Tommy Castro & The Painkillers
33 West St.
Annapolis, MD, 21401
Doors 7:30 PM / Show 8:30 PM
This event is 21 and over
Tommy Castro & The Painkillers
Blazing soul-blues rocker Tommy Castro’s musical roots run deep. As he unleashes his high-energy music to fans all over the world, Castro is inspired by the sounds he absorbed while coming of age on the rough and tumble side of San Jose, California. During the late 1960s and early 1970s, this was Castro’s home turf—his stomping ground. It was a place where the street-tough Mexican Americans and the counter-culture hippies came together to drink, smoke, laugh,party and listen to tunes—the hippies with their blues and rock, the Mexicans with their soul music. Mixing the blues-rock he loved and the soul music he heard blasting out from the lowriders cruising the streets, along with the socially conscious message songs of the day, Tommy’s own sound was born. He honed his guitar playing to a razor’s edge on the city’s competitive bar scene, where he learned how to capture an audience with his intensely passionate vocals, stellar musicianship and dynamic performances. Almost every major rock and soul act, from Ike & Tina Turner to Janis Joplin to Elvin Bishop to Taj Mahal, toured through the area, and Castro was at almost every show. He saw John Lee Hooker, Albert King and Buddy Guy & Junior Wells at the same local blues bar, JJ’s, where he often jammed, dreaming of one day busting out.
Over the course of his career, Tommy Castro’s San Jose DNA has always inspired his music, whether he’s squeezing out the deepest blues or the funkiest soul grooves. He and The Painkillers—bassist Randy McDonald, keyboardist Michael Emerson and drummer Bowen Brown—have played hundreds of shows to thousands of music lovers, always leaving his audiences screaming for more. All of his albums are filled with original blues, soul and West Coast rock, each song showing a slightly different side of Castro’s multifaceted musical personality. Billboard says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.”
On his new album, Stompin’ Ground, Tommy Castro opens windows into both his past and his always-evolving musical future. Produced by Castro and guitar wunderkind Kid Andersen and recorded at Andersen’s soon-to-be legendary Greaseland Studio in San Jose, Stompin’ Ground finds Castro letting loose on a set of 12 tracks featuring six originals and new versions of songs he learned and played as a young up-and-comer. He is simultaneously looking back with autobiographical originals and cover songs that inspired him, while forging a forward trail with modern lyrics atop blistering blues-rock. With The Painkillers firing on all cylinders behind him, Castro lays it all on the line from the opening notes of Nonchalant to the final, introspective Live Every Day. From the autobiographical My Old Neighborhood to the socially aware Enough Is Enough and Fear is The Enemy to versions of Elvin Bishop’s Rock Bottom and Taj Majal’s Further
On Down The Road(two of his favorite songs from his earliest heroes), Stompin’ Ground is pure musical pleasure. “As soon as we started cutting,” Castro says, “we knew we were onto something.”
In addition to the The Painkillers, Castro’s friends Charlie Mussel white (harp and vocals on Live Every Day), Mike Zito (guitar and vocals on Rock Bottom), Danielle Nicole (vocals on Soul Shake) and Los Lobos’ David Hidalgo (guitar and vocals on Them Changes) add their talents to Stompin’ Ground. “I heard each one of my friends’ contributions to these songs in my head as I was working on them. Happily, when I reached out and actually asked, everyone said yes.”Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of Eric Clapton, Elvin Bishop, Taj Mahal, Mike Bloomfield and other blues-rockers. As he got older, Castro discovered the bedrock blues of Muddy Waters, B.B. King, Freddie King, Buddy Guy, Elmore James and the deep-rooted soul of singers like Ray Charles, Wilson Pickett and James Brown. By his teenage years, he was regularly heading to San Francisco to see his favorite artists at legendary venues like The Fillmore West and Winterland. He began playing in a variety of Bay Area blues and soul bands in his early 20s, making a name for himself as a hotter than hot live artist. In 1985 he became lead singer and guitarist for the locally popular blues band Nite Cry, and began gigging regularly throughout Northern California.
Castro joined Warner Brothers’ artists The Dynatones in the late 1980s, gigging all over the country. He formed the first Tommy Castro Band in 1991, releasing his debut albumin 1996 on Blind Pig. He hit the road hard, picking up new followers everywhere he went. In the mid-1990s The Tommy Castro Band served as the house band for three seasons on NBC Television’s Comedy Showcase(airing right after Saturday Night Live), bringing him in front of millions of viewers every week. During the 1990s and into the 2000s, Castro released a series of critically acclaimed CDs for Blind Pig, Telarc and 33rd Street Records, as well as one on his own Heart And Soul label.
Castro joined Alligator Records in 2009, releasing Hard Believer to massive acclaim. He won four of his six career Blues Music Awards including the coveted B.B. King Entertainer Of The Year Award (the very highest award a blues performer can receive). His song Hard Believer took first place in the blues category of the International Songwriting Competition. His next release, 2011’s Tommy Castro Presents The Legendary Rhythm & Blues Revue–Live!, was a boisterous and searing collection of highlights from a series of live performances anchored by Castro and an all-star collection of blues giants, including Rick Estrin, Michael “Iron Man” Burks and Joe Louis Walker. His relentless road-dog approach—gig after gig, night after night—has won him loyal, lifelong fans everywhere he plays. The Washington Post says Castro is “phenomenal and funky” with “soulful vocals and inspired blues-rock guitar.”
