Colorado Public Radio's OpenAir Presents:
Retrofette, Graveyard Club
3602 E. Colfax Ave
Denver, CO, 80206
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
Motion Trap makes sonic exploration dance music. An escalating interplay between electronic-tinged riffs, infectious melodies, and rhythmic leads to a state of wonder. Dreamy, but not hazy, more like the feeling of being in the moment and letting it all wash over you. All while the beat forever propels you forward.
With something for everyone, Retrofette makes music that will make you want to bust out the tracksuit, dust of the Delorean, and dance.” –Bandwagon Magazine August 2016
Denver-based Retrofette is the byproduct of keyboardists Sean Culliton and Xavier Provencher's love for vintage synthesizers and sweaty dance floors. Joined by synth bassist Ben Weirich and drummer Dylan Johnson on stage, the quartet’s brand of 80s tinged synthpop was born in March 2016 and has since garnered a steadfast following.
Since its inception, Retrofette released its debut three song I Don’t Mind EP and shared the stage with acts such as Magic Sword, Fever the Ghost, Mark Mallman, and The Other Black. They have played in front of sold out audiences at Denver’s Hi Dive, listed as one of 303 Magazine's top acts at the Underground Music Showcase, and selected as the Best Colorado Pop band of 2017 by Westword Magazine.
Graveyard Club recorded a collection of haunted, synth-laden songs in a 19th century mansion in St. Paul, Minnesota in the fall of 2013. These songs would comprise the group’s lo-fi debut EP Sleepwalk, released in January 2014. Founding members Matthew Schufman (vocals, synths) and Michael Wojtalewicz (guitar) began the project inspired by a unique list of shared interests: the classic short stories of sci-fi author Ray Bradbury, the music of Ryan Gosling’s little-known band Dead Man’s Bones, and a fascination with both 50’s crooners and 80’s pop music.
By the spring of 2014, the band had expanded to include members Cory Jacobs (drums) and Amanda Zimmerman (bass, vocals). The newly bolstered lineup resulted in a more dynamic sound, adding a brighter dance-friendly feel to the spooky retro vibes of their earlier work. The four-piece then teamed with Ed Ackerson at Flowers Studio in Minneapolis to record their first full-length album, Nightingale. This release saw singles “Into the Dark,” “The Night is Mine,” and “Fire in the Sky” quickly become fan-favorites. During this time the band also began establishing a reputation for their live shows around the Twin Cities and surrounding areas, including playing supporting slots for various indie acts such as The Drums and Cayucas.
In the latter half of 2015 and early 2016, Graveyard Club wrote and recorded their sophomore LP, Cellar Door at Humans Win! studio in Minneapolis. The album stays true to their dreamy new-wave sound while venturing into more ambitious sonic territory. The songs range from sugary dance-pop (No Heart, Dying Days, Diamond City), to dark and surfy (Lose My Vision, Forever), to boldly anthemic (Nightcrawler, Werewolf Teeth). Lyrically, Schufman consistently eschews personal narrative in favor of gothic-romantic imagery, tackling larger bittersweet themes of nostalgia, love, and death.
$20 - $23
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show.
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