Gerald Veasley's Unscriped Jazz presents
A2Z featuring Andrew Neu and Rob Zinn, Andrew Neu, Rob Zinn
600 N Broad St.
Philadelphia, PA, 19130
Doors 8:30 PM / Show 9:00 PM (event ends at 10:15 PM)
Watch & Listen
Blending a unique mix of jazz, R&B, classical and Latin music, Andrew Neu is one of the most exciting, multi-genre musicians today.
Andrew is well respected throughout the industry for his work as a saxophonist, woodwind player, arranger, composer and recording artist. Whether he’s in concert as a solo artist or a sideman, Neu’s musicianship and powerful stage presence continue to get the attention of audiences and critics alike. Passionate best describes him.
Regularly touring the world with Bobby Caldwell, Diane Schuur and Smokey Robinson, Neu has shared the stage with Elton John, Patti Labelle, Mellissa Manchester, Mel Torme, The Philadelphia Orchestra, The Four Tops, and The Temptations among others. He has also recorded as a soloist with Bobby Caldwell, Sister Sledge, Manhattan Transfer, Peter White, David Sanborn, Steve Oliver, Jeff Lorber, Brian Culbertson and Buddy DeFranco. Neu has appeared at major festivals and concert halls throughout the world and performed with jazz artists Pat Martino, Randy Brecker, Joey DeFrancesco, Lew Soloff, Rick Braun, Richard Elliot, Mindi Abair, Gerald Albright, Euge Groove, Kim Waters, Warren Hill, Nick Colionne, David Benoit, Eric Darius, Chieli Minucci and Brian Simpson. He was a featured soloist on CDs by Bobby Caldwell, Steve Oliver and Peter White’s number 1 song and record, ‘Here We Go’ on Billboard all in 2012.
Fueled by the international success of ‘Inspire’ (2000) and ‘In Clear View’ (2007), Andrew made his debut on NuGroove Records with ‘Try Something Neu’ (2009). Debuting in the top 20 on the Smooth Jazz charts it was produced by Brian Bromberg, Chuck Loeb and Gerald Veasley. ‘Everything Happens for a Reason’ (2013, CGN Records) is Andrew’s best album yet featuring Bromberg, Jeff Lorber, Rick Braun, Bobby Caldwell, Tom Schuman, live horns and a full orchestra. It hit #3 on the Groove Jazz Chart.
A long time member of Peter Nero and the Philly Pops, Andrew has also been featured as a soloist and an arranger with the Brian Pastor Big Band and the Dave Stahl Band. He has recorded CDs with both bands. Andrew leads an all-star big band in Los Angeles along with trumpeter, Anthony Bonsera.
A graduate of Temple University’s Esther Boyer School of Music, Neu is a voting member of NARAS and the Grammy Awards. His big band charts are published with Kendor Publishing. Printsound Publishing in Germany publishes the Michael Lington songbook and his sax quartets. Please visit him at www.andrewneu.com, Facebook and Twitter.
In 2016, veteran trumpeter and flugelhornist Rob Zinn launched an exciting new phase of his distinguished, multi-faceted career, emerging as an internationally recognized independent smooth jazz artist and composer with his critically acclaimed albums Walk The Walk (2018) and Yesterday Again (2016). Walk the Walk was selected for the 61st Grammy Ballot for Best Contemporary Instrumental Album.
Zinn, an endorser of Chicago based Phaeton Trumpets just released his sophomore album, Walk The Walk in April 2018. Produced by 2-time Grammy winner Paul Brown, Walk The Walk is an explosive collection of a multitude of styles that Zinn has performed over the years, including funk, Latin, R&B, rock, pop and urban jazz. In addition to showcasing his infectious songwriting and versatility on horns, it included guest appearances by East Coast based genre great Andrew Neu (saxophones) and West Coast great Michael Paulo (saxophones) and of course Paul Brown’s tasty guitar licks on several tracks. Songs from the album received airplay on over 125 smooth jazz stations around the world with a listening audience in more than 90 countries.
