Black Marble

Black Marble formed in 2012 as an artistic extension of Chris Stewarts collection of songs and ideas. The name Black Marble took some time to arrive upon and is more than fitting. As a literal description of a material used to sculpt and build, its the fleeting notion of a one-time symbol of taste and affluence, frozen in a moment, slightly dusty and showing every smudge and mark. Started in a recording space in Bushwick, NY, Black Marble made their first EP, Weight Against the Door (Hardly Art) followed quickly by their chillingly moody and atmospheric debut full-length, A Different Arrangement(Hardly Art).

With both early releases the band followed a familiar path stomped down by synth wave pioneers whose hand assembled sounds and DIY ethics paved the way for likeminded artists. While taking inspiration from late 70’s and early 80’s projects like Silicon Teens, Iron Curtain, Lives of Angels, and Solid Space, Black Marble dialed in on a clear understanding of its own specific sound. After the release of A Different Arrangement in the fall of 2012 there was an almost immediate clamoring from fans for a new album but they were made to wait several years, for good reason. With the end of the East Coast chapter of Stewart’s life on the horizon, Its Immaterial was recorded in a period of mental and physical transition. Trapped between spaces and unable to move on until the snow globe flurry of ideas floating around him settled just right.

On September 30, 2016 Black Marble will release their second full-length, Its Immaterial, on Ghostly, and from a new locale, the West Coast. Still featuring Stewart at the helm along with select collaborators as supplementation, the bi-coastal shift lends a great deal to the overall feel of the new album. The light and dark elements of shadows. The salt and sting of evenings high tide sea spray. A beautiful thing left on a shelf too high to maintain. The general mood is that of creating something new, but going back in time to do it. Like attempting to flesh out a song that you woke up humming but cant find, because it doesnt exist yet.

Automatic is Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals). The band first met while immersed in L.A.’s DIY music scene and started jamming together in 2017. Over the past year they have become a mainstay on the L.A. club circuit. In June 2019 Automatic announced their signing to Stones Throw.

Look out for more music from Automatic soon, and stay tuned for news of forthcoming tour dates. During the month of August they will be headlining a month-long residency at the Echo every Monday.

It can take years to find your voice. In the case of the Winnipeg-born, Brooklyn-based musician Devon Church, it took the dissolution of a decade-long marriage and creative collaboration (Exitmusic, a nightmare-pop project co-founded by Church's ex-wife) to send him down the road of discovering his own singular, rough-hewn-yet-elegant style.

Exitmusic is known for haunting soundscapes and hair-raising emotional climaxes. With his remarkably assured Felte debut, We Are Inextricable, Church applies his experience as a producer, multi-instrumentalist and songwriter to an equally absorbing solo project—one that plunges his Cohen-esque pop poetics into an ocean of drone, psychedelic minimalism, harmonic noise, and distortion-tinged, angelic ambiance. The result is a well-crafted exploration of samsara and nirvana, heaven and earth, two states seemingly coexisting in the songs themselves. It's an entrancing listen.

$18 - $20

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