Beartooth - The Disease Tour Part II

Beartooth began as an emotional exorcism. Conceived, constructed, and unleashed
by one man in a basement studio. Now, even as the band has grown to become a
headlining festival act; cracked Billboard’s Top 25; lit up SiriusXM radio; and were
crowned Breakthrough Band at both the Metal Hammer Golden Gods Awards and
Loudwire Music Awards, Beartooth’s music and message remain intensely personal.
The fierce dedication to honesty, authenticity, and raw fury demonstrated by Caleb
Shomo is at the center of everything Beartooth represents. The music he’s crafted in
his darkest hours transcends, connecting with the broken hearted and isolated
around the globe. Songs like “In Between,” “Hated,” “The Lines,” and “Sick of Me”
have been streamed hundreds of millions of times. These are anthems for the
downtrodden and disconnected, celebrated with sing-alongs on international tours;
supporting Slipknot, Bring Me The Horizon, or Pierce The Veil; on the Kerrang! Tour
with Don Broco in the UK; at major festivals like Download and Rock on the Range.
What began as artistic self-medication for a single multi-instrumentalist and
producer, with no career aspirations or grand plans, quickly caught fire. The Sick EP
(2013), Disgusting (2014), and the sophomore-slump shattering Aggressive (2016)
comprise a blunt audio journal, chronicling Shomo’s battles with his own demons.
As Beartooth became a fully functioning band, bringing these intimate musings to
the masses, that purity remained, via a consistently isolated creative methodology.
The stark look inward further intensified with September 28, 2018’s Disease.
The third full-length album from Beartooth is a painstaking, riff-driven examination
of the unshakeable throes of depression. While there are moments of positivity, this
isn’t the sound of triumph. This is music about survival.
“The album is a whirlwind of emotion,” Shomo explains. “Crazy highs, crazy lows,
and lots of intensity. This record isn't about winning anything. It's about trying to
even begin to learn how to deal with things. It’s hard to process just how dark you
can get, what you can really put yourself through with expectations. It's like starting
from the beginning all over again. At the end of the day, it is a very dark album.”
Even as Shomo and his bandmates played to sold-out crowds across Europe, the
battle against mental illness and childhood issues returned, and the seed for Disease
was planted. The title track was the first song written for it, setting the overall tone.
As always, Shomo recorded vocals, guitars, bass, and drums, and mixed the album
himself with assistance from an engineer, now with executive producer (and
Grammy winner) Nick Raskulinecz, who has worked with Foo Fighters and Rush. To
further enhance the emotional realism Beartooth champions, the third full-length
album was tracked in a brand new environment, with an old-school urgency. After
crafting the songs in his usual basement domain, Shomo made the trip from the
familiar comfort of his equipment and isolation in Ohio to Blackbird in Nashville.
“When I make a record at home, I feel really safe there,” Shomo confesses. “Going
into Blackbird, there was a lot of fear. Thankfully, going into that environment just
brought out the best. It made the songs feel even more real. It was all worth it.”
The famous recording studio was the birthplace of pivotal work from a massive list
of legends, tastemakers, and up-and-comers; like Alice In Chains, Taylor Swift, and
Greta Van Fleet. Determined to challenge himself in new ways, Shomo kicked aside
his drum samples and digital guitar tones in favor of rich analog vibes, banging out
take after take, to capture the feel of classic favorites like AC/DC and Motörhead.
Ten to twelve hour days, six days per week, sweating and screaming through
performances, resulted in gargantuan surefire Beartooth bangers like “Used and
Abused,” “Manipulation,” and “Enemy,” easily among the strongest songs in the
catalog. “You Never Know” was written in collaboration with producer and
songwriter Drew Fulk (Fit For A King, As I Lay Dying), after several hours of
conversation in a coffee shop. The album closer, “Clever,” was written in an
afternoon at the studio, a fittingly sorrowful bookend to Beartooth’s darkest album.
“Depression is something that's just ‘in your head,’ there's no reason for it, so it
‘should’ be easy enough to just get over, but I can never do it. It’s something
unshakeable. I can’t make it work,” Shomo says. “I wanted to write an album about
that. Disease really encompasses everything emotionally that I wanted to convey.”
Shomo’s commitment to raw and personal truth will always define Beartooth. “It's
very important that I stay honest with every song that I write. I didn't even mean to
start this band. I wrote a couple songs and I felt way better afterward. Especially
with this record, there are no compromises. It is exactly what I wanted to make.”
With Beartooth, what begins each time as the personal expression of one man is
shared with his bandmates, then through the power of musical inspiration and
connection, is given to the world then returns to its creator, to begin the cycle anew.

Of Mice & Men is an American metalcore band from Costa Mesa, California.

Hands Like Houses

Hands Like Houses is an Australian rock band from Canberra, Australia. Formed in 2008, the group is currently signed to Rise Records.
Their debut album, Ground Dweller, was released on 13 March 2012 and charted at number 141 on the Billboard Top 200 and number 2 on the Billboard Heatseekers Chart.
Their second album, Unimagine, was released on 23 July 2013, during their route on Warped Tour.

$27.00 - $30.00

Tickets

There is a $5 upcharge for this show for patrons under the age of 21.

Having trouble finding parking? Nice Guy Valet will be offering their services for $20 per car.

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