Castro formed The Painkillers in 2012, creating a lean, mean four-piece lineup, capable of delivering soul-shaking, muscular music. The band released The Devil You Knowin 2014 and Method To My Madness in 2015, with critics shouting praise and admirers cheering his every move. Castro had stripped his music down to its raw essence with the new, smaller band, sounding bigger than ever. On record and on stage, Tommy Castro & The Painkillers’ road-hardened, seemingly telepathic musicianship bring an unmatched passion to Castro’s blue-eyed California soul and hard-rocking, good-time songs. His hometown newspaper, The San Francisco Chronicle, describes Castro’s music as, “funky Southern soul, big city blues and classic rock...silvery guitar licks that simultaneously sound familiar and fresh.”
With months of tour dates across the U.S. and Europe, Tommy Castro & The Painkillers will be bringing the songs from their new album directly to their fans. No Depression says “Castro plays gritty, string-bending blues like a runaway soul train...a glorious blend that rocks the soul and lifts the spirits.” Blues Revue says simply, “Tommy Castro can do no wrong.” With Stompin’ Ground, he is clearly, once again, doing everything right.
For more than 25 years Kevin “B.F.” Burt has been electrifying audiences throughout the Midwest dispelling the myth that true blues has no roots in Iowa. His soul-inspired presentation is unique which consistently get him compared to a range of artists like Bill Withers and Aaron Neville, with the ability to build an audience rapport that has been compared to B.B. King.
Kevin is a self-taught musician (vocals, harmonica, and guitar) whose smooth, warm vocal presentation sets a mood of relaxed exhilaration, with a welcome mixture of serious music and infectious humor audiences of all ages seem to enjoy. His voice and presence are powerful. His unique delivery ranges from the sweetest, fullest, juiciest come-on to the most playful growl. Though he performs between 325 and 400 shows a year, he holds nothing back night after night and audiences leave knowing that.
Kevin has had some stage acting experience in his short career. His role as “Papa Gee” in an off Broadway play called “Klub Ka, the Blues Legend” had a two week run at LaMama’s Experimental Theater in New York City was sold out each night. It ran originally in Iowa City, and then in Washington D.C.. Burt also arranged all of the blues music for this play.
Burt has also had roles in several other plays at the University of Iowa. Playing “Old Timer” in “Waking Niccodemus”. Also playing the role of “Whining Boy” in the acclaimed play by August Wilson, “The Piano Lesson”.
Burt also composed the musical soundtrack landed a lead role in a short silent film called “The Guru’s Game”. Burt also landed a part as himself performing in the independent film “Twelve-thirty”.
Kevin Burt has won many awards and played many festivals both solo and with his band, the Instigators. His awards include Best Entertainer in Iowa City (three times) Best Band in Iowa City (three times) Iowa Blues Challenge Champions, Named as one of the top 25 unsigned blues bands in the world by the International Blues Challenge Competition.
Festival appearances include, Mississippi Valley Blues Festival, Iowa City Jazz Festival, The Blues Foundation International Unsigned Band Challenge in Memphis, TN, Blues-stock Memphis, TN, the 1996 Smithsonian Institution Festival of American Folk life in Washington DC, the Iowa Sesquicentennial Festival of Iowa Folk life in Des Moines, IA., Boundary Waters Blues Festival, Grand Rapids, MN, No Boundary Blues Festival, Proctor, MN, Iowa City Jazz Festival, Iowa City, IA, Central Iowa Blues Society Winter and Summer Festivals DesMoines, IA, Freedom Festival Cedar Rapids, IA, Prairie Dog Blues Festival, Prairie Duchien, WI, North Liberty Barbeque and Blues Fest, North Liberty, IA, Blues Under the Trees Fort Doge, IA, Bluesmore Cedar Rapids.
In a comparably short career, Kevin Burt has shared the stage in one form or another with a who’s who in the music world. B.B. King, Koko Taylor, Buddy Guy, Albert Collins, Luther Allison, Bernard Allison, Junior Wells, Robert Lockwood Jr., David “Honeyboy” Edwards, Lonnie Brooks, Ronnie Baker Brooks, Wayne Baker Brooks, Blues Traveler, Head East, Molly Hatchet, Three Dog Night, Michael Hill’s Blues Mob, Kenny Wayne Shepard, Chubby Carrier, Terrance Simieon, Dan Zanes, The Holmes Brothers, Tony Brown, Jerry Dugger, Ken Valdez.
Burt is also recognized as one of the Midwest’s top blues heritage educators. This honor was given to him by the Governor of Iowa, Chet Culver in February of 2009. Kevin is a registered artist, and artist educator with the state of Iowa Arts Council. He has also written and published a classroom harmonica method book called “Just Play It: an introduction to blues harmonica.” His approach is simple, education through entertainment. His program has been going strong since 1994. Burt plans to continue this work as well as his community work with Children and the arts. With the support of his family and community, good things will be happening for Kevin “B.F.” Burt.
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