484 Union Ave
Brooklyn, NY, 11211
Chuck Prophet describes his new album ‘Bobby Fuller Died For Your Sins’ as a “California Noir,” an album inspired partly by the mysterious death of rocker Bobby Fuller in LA in 1966. “California has always represented the Golden Dream, and it’s the tension between romance and reality that lurks underneath the surface in all noir films and paperbacks, and that connects these songs.
Gritty and jangly, Chuck’s album features 13 original works that explore doomed love, loneliness and fast-paced violence via Chuck’s muscular songwriting craft. They include songs about Fuller, the death of David Bowie, and the killing of a San Francisco security guard named Alex Nieto that drew international headlines as “Death By Gentrification.”
‘Bobby Fuller’ finds Chuck coming full circle. He cut the album to tape at Hyde Street Studio in San Francisco, which also happens to be the same studio where Prophet did his very first recording session, while still in high school. Chuck brought out his ’64 Stratocaster for the sessions, conjuring a sound that Jonathan Richman once described as “gasoline in the sand, like a motorcycle at a hot dog stand.” He’s backed by The Mission Express, a band featuring his wife Stephanie Finch (vocals, keyboards, guitar), Kevin White (bass), Vicente Rodriguez (drums, vocals) and James DePrato (guitar).
Lead single “Bad Year For Rock and Roll” is a timely homage to rock greats lost in 2016: “The Thin White Duke took a final bow / there’s one more star in the heavens now/I’m all dressed up in a mohair suit / watching Peter Sellers thinking of you.” “Jesus Was A Social Drinker” starts as a punchy mid-tempo rocker with clanking cowbell before unfurling into an explosive, psychedelic coda. “Alex Nieto” is what Chuck refers to as his first protest song. It’s “an homage to a good man who should still be alive,” says Chuck.
Zephaniah OHora is a Brooklyn-based singer-songwriter and a pillar of the burgeoning New York City Country-Western music community. Beginning in 2013, he served as frontman and vocalist for Honeyfingers. It was here, through two years and hundreds of performances featuring the music of Ernest Tubb, Ray Price, Marty Robbins and others, that Zephaniah's own musical vision began to come into focus.
It was also during this time that he befriended fellow Honeyfingers collaborator Jim Campilongo. A series of conversations between the two revealed a mutual love for the Truck Drivin' Country of Red Simpson, Del Reeves, and Dave Dudley. A few impromptu rehearsals later and The 18 Wheelers were born.
Initially serving as a great excuse to play their favorite trucker anthems and country classics, The 18 Wheelers soon evolved into a showcase for Zephaniah's original material. Assimilating a world-class band of musicians and a dozen songs that harken back to the golden age of country music. By combining the brash edge of Bakersfield and the slick sonority of the Nashville Sound, Zephaniah OHora with the help of The 18 Wheelers have forged a new brand all their own.