Knife Knights were born of the love of mystery. A decade ago, Ishmael Butler—the architect of the groundbreaking but long-disbanded hip-hop group Digable Planets—was preparing at last to emerge from years of near-complete silence.
He unveiled his new outlet, Shabazz Palaces, in the summer of 2009 through a pair of self- released EPs, surrounding his hyperlinked verses with webs of psychedelic textures and refracted rhythms. From the start, confidentiality seemed essential: Butler wanted Shabazz Palaces to stand on its own strength, not his outsized reputation, so he adopted a nom de plume for himself. As the project’s network expanded, though, he needed new monikers for his partnerships. Knife
Knights is the name he gave to his work with Seattle engineer, producer, songwriter, and film composer Erik Blood, a vital force in the Shabazz Palaces universe. Now, after more than a decade of collaboration and the development into of a rich friendship, Butler and Blood have made a proper full-length record together as Knife Knights: 1 Time Mirage, an eleven-track odyssey that finds the pair and a cast of their friends weaving together a singular world of soul and shoegaze, hip-hop and lush noise, bass and bedlam. 1 Time Mirage represents a playground for Butler and Blood, a free space for unfettered exploration, and a radically adventurous start to something much more than a mere production duo or side project.
Butler and Blood met in 2003 at a Spiritualized show in Seattle, introduced by a mutual friend who was soon set to record Butler in his studio. A Digable Planets zealot, Blood was floored, passing a bootleg copy of Blowout Comb to his friend for an autograph (which Butler dutifully provided). For the next few years, they’d run into one another by chance and sometimes make small talk about working together. When Butler finally sent him a few tunes to mix, the kinship seemed obvious and immediate. Though Butler had grown up as a hip-hop student, he’d started absorbing shoegaze rock and ambient soundscapes, too. Blood, meanwhile, was an ardent hip- hop fan who had always been an inclusive listener. On every Shabazz Palaces album, Butler and Blood have delighted at that artistic intersection, constantly indoctrinating hip-hop in new worlds of sound. “He takes my ideas and clarifies and pronounces them, helps me realize them,” explains Butler. “He helps me get to the essence.”
Recorded in three fertile sessions interrupted by Shabazz Palaces tours and Blood’s recording projects, 1 Time Mirage is a profound fulfilment of that partnership, realized at the crossroads of
Butler’s and Blood’s mutual enthusiasms. Their shared interests have been split into pieces and fused together with enviable imagination. Take “Give You Game,” where Butler and Blood weave their distant voices through a landscape of synthesizers and drums that bubble up sporadically, like geysers. Marquetta Miller and THEESatisfaction’s Stasia Irons soon join, their round tones lacing around those sounds and giving them shape. It is an abstract anthem to astral love. “Low Key” suggests a radiant daydream, with kaleidoscopic synthesizers and faded harmonies pirouetting over puzzle pieces of dizzying percussion and understated funk. “Can’t Draw the
Line” rushes headlong like some narcotized disco fantasy, with its four planted firmly on the floor but Butler’s breathy voice and an armada of synthesizers stretching skyward. They splice doo-wop harmonies to scattered dub rhythms during “Light Up Ahead (Time Mirage),” hard-edged verses to industrial din during “ Mr. President.” Colossal drums puncture walls of labyrinthine noise sculpted from deranged synthesizers and mutated guitars during “Seven Wheel Motion,” an absolute powerhouse. Butler seems to rap in dialogue with himself, detailing a threatening streetscape and shaping the experience into personal realizations. “Smooth landings, queens in tandems, cash in grand sums,” he declares at one point. “Life is random/I roll the dice and bet on me.” In the decade since Butler launched Shabazz Palaces and first christened his partnership with
Blood as Knife Knights, much of that project’s external mystery has, of course, fallen away. And 1 Time Mirage is a very public step forward for the pair. That early sense of secrecy has given way to a spirit of friendship and creative candor, to the doors of experimentation being thrown open by old pals thrilled by the prospect of testing new ideas.
Still, these eleven songs retain a core of intrigue and, indeed, mystery; each listen reveals yet another connection between infinite and interlocking pieces. To wit, Robert Beatty’s brilliant cover for 1 Time Mirage depicts a futuristic vehicle, being coolly steered with one hand into some great, mildly ominous unknown. That’s how these songs feel, too—confident conquests of the dark that unlock sounds and spaces you have yet to imagine.

Experimental hip-hop artist & social activist Lando Chill is known for incorporating elements of funk, gospel, jazz, indie rock, psychedelic, and folk into his production work. A Chicago native, Lando (real name Lance Washington), first started rapping under the Star Wars-inspired moniker Lando Chillrissian, and later shortened it to Lando Chill. Bringing to mind groups like Spearhead and The Roots, his lyrics are highly introspective, reflecting on personal struggles and posing existential questions for his listeners, but even at his most cathartic he has maintained a positive, encouraging outlook. In 2012, he returned to the gift his mother bestowed upon him, writing poetry to help deal with chronic depression from never actually coping with death at an early age. A warrior-poet by nature, Lando’s goal has always been to bring the issues of political freedom, mental health, and police brutality to the forefront of his work and to the national conversation. Aimed at giving a voice to marginalized communities throughout the U.S., he is perceived as a man with one ear to mother nature and one to the plight of humankind.

Lando began writing material for his debut full-length album, For Mark, Your Son, in late 2014, with its final release appearing on Mello Music Group in 2016. The album was an intense self-examination inspired by the loss of his father, who died of a heart attack when the rapper was just four years old. For Mark was swiftly followed by Madera Canyon, an eight-song EP featuring line band recordings of tracks from the full-length as well as additional material.

His second full-length album, The Boy Who Spoke to the Wind, appeared in 2017 and represented a personal tribute to self-actualization, spiritual acceptance and social activism. Named #26 on Bandcamp Daily’s “100 Best Albums of the Year,” the project was heavily influenced by Paulo Coelho's book The Alchemist, and contained more of an abstract, experimental sound than his prior releases. Musically, the album was a movement forward from his previous work, harmonizing the internal and external in a cathartic symphony. The instrumentation, unlike anything else, sprawled from classic lo-fi hip hop to high production scoring. As reminiscent of James Blake and Bon Iver as it is of Frank Ocean or Kendrick Lamar, Lando collaborated with producer The Lasso, bassist Chris Pierce, as well as other key session musicians, to bring the album to life.

His most recent release, Black Ego, explores the nuances of the black experience, touching on themes of cultural appropriation, privilege, and intersectionality. Drawing from a vast expanse of influences, this third album is equal parts hip-hop, indie rock, funk, psychedelic, and gospel. An impressive and intoxicating follow-up to his 2017 release, Black Ego combines seemingly equal parts of west coast funk and desert trip-hop, ultimately threaded together by Lando's bold vision.

As Lando Chill gears up for his 2019 U.S. supporting slot tour with Knife Knights, its safe to say we can only expect more excellence from this talented and inspiring visionary.



Ishmael Butler — the architect of the groundbreaking but long-disbanded hip-hop
group Digable Planets and DIGABLE PLANETS — unveils his new trippy musical outlet: KNIFE KNIGHTS!

Tucson's own LANDO CHILL plays his Phoenix debut warming up the night!

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