ALBERT HAMMOND, JR.
IN THE VALLEY BELOW
308 N. 2nd Ave.
Phoenix, AZ, 85003
Doors 7:00 PM / Show 8:00 PM
This event is 16 and over
ALBERT HAMMOND, JR.
Albert Hammond, Jr.'s new EP AHJ is now streaming in its entirety exclusively on Rolling Stone. Of the new EP, Rolling Stone says, "Hammond sounds fully recharged…howling his best vocals ever over stuttering, futuristic riffs of 'St. Justice,' the manic grooves of 'Rude Customer' and the anthemic 'Cooker Ship'" (http://rol.st/16JSvnw). In anticipation of AHJ, Cult Records premiered the track "St. Justice," while BBC Radio 1's Zane Lowe premiered "Rude Customer" as The Hottest Record in the World. Hammond appears on the "Late Show with David Letterman" tonight, performing "St. Justice." To celebrate the release of AHJ, Hammond will tour the U.S. this November. Please see reverse for full tour routing.
AHJ will be released October 8 on Julian Casablancas' Cult Records and follows Hammond's previous solo efforts, 2006's Yours to Keep, which NME called "an intimate, frequently beautiful and consistently surprising record that gets better with every listen," and 2008's ¿Cómo Te Llama?. Of the new EP's relationship with his earlier releases, Hammond says, "It's a combination of both previous recordings, which in turn makes it feel like it's the best material that I've made so far."
AHJ was produced, engineered and mixed by Grammy-winning producer Gus Oberg and recorded at Hammond's two studios, Broome Street in Manhattan and One Way Studios in upstate New York. Of working with Oberg, Hammond says "I've been working with him since my first solo project, after we met and became best friends. We get along and we understand each other musically, so everything just flows." Hammond played all of the instruments on the EP himself, excluding drums on several tracks, which were played by longtime collaborator Matthew Frank Romano.
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Since the release of ¿Cómo Te Llama?, Hammond has released two critically acclaimed albums with The Strokes, 2011's Angles and this year's Comedown Machine. Of his inspirations for AHJ, Hammond said "Once you play music for a living, you're always thinking about stuff. Conversations with friends and things you hear in movies—things come up and become lyrics. Hearing other people's songs becomes like competition—you hear something and mentally you want to beat it. Life in general is pretty inspiring."
Cult Records is helmed by Julian Casablancas. In addition to Albert Hammond, Jr., forthcoming releases include C O L O R, Exclamation Pony, Rey Pila, Reputante and more.
IN THE VALLEY BELOW
For In the Valley Below’s Jeffrey Jacob and Angela Gail, their Elephant EP represents the latest chapter in an ongoing relationship that is rooted in both the music they create and the family which has followed. Relocated from their tiny, one-bedroom Echo Park apartment in Los Angeles, the now-married pair have moved to a 93-year-old house they bought in Grand Rapids, MI. There, they installed a basement studio that served as the birthplace for their next collection of songs to be released on acclaimed Bay Area, ADA-distributed indie Bright Antenna, three years after The Belt and its worldwide alternative hit, “Peaches,” was released.
“After spending three years on the road, we wanted a place to come home to that was quiet, and not so claustrophobic,” says Angela about the decision to flee L.A. “We found Grand Rapids to be a city full of creative energy, fresh air, and rough edges. It’s been inspiring. A lot of people we’ve met here migrated at the same time we did from the West Coast. Maybe it’s some kind of human instinct.”
Solid touring in Europe and the US included festivals like Reading and Leeds, Austin City Limits, Rock En Seine and more. Appearances on The Late Show with David Letterman, Conan, and other international appearances all seemed to happen at once “like a dream”. However, this sudden success wasn’t sudden at all. They spent years in LA playing in bands looking for a break. They self released a 5-song EP and shortly after signed to several record labels across the globe. “Peaches” first found the airwaves in Europe, debuting on BBC Radio One and climbing the charts in France and Germany, becoming #1 on French Alternative radio. Over a year later, it became a staple on US alternative radio.
The Elephant EP continues the pair’s thematic concerns – sex, relationships, power, temptation, paranoia, existential angst and mortality. The hybrid, atmospheric dance-rock synthesis they introduced on The Belt– which incorporated Memphis native Jeffrey’s primal rock influences with Angela’s Stevie Nicks folk vibe – has now been seamlessly interwoven, the thick, drone-like buzz enlivened by surprisingly catchy melodies, sort of Jesus & the Mary Chain meets Phil Spector’s Wall of Sound.
Listen close enough, and you can hear Jeffrey and Angela’s story on these tracks, from the sparking synth squiggles in “Hold on Tight,” their own meditation on the miracle of the birth of their son – which coincided with their debut album starting to take off– to “Break Even”, written in their touring van, a droning reflection of their gratitude for success and the inevitable highs and lows of following your passions.
The pair took advantage of the freedom of having their own studio to expand their songwriting and production capabilities“Elephant” is an ominous dirge about the push-and-pull of being together and the difficulty of communication that started as a lullabye, one of many they’ve penned for their own child. They traveled to Mexico City with inflatable elephants to film the accompanying music video. With picturesque land and cityscapes, they wanted to highlight the beauty of our neighbor country and its people. A timely statement during the current right wing border tensions. “The Pink Chateau” with its intriguing Memphis soul undercurrent is a metaphor for either erotic desire or the lure of hearth and home itself. “Bloodhands (Oh My Fever)” was inspired by the Michael Brown shooting in Ferguson, MO. A story they hoped would fade but continues to haunt with documented police violence and racial tensions that beg “tell me why we do it”. The song ends with the benediction of a soaring gospelchoir, which was recorded in Grand Rapids and led by local music phenom Debra L. Perry. The music video is a surrealist cinematic endeavor touching on race and sexuality and how we will all end up in the hands of our children. The story of this couple is rooted in their music – the thrill of finding one another, the pitfalls and setbacks along the way – are all exposed in the midst of seductive, slabs of buzzworthy pop that is at once a dream come true, and a glimpse at the reality within.