599 Johnson Ave.
Brooklyn, NY, 11237
Doors 7:00 PM
This event is 16 and over
“On the surface, TV Girl is a sunny, throwback splash of ‘60s French pop and southern California soul. Yet, under that shiny veneer lays a dark heart, beating with sharp wit and cynical alienation, and the music is all the more alluring for it. TV Girl, comprised of Brad Petering, Jason Wyman, and Wyatt Harmon, was formed in 2010 by Petering as an outlet to blend the love of Spector-esque girl-group pop with an emerging interest in hip-hop. Featuring shimmering vocals and sampled beats, the self-titled debut EP of the same year turned heads online immediately; the group’s lush vintage rhythms and timeless pop hooks were even making waves on the BBC. They continued to release increasingly popular EPs and mixtapes between tours.
In 2014, TV Girl unveiled their first full-length, the critically acclaimed French Exit. The album keeps true to the TV Girl charm with a bevy of electronic samplings infused throughout light and airy guitars, whirring organs, and ethereal vocals. However, this record is not all summer nostalgia, and there are plenty of times where French Exit reads like disaffected fiction. The moody characters in these songs are fueled by revenge as often as love, underpinned by desperation and a deep yearning to connect.
Their 2016 follow up, Who Really Cares, finds the band doubling down on their heavy use of samples. Combining the aesthetic of 90’s hip hop with modern psychedelic pop, Who Really Cares offers a glimpse into the psyche of a love scorned twenty-something.”
TV Girl’s latest album, Death Of A Party Girl, sustains the dream pop, neo-psychedelic feel of previous work. Petering delivers prosaic storytelling in third-person narration, recounting tales of wistful, romantic flings and mini-dramas starring various shades of the archetypal manic pixie dream girl. The songs are echoing and surreal, cut with samples of dialogue from movies and radio shows that convey a grainy, vintage feel. Standouts include “King of Echo Park,” its beachy vibe conjuring images of skinny palm trees, graffitied skateparks, and humming lowriders; "7 Days Til Sunday", a swaying, upbeat bop where the narrator reminisces of rooftop parties and one night stands in Manhattan; and the intoxicating "Every Stupid Actress".”
Johanne [yo-HUN-ah] Swanson, a native to Wisconsin currently residing in Brooklyn, has been writing and releasing music since 2011. Patientness, released in 2016, is an ode to patience: taking things slowly, enduring through difficulty, finding strength within yourself when what's familiar feels so far away. Taking time in a world that wants everything to happen so quickly. It's light and then dark, heavy and then weightless, with Swanson's haunting words and pulsing dimlit beats stringing the stories together, often hanging atop swatches of ambient electronics. Swanson's next collection, Mirroring, is due out in 2019.
"Swanson's words glimmer at the song's surface. Rich with natural imagery and moments of intimacy, her lyrics tell of deliberately waiting in the balance between mourning the past and hoping for the future. Her voice is yearning, but knowing." - NPR
"Intimate synth-pop... There's a confidence in every word that wasn't there before. Yet at the center, it is still Swanson and her vulnerability, her willingness to lay out her emotions in a fairly barebones manner. It's just now she has channeled all of that into something rapturous." - Pitchfork
"Introverted songs that derive just as much power from their dreamy atmospherics as they do from Swanson's languishing, yearning lyrics." - Stereogum
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