Gerald Veasley's Unscripted Jazz presents
Elan Trotman, “Dear Marvin” - A Saxophone Tribute to Marvin Gaye
Gerald Veasley Live at South
600 N Broad St.
Philadelphia, PA, 19130
Doors 8:30 PM / Show 9:00 PM (event ends at 10:15 PM)
Watch & Listen
He drops a tribute album, "Dear Marvin," on April 2, the iconic crooner's 80th birthday. The first single, "Got To Give It Up," is the No. 1 most-added single on the Billboard chart this week.
BOSTON (20 March 2019): Sax salutes sexy soul on Elan Trotman's "Dear Marvin," a collection of ten of Marvin Gaye's best-loved songs that drops on April 2, the late legendary R&B singer's 80th birthday. Preceding the set's arrival is the single "Got To Give It Up," a vibrant reboot of one of Gaye's funky dance tracks that is the No. 1 most-added single on the Billboard chart this week as an instrumental from the Woodward Avenue Records album produced by Charles Haynes (Marcus Miller, Erykah Badu, Queen Latifah) and Trotman.
"It's amazing how this project came about. ‘Got To Give It Up' has been a huge part of my live show for the past two years and has always been a crowd favorite. That is just one of the many factors that inspired me to record the song and to dig deeper into Marvin's catalogue and life story. I had no idea that his 80th birthday would be coming up around our time of completing the album, but once I found out, I knew we had to release it on April 2 to mark the occasion," said Trotman, an award-winning saxophonist who has topped the Billboard singles chart more than ten times.
In reimagining Gaye's catalogue in instrumental form, Trotman shares the spotlight on "Dear Marvin," with premier soloists, including Grammy-winning keyboardist Jeff Lorber, seminal urban-jazz flautist Najee, esteemed trumpeter Patches Stewart, soul-jazz-hip hop-funk trombonist Jeff Bradshaw and veteran guitarist Sherrod Barnes. Trotman strategically deploys vocals to illumine a few key tracks. Ray Greene (Santana, Tower of Power) begs on "Mercy Mercy Me"; rapper Obadele Thompson plies his come-on skills to "I Want You"; and Tim "Smithsoneon" Smith provides the cure through "Sexual Healing." Members of the Boston Symphony Orchestra enhance a pair of tracks with strings. Including Haynes, Trotman's core collaborators are his former colleagues from Berklee College of Music: keyboardist Mitch Henry (Marsha Ambrosius), bassists Kyle Miles and Keithen Foster (H.E.R.), and percussionist Atticus Cole.
"It's been an honor to be able to share my interpretations of some of Marvin's classics. As with all cover projects, I made an extra effort to learn lyrics and storylines for each composition in order to truly understand his interpretations and performances on each song," said the Boston-based Trotman, who is planning to be in Los Angeles on April 2 for an 11am ceremony held by the United States Postal Service at The Greek Theatre to celebrate the release of the Marvin Gaye commemorative Forever stamp.
"We, Marvin's family, heard about Elan doing a musical tribute to Marvin. We are very pleased with his album 'Dear Marvin,' and are so happy that it will be released on his birthday, April 2. The musicians are all incredible! Thank you, Elan Trotman. Job well done," said Janis Gaye, Gaye's second wife.
"Dear Marvin," is Trotman's eighth album and second on the Woodward Avenue Records imprint. The label issued the saxophone-flute player's 2013 disc, "Tropicality," an autobiographical album that colors contemporary jazz with native sounds from Trotman's homeland, Barbados. Trotman curates, produces and hosts the Barbados Jazz Excursion and Golf Weekend annually over Columbus Day Weekend with the sixth edition taking place this October 10-14. Bringing that winning formula closer to home, he will launch the first annual Martha's Vineyard Jazz Excursion and Golf Weekend in Oak Bluffs, MA on June 28-30. To support the album release, Trotman will perform at festivals, theaters and nightclubs through October beginning with the prestigious Boscov's Berks Jazz Festival in Reading, PA on April 5.
"Dear Marvin," contains the following songs:
"Inner City Blues" featuring Sherrod Barnes
"Got To Give It Up"
"Distant Lover" featuring Patches Stewart
"Ain't Nothing Like The Real Thing"
"Mercy Mercy Me" featuring Ray Greene
"I Want You" featuring Obadele Thompson
"Sexual Healing" featuring "Smithsoneon"
"After The Dance" featuring Najee
"Trouble Man" featuring Jeff Lorber
"I Heard It Through The Grapevine" featuring Jeff Bradshaw
Gerald Veasley Live at South
Gerald Veasley’s musical odyssey has taken him to the top of the contemporary music world as a bassist, bandleader, composer, producer, educator, and curator. His performance as a six-string bassist has been top shelf, as his extensive body of work attests. Veasley has recorded or performed with many of the world’s top artists in Jazz, R&B and Gospel: Kirk Whalum, Will Downing, Chuck Loeb, Maysa, Nnenna Freelon, Special EFX, Pieces of a Dream, McCoy Tyner, The Jaco Pastorius Big Band, Gerald Levert, Teddy Pendergrass, Philip Bailey, the Dixie Hummingbirds, John Blake, Odean Pope and Pat Martino.
Veasley’s new recording, Live at SOUTH is the latest chapter of a multi-decade career of combining jazz, funk and soul genres into a tantalizing blend of earthy sophistication. Schooled by his mentors Joe Zawinul of Weather Report fame and saxophone giant Grover Washington Jr., the six-string bassist continues to blur musical boundaries with his latest project. As the title suggests, Live at SOUTH was captured live at South Jazz Parlor, a premier jazz venue, located in Veasley’s hometown of Philadelphia. The recording documents Veasley’s outstanding band in a 10 song set of music that is fresh, in-the-moment and crackling with intensity. The songstress Carol Riddick is featured in a breathtaking version of the Sound of Philly classic, “You are Everything”.
Live at SOUTH is also the natural outgrowth of Veasley’s role as a curator of the Unscripted Jazz Series at SOUTH Jazz Parlor. Launched in October 2015 (co- curated by Roxanne Veasley), the series has presented over 140 exciting nights of music to enthusiastic audiences in an intimate setting. The "Unscripted” format is perfectly suited for artists who, like Veasley, have broad musical tastes and experiences. Allowing them to showcase their versatility, the series has attracted many celebrated guest artists: Gerald Albright, David Benoit, Rick Braun, Randy Brecker, Alex Bugnon, Maysa, Raul Midón, Janis Siegel, Peter White, Kirk Whalum, and a growing roster of established and emerging artists.
Having a passion to educate and motivate other musicians, Veasley has served on the faculty of the University of the Arts (Philadelphia). Veasley is also the Artistic Director and Co-Founder of Gerald Veasley’s Bass BootCamp. Established in 2002, the annual event has informed and inspired hundreds of bass players of all levels and ages.
Veasley has more intriguing projects on the horizon: “I Got Life”, a studio album and tour in tribute to the life and music of Nina Simone, an all-star album celebrating the musical legacy of his hometown of Philadelphia, and a spinoff of the Unscripted Jazz Series, Pablo Batista’s Latin Jazz Series.
Musician. Educator. Curator. Veasley’s life as a creative professional is clearly multifaceted. Indeed, he wears various “hats” yet he is motivated by a singular purpose - to translate his joy of music to the world - music without boundaries.
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