The title track, featuring Neu, charted top 20 on such prominent outlets as the Smooth Jazz Top 50 Album chart, Smooth Jazz Radar chart, Smooth Jazz Indie chart, Smooth Jazz Network Top 100 chart, Groove Jazz Music Chart Top 30 and the RadioWave Internet Play chart, and received “Most Added” designations on Nielsen/Billboard, the Smooth Jazz chart and Groove Jazz Music Top 30 chart. Zinn has performed at numerous jazz festivals such as the Clifford Brown Jazz Festival, the Lake Arbor Jazz Festival, Berks Jazz Festival, Sandy Shore’s Jazz Weekender and the Jazz Legacy Foundation as well as venues throughout the country. When not playing with his own band, Rob often appears as a sideman with guitar player and double Grammy winner Paul Brown.
A native of Maryland who grew up and established his musical career in neighboring Delaware, Zinn brings to his solo artistry a dynamic history as an ensemble performer and popular sideman. While performing in his high school jazz band and in the college jazz band at the University of Delaware, he “cut his teeth” and began his professional career with a prominent 15-piece swing band. Playing with them from the ages of 17 to 25, he performed hundreds of gigs throughout Pennsylvania, New Jersey, Maryland and Delaware at top venues, big band society dances and numerous special occasions.
Zinn then joined the horn section of the heavily booked 7-piece dance party band Group Therapy, which performed heavy jazz and funk (from Tower of Power to The Brecker Brothers) everywhere from outdoor concerts and country clubs to state fairs and 800-1000 seat venues, opening for, among others, legendary acts like The Spinners, Kool & The Gang, Tower of Power and Average White Band. During his stint with this ensemble, Zinn expanded his repertoire to include lead and harmony vocals, keyboards and percussion.
While playing regularly with the swing band and Group Therapy, Zinn also gigged with Just Friends, a hip big band that played, among others, the music of Buddy Rich, Hank Levy and Maynard Ferguson; and the Brian Pastor Big Band, which performed hip big band music by everyone from Buddy Rich to contemporary master and multiple Grammy winner Gordon Goodwin.
Zinn later exercised his blues chops with Rockett 88 and with The Jimmy Pritchard Band, which represented the Jersey Shore Jazz and Blues Foundation and competed in the annual Memphis based competition, the International Blues Challenge. Performing with both groups at various blues festivals gave the trumpeter a taste of what he is now enjoying as a leader in his own right. Over the past few years, he has reconnected and performed with Group Therapy, in addition to being part of a seven-piece band dedicated to the music of Frank Sinatra and participating in numerous tribute shows (The Beatles, George Harrison, Bruce Springsteen) at World Café Live and The Queen in Wilmington. Zinn has also played at the venue’s annual Shine the Light shows, which feature tributes to single years in pop music and raises money for music programs for underprivileged students.
Though there were no professional musicians in his immediate family, Zinn’s grandfather was a semi-pro trumpeter, so it made sense for him to carry on in that tradition when he began playing at age 9. His parents were big music lovers, and he grew up surrounded by the traditional sounds of Andy Williams, Jack Jones, Frank Sinatra, Herb Alpert, Al Hirt and Johnny Mathis. His two older sisters introduced him to the Beatles and later on his own he discovered Steely Dan, Tower of Power, Chicago, Maynard Ferguson and Chuck Mangione, while also playing along to Herb Alpert records. He added flugelhorn to his arsenal when he was a 3-time selection to the all-state jazz band in high school.
With all of those musical experiences paving the way, Zinn is excited about the fresh opportunities coming his way that will allow him to continue performing his own music for a rapidly growing fan base. “It is amazing to be able to take these ideas rolling around in my head, commit them to a demo, and then be part of the process of bringing a fresh composition to life with amazing musicians,” he says. “The most gratifying thing, though, is playing my songs live. It’s great being a working musician interpreting other people’s compositions, but there’s nothing like making meaningful connections with my own music. I want people to feel something when I play, feel the emotion in what I’m expressing – whether it’s through the melody, chords or performance – and to create a special moment in time for them. That’s the ultima