599 Johnson Ave.
Brooklyn, NY, 11237
Doors 6:00 PM (event ends at 10:00 PM)
This event is 16 and over
Hailed as one of the forefathers of both ambient electronic and new age music, Laraaji is best known for his 1980 collaboration with Brian Eno, "Ambient 3: Day of Radiance."
Born in 1943 as Edward Larry Gordon, Laraaji attended Howard University in Washington D.C. on a scholarship to study composition and piano. He later spent time in New York persuing a career as a stand-up comedian and actor. In the seventies, Laraaji began his lifelong study of Eastern Mysticism, was initiated as a swami, and merged music with spiritual practice. Following an intuition, he bought a zither from a local pawn shop, converted it to an electronic instrument, and, while busking in Washington Square Park, Laraaji was discovered by Brianb Eno who offered to produce him on the spot.
His recordings can be found at labels: WARP records, All Saints records, GLITTERBEAT ,Numero Group, Stones Throw, Leaving Records, Soul Jazz, Virgin.
Koo Koo is the first offering from GABI (neé Gabrielle Herbst) on Software.
Gabrielle's formal training began at an early age, studying Balinese dance and gamelan in Indonesia while learning both the clarinet and piano. Herbst continued her training at Bard College where she studied voice and composition under the tutelage of Joan Tower, Zeena Parkins and Marina Rosenfeld. Her work has already been showcased at Robert Wilson's Watermill Center, as well as Roulette, who earlier in 2014 commissioned and premiered her first opera Bodiless.
Herbst's experience writing for chamber orchestra and mixed instrumentation inspired her to develop a repertoire of short-form, vocal-centric compositions under the name GABI. These were driven by solitary explorations in early 2013 with a dual-track loop pedal.
"Koo Koo" marks GABI's studio immersion to further develop these vocal compositions. She is joined by her band Matthew O'Koren (percussion), Rick Quantz (viola), Josh Henderson (violin), and Aaron Roche (electric guitar / trombone). The song is framed by a hypnotic refrain of the words "I wait for you" embedded in a latticework of arpeggios and melodies con moto.