KINDO

Rare is it to find modern music that pinpoints the middle ground between a respect for past greats and a boldness to pave tomorrow. This is, quite honestly, the definition of The Reign of Kindo. Citing influences from Dave Brubeck to Ben Folds to Japanese composer Ryuichi Sakamoto to Robert Glasper, there’s not a degree of pomposity in this sound, just honesty in the group’s craft to blend such diverse influences into an identity so refreshing, unique, and universally personable. The band formed in late 2006 and began composing the most creatively unreserved music of their careers.

Northern California based, Adrian Bellue is an international recording and performing artist that utilizes advanced techniques with acoustic and electric guitar to compose intricate and progressive music. Adrian inspires his fans and audiences around the world with his captivating and dynamic performances. The Adrian Bellue Project, his third release and first with Candyrat Records, is a double disc recorded and produced by Antoine Dufour, featuring both solo acoustic and his new trio.

Stretching across three continents and cultures (Thailand, Sweden and America), Sirintip’s remarkable debut album Tribus — produced by three-time Grammy winner Michael League of Snarky Puppy — is a gathering of different moments from the last four years of the singer/ composer life. It’s an exciting, eclectic work that touches on pop, R&B, electronic and jazz, while creating a sound uniquely its own.
Tribus means “three” in Latin, a number that serves as the overriding theme on the album — three continents, three languages and the three relationships we all share (to the world, to other people and to ourselves).
Born in Thailand, Sirintip moved with her mother to Sweden at the age of 11. A student of classical piano, violin and double bass, her study of jazz would eventually take her from the Royal College of Music to (years later) the prestigious Manhattan School of Music. This musical appreciation and study would pay off years later, when Michael League discovered the singer working at a jazz club in Stockholm. Recognizing an adventurous and like-minded musical spirit, the Snarky Puppy bandleader told Sirintip to send some music and “give him a call” if she ever moved to New York.
Sirintip did end up helping Snarky Puppy’s Bill Laurance on his album Swift. She also moved to New York to pursue her Master’s Degree. While going to school, performing and competing in the Thelonious Monk International Jazz Competition, she also began work on Tribus, with League in the producer’s chair.
“Sirintip uses everything she has to her advantage — clout in both the pop and jazz worlds, tri-lingual vocal ability, and the soaring ethereal elegance of her Scandinavian upbringing and the percussive sharpness of her Thai roots,” says League. “Her desire to explore, though, shines through it all.”
Tribus is an album of empowerment and hope. It also embraces the singer’s jazz heritage while sounding decidedly modern — you could easily put these songs on a playlist between Thundercat, Kimbra and Little Dragon. “The idea behind the album is to bridge the gap between pop and jazz by combining singable melodies with grooves, jazz harmonies and electronics,” says Sirintip. “The music might sound simple when you listen to it at first, but if you dig deeper, you’ll find the hidden depth and complexity.”
Outside of her album, Sirintip’s talent and musical background have led to some fascinating collaborations: She opened up for Wayne Shorter at the Polar Music Prize, in conjunction with his talk at Polar Talks in Stockholm. She also worked with Benny Andersson from ABBA during a fundraiser held at the Guggenheim. As well, she’s also been selected twice to perform and compose a musical interpretations of Nobel Prize nominations at the Nobel Museum in Sweden. If you do catch her live, Sirintip will be working with a quintet, while also using a guitar pedal board to create different vocal effects. It presents another unique arrangement to her music.“I incorporate electronics so I can be one of the instruments,” she says. “People are programmed to listen to the human voice first, so it can sometimes be hard to lead the ear to other instruments. By manipulating my sound with my electronics, I can create a sound landscape behind a solo ... without creating unnecessary attention.” As well, you’ll witness more of her jazz influence — Tribus purposely had no solos, but the live arrangements have room to breathe.

DAMN THE WEATHER

Damn The Weather·Monday, January 14, 2019
A fusion of three separate bands (A Dead Belief, The Skeleton Keys & The Hollow), Damn the Weather! is a group that is stylistically schizophrenic. Their style shifts like tectonic plates, creating an ever-evolving sound that is nearly impossible to pigeon-hole. Featuring multiple songwriters with distinct styles and voices, the band is an auditory amalgam and visual mélange, making them an attraction in every sense of the word.

$12.00 - $15.00

Tickets Available at the Door

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