217 E Houston St.
New York, NY, 10002
This event is 21 and over
Texas’ genre bending rock ‘n’ roller Israel
Nash presents his latest long play, Lifted. It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and
well adorned towering walls of sound,
Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate
- soaring and untamed at times, placid and sincerely personal at others.
Originally from the Ozarks of Missouri, Israel Nash has made his home in Dripping Springs, Texas for the greater part of a decade. There,
on his ranch with sweeping views of the Texas Hill Country, the tall, hirsute mountain man built his own studio; a Quonset hut structure he’s dubbed Plum Creek Sound. The studio became a sanctuary, a creative outlet where Nash reached a meditative state of escapism, which ultimately became the inspiration behind Lifted. The creative process of writing, recording and producing Lifted allowed Nash to leave his own downhearted feelings about the political landscape of the recent elections and the deeper queries of purpose and life that supersede the material world. Nash wrote and recorded Lifted with the intention of achieving a sonic experience that will elevate the listener- that the feeling of peace, love and happiness which saturates the words an
d music can provide the same escape he achieved while creating the LP.
Being able to finally use Plum Creek Sound to its utmost, Nash incorporated found sounds and field recordings from his Texas ranch to create a setting of the sounds that represent his Hill Country life. Drums played in rain collection tanks, water rushing against the limestone, frogs and crickets in their habitats, and even a curious, yet guarded rattlesnake, all appear throughout the record. Inspired by methods pioneered by John Cage, Nash also randomized sounds and
music and rearranged them according to the I Ching (The Book of Changes). Utilizing these recording and tracking techniques help create a sonic and very present picture of Nash’s home and his life. Accompanied by his longtime band, with arrangements by Jesse Chandler (Mercury Rev, Midlake), horns by members of Austin’s cumbia/funk compadre’s Grupo Fantasma, and strings from Kelsey Wilson and Sadie Wolf of indie pop’s Wild Child, Nash, alongside co-
producer and engineer Ted Young (Kurt Vile, The Rolling Stones), presents an album that soars as a masterwork of American roots songs, meticulously crafted and gently sprinkled with life meaning and multi- hued rock and psychedelia. “It’s all about finding, searching for little sparks of inspiration. It may be a sound, a groove, a color, or even an object. Old things are inspiring. Whatever it is, when you find it, it spreads like a conflagration that is out of your control. It doesn’t matter if you’re making a record or living
r life, find these inspirations with a vigil eye and watch them change both you and your
opens with an extended instrumental introduction, preparing the listener to get
comfortable and settle in for the journey ahead, before blossoming into
“Rolling On.” It’s a
manifesto, a hearty breath of rock goodness, clean a
ir for all that follows. A sing
to let go of yesterday and spring from the traps of worry in order to
move onward and upward
right here and right now.
“It was a simple message to myself, to not get stuck in thinking and the past. It’s too easy for us
to worry about pretty much everything. I had been down and low for a bit and really had to sing
and write those feelings away, g
ive them to the moment and find a better self in the end.”
What follows is an Americana
bred opus without equal. From the familial harmonies of “Sweet
Springs,” recalling the Beach Boys at their most joyous (almost all performed by Nash himself),
to the c
ountry rock riffage of “Lucky Ones” and “SpiritFalls” conjuring up that much needed
healing, to the album ending “Golden Fleeces,” a sunshine laden song offering up sweet relief
from those troubles and tying the preceding up with
sense of lightness and m
uch needed joy.
By immersing oneself in
one can see Nash succeeds in
way that’s exquisite yet
spiritually satisfying. Nash welcomes you to join him on his uplifting path
one he’s taken
throughout his career, now continuing on
tive plane. May your ears be blessed
and may your soul be lifted.
Ricky Lewis is a singer and songwriter based in Brooklyn by way of New England. He cut his teeth as singer and primary writer for the band Dear Lions before striking out on his own. His debut solo record, See You in the Morning, was released in late 2018 and championed by Stereogum, Paste, and various other outlets. He has toured opening for Matthew Logan Vasquez, Matt Pond PA, Noah Gundersen, and others.