Ellevator, Modern Space
123 King St West
Hamilton, ON, L8P 4S8
Doors 6:00 PM / Show 8:00 PM (event ends at 11:00 PM)
This event is all ages
Watch & Listen
If there's one constant in life, it's this: nothing stays the same. Change is inevitable, for better or for worse – it’s the sinister shadow lurking behind the sunniest day, the silver lining that offsets every cloud. That mutability is something with which the members of Dear Rouge are intimately familiar. Since putting out their debut EP in 2012, Drew and Danielle McTaggart have been on a somewhat breathtaking upward trajectory. That independent release led to another one, and the accolades began to flood in: a B.C. – based radio award, song writing prizes, a sweet record deal, charting singles, and a 2016 Juno for Breakthrough Group of the Year followed in short order.
For all intents and purposes, says Drew, it was the most ecstatic period of their lives. He and Danielle-partners in life and art-had quit their day jobs to focus on music fulltime; they'd wholly channeled their energies into honing their sinewy, hook-driven indie rock. "It was the highest time of our lives," he says now. "But we realized that, at the same time, a lot of our friends back home in Vancouver were going through incredibly hard experiences." The contrast was jarring. While the McTaggarts were gearing up to work on their sophomore LP, Drew's cousin passed away; other friends were in the midst of harrowing life transitions. Before long, they realized that the contrast between those emotional extremes had provided a psychological backdrop for Dear Rouge's creative process.
"It really got us thinking," says Danielle, "half the album became about the joys we were experiencing, while half the album was about pain and hardships." With writing and recording came clarity, and what Dear Rouge realized was this: regardless of what you're going through at a given moment, that reality is always in flux. Equal parts hopeful and harrowing, that epiphany is at the heart of what became Phases, the pair's stellar, stadium-sized revelation of an album.
Created through sessions with carefully chosen collaborators-including aces Tawgs Salter and Mike Wise, West Coast stalwart Steve Bays, producer Ryan Worsley, Canadian indie visionary Dan Mangan, pop savant Sterling Fox, and others, Phases captures a massive stride forward in the band's evolution. The ethos of the album title is encapsulated in the songs themselves, which neatly map out the all-too-human experience of being ferried through constantly changing states of mood and mind. On tracks like "Wicked Thing" and "Live Through the Night," Danielle explores darker psychic recesses, homing in on how affection can veer toward obsession, and how past demons can thwart forgiveness. She shifts gears for the exuberant fizz of "Boys and Blondes," offering up a sly anthem of feminist empowerment, and taps into a kind of epic grace for "Stolen Days," a gorgeous tribute to Drew's late cousin.
If Dear Rouge's approach to Phases could be summed up in a phrase, it would be this: "grit and gloss." It's a mantra that sums up the balance of sheen (pristine synths, Danielle's laser-focused vocals) and punchy grime (unfettered guitars, propulsive percussion)-and, says Drew, it speaks to "who we are as people." That yearning for equilibrium and authenticity was enhanced by their decision to produce Phases in studios across North America: they did stints in Toronto, Montreal, and Nashville, as well as back home in Vancouver, and spent time polishing and perfecting the songs in New York City. Being away from home, the McTaggarts explain, was liberating, daunting, and wholly necessary. Being immersed in NYC culture-from indie bands at the Knitting Factory to art exhibitions at the MOMA, from Broadway shows to the neon dazzle and hectic bustle of Times Square-provided ample inspiration. And outside their familiar bubble, they felt compelled to work harder and strive for higher standards of excellence.
The results speak for themselves. In its open embrace of life's unpredictability and its dedication to clearheaded songwriting that resonates long after the last hook, the last beat, the last note has died out, Phases marks…well, a new phase in Dear Rouge's development. It's a document of both the emotional depths Drew and Danielle McTaggart plumbed to come up with unflinchingly personal, honest material, and the ground they covered in their efforts to push themselves sonically and aesthetically. More importantly, it's a truly awesome listen, whether you opt for a choose-your-own adventure tour through individual tracks or an immersive emotional rollercoaster from beginning to end.
Ellevator frontwoman Nabi Sue Bersche's nimble, raw lyricism is illuminated by a voice like holy fire: blistering and purifying. Focused guitar work dances with the hypnotic timbres and soaring melodies of analog synthesizers. Deft lines and dangerous grooves are intoned by a disciplined drum & bass combo. Chaos lurks beneath the surface of Ellevator's tight motifs and rhythmic trances, erupting into moments of prophetic ecstasy. Their live performances are wild affairs. Brimstone at their heels, Ellevator's contagious energy turns rooms into reveries.
Formed in 2014, Modern Space have spent their brief existence becoming one of Canada's most promising young bands on the rise. Catching their first break in 2016 by supporting Hamilton rockers Arkells across Canada, the Toronto quintet followed that up with the release of their spirited debut EP, Before Sunrise. The debut single from that EP was the irresistible "Pen To Paper," which climbed to #5 on the Alternative charts. When it came time to re-enter the studio, the band had already spent time writing in Los Angeles, Vancouver, and of course, Toronto, before settling on Brooklyn, where they would work with Canadian legend-in-the-making, Gus van Go (Hollerado, Arkells, The Stills). Modern Space are now set to release a new EP. which immediately marks a great leap forward from the tenderfoot songs they laid out on Before Sunrise. Channelling influences such as The Vaccines and The Strokes - whose song "The Modern Age" inspired the first half of the band's name - Modern Space have returned with six new songs that beam with a newfound assuredness.
$28.50 - $41.00
Dear Rouge has partnered with PLUS1 so that $1 from each ticket will go to saving lives, revitalizing communities, and transforming global health through Partners In Health Canada. www.pihcanada.org