative flatpicking, and sultry-spacy violin moves the listener’s head, heart, and feet. “It’s not your father’s acoustic-guitar music—Instead, Stickley’s Martin churns out a mixture of bluegrass, Chuck Berry, metal, prog, grunge, and assorted other genres—all thoroughly integrated into a personal style,” writes Guitar Player Magazine.

Premier Guitar says, “Stickley’s trio… is not a traditional bluegrass group by any means… they are just nimble and ambitious enough to navigate EDM-style breakbeats as effortlessly as the old timey standard ‘Blackberry Blossom.’”

“Stickley is a super-resourceful acoustic guitarist who uses the instrument in many surprising ways and whose timing is just flawless. Fiddler Lyndsay Pruett puts deep thought into her flowing solos, plus she adds little flourishes and sudden stops that elevate the music,” proclaims Nashville's Music City Roots’ Craig Havighurst.

Jon Stickley Trio announces a change in lineup beginning in January 2018 with new drummer, Hunter Deacon, who is both classically trained and boasts heavy jazz influences. Hailing from the ever-hip Knoxville, Tennessee, Hunter studied with drummer Keith Brown and received a BM in Studio Music and Jazz from the University of Tennessee. Deacon then went on to complete a six month residency at a jazz club in Hangzhou, China where he performed seven nights a week. Since his return, he’s played with Scott Miller and the Commonwealth, toured the country with Sam Lewis, and performs with guitarist Mike Baggetta.

Stickley says about the seemingly sudden lineup change “we’re really excited to add Hunter’s vibe to the mix, his creativity and willingness to experiment were two things that drew us to him, and Lyndsay and I were quickly surprised and inspired by what he’ll bring to the table.”

With inspiration ranging from from Green Day to Duran Duran to Tony Rice to Nirvana, Grateful Dead, David Grisman and beyond, the Trio is making waves with their unique sound. Along with releasing two full length albums and one EP in the past few years, the Trio has zig-zagged the nation, playing over 120 dates in 2017 alone. They are road tested and band geek approved!

Dave King (of The Bad Plus) joined forces with Jon Stickley Trio to produce 2017’s Maybe Believe and 2015’s Lost At Last (which The New York Times called “both respectful and free”) in the band’s hometown of Asheville, NC at the esteemed Echo Mountain Recording Studio. The Trio slipped a self-produced 5-track EP, Triangular, into the mix in December of 2016.

“In a time when a lot of instrumental music feels more like math than art, Jon Stickley Trio reminds us of the pure joy that can be created and shared through music,” says Greensky Bluegrass’ Anders Beck.

$19.75 | $14.75

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