Art Sherrod Jr is “…a man who loves music, a man who loves art, respects the spirit world and thinks with his heart.” 1 He is equal parts heart and soul and it seems as if God gave him an extra dose of expression through music.

The creative part of Art was shaped by rich experiences, the people with the greatest influence in his formative years and exposure of culture, religion, and the arts. These people, places and things have fostered an innate curiosity, and have nurtured and strong desire for expression. This is a perfect narrative of Art Sherrod, Jr.’s life and is a precise summary of his life and how his love for music and faith have been molded.

Art is a work in progress, so he is the first to tell you that his taste in music varies greatly, but the influence of growing up in Texas created an appreciation for everything from Country & Western, to Rock N’ Roll, Rap, Hip-Hop, to Gospel and of course Jazz! But it all began in church sitting alongside his amazing mother who sang and played the B-3 organ and father who sang in the male chorus. Even to this day, their love for singing continues to be very personal. The rest is history! It’s as if Art knew from the age of 5, his muse would be the saxophone and his avocation would be creating music that inspires, heals, praises speaks to the soul and makes us smile.

During Art’s four-year tenure as a midshipman attending the US Naval Academy, few people knew he was a musician. But shortly after his time at the academy, Art felt a strong desire to be creative again and step away from the more analytical side of life. So he started playing the saxophone again. Influenced by the likes of David Sanborn, Kirk Whalum, Gerald Albright, Kim Waters and other notables, he gained a great appreciation and respect for strong melodies, grooves, tone and soulful expressiveness. In 2005, Art released his freshman project entitled “All 4 Love” which featured an incredible arrangement of the Hall and Oates mega hit, Sara Smile.

In 2009 Art was signed to Pacific Coast Jazz record label and soon after released his second project, “Seasons”. This project featured a laundry list of industry superstars like Will Downing, Chuck Loeb, Gerald Albright, Frank McComb, Tracy Hamlin, Marcus Johnson, U-Nam, Alex Al and others.

The success of the two projects were satisfying to Art on so many levels; however, he desired greatly to give something back that truly defined the totality of what defines him – his love for the Lord, his family and music. With that being said, he endeavored to record his first gospel project. Art was fortunate enough to have not only a supportive label, but a cadre of uber talented and equally connected musicians that he could lean on to assist in creating his dream Gospel Jazz project, “Intervention”, which features the soulful sound of Incognito’s lead vocalist, Maysa Leak, on a very funky arrangement of Edwin Hawkins’ Oh Happy Day. This project has 13 spiritually enriched tracks that highlight Art’s roots in Gospel, Jazz, R&B and Funk. By no means is “Intervention” your ordinary gospel jazz project, as it features some nontraditional songs like Frankie Beverly’s I Wanna Thank You and Sam Cooke’s A Change Gonna Come, in addition to some traditional gospel songs like It Is Well, He Looked Beyond My Faults, My Soul Has Been Anchored and a funky horn section infused arrangement of Walter Hawkins’ Going Up Yonder. The contemporary side of Art is revealed as he interprets Vashawn Mitchell’s Nobody Greater and William McDowell’s I Give Myself Away, Chris Tomlin’s How Great is Our God featuring guitarist Alan Scott, How Excellent featuring world renowned bass guitarist, David Dyson, and Donnie McClurken’s mega hit Stand. “Intervention” will keep you immersed from the first to the last song. With one listen, it is clear to see that Art Sherrod Jr’s passion is to connect to the heart of diverse audiences with an Intervention of love. He is a living testimony of living from the heart.

Gerald Veasley Live at South

Gerald Veasley’s musical odyssey has taken him to the top of the contemporary music world as a bassist, bandleader, composer, producer, educator, and curator. His performance as a six-string bassist has been top shelf, as his extensive body of work attests. Veasley has recorded or performed with many of the world’s top artists in Jazz, R&B and Gospel: Kirk Whalum, Will Downing, Chuck Loeb, Maysa, Nnenna Freelon, Special EFX, Pieces of a Dream, McCoy Tyner, The Jaco Pastorius Big Band, Gerald Levert, Teddy Pendergrass, Philip Bailey, the Dixie Hummingbirds, John Blake, Odean Pope and Pat Martino.
Veasley’s new recording, Live at SOUTH is the latest chapter of a multi-decade career of combining jazz, funk and soul genres into a tantalizing blend of earthy sophistication. Schooled by his mentors Joe Zawinul of Weather Report fame and saxophone giant Grover Washington Jr., the six-string bassist continues to blur musical boundaries with his latest project. As the title suggests, Live at SOUTH was captured live at South Jazz Parlor, a premier jazz venue, located in Veasley’s hometown of Philadelphia. The recording documents Veasley’s outstanding band in a 10 song set of music that is fresh, in-the-moment and crackling with intensity. The songstress Carol Riddick is featured in a breathtaking version of the Sound of Philly classic, “You are Everything”.
Live at SOUTH is also the natural outgrowth of Veasley’s role as a curator of the Unscripted Jazz Series at SOUTH Jazz Parlor. Launched in October 2015 (co- curated by Roxanne Veasley), the series has presented over 140 exciting nights of music to enthusiastic audiences in an intimate setting. The "Unscripted” format is perfectly suited for artists who, like Veasley, have broad musical tastes and experiences. Allowing them to showcase their versatility, the series has attracted many celebrated guest artists: Gerald Albright, David Benoit, Rick Braun, Randy Brecker, Alex Bugnon, Maysa, Raul Midón, Janis Siegel, Peter White, Kirk Whalum, and a growing roster of established and emerging artists.
Having a passion to educate and motivate other musicians, Veasley has served on the faculty of the University of the Arts (Philadelphia). Veasley is also the Artistic Director and Co-Founder of Gerald Veasley’s Bass BootCamp. Established in 2002, the annual event has informed and inspired hundreds of bass players of all levels and ages.
Veasley has more intriguing projects on the horizon: “I Got Life”, a studio album and tour in tribute to the life and music of Nina Simone, an all-star album celebrating the musical legacy of his hometown of Philadelphia, and a spinoff of the Unscripted Jazz Series, Pablo Batista’s Latin Jazz Series.
Musician. Educator. Curator. Veasley’s life as a creative professional is clearly multifaceted. Indeed, he wears various “hats” yet he is motivated by a singular purpose - to translate his joy of music to the world - music without boundaries.
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