Amy Helm sought what she calls a “circular sound” for her new album. It’s a well-rounded one, one marked by streaks of Americana, country, blues, and gospel, and the kinds of four-part harmonies that can burst open a melody and close the loop of an octave. And sentimentally, it’s a sound that represents the feeling of community.



This Too Shall Light, due September 21 on Yep Roc Records, comprises 10 songs produced by Grammy-winning producer and songwriter Joe Henry. Helm left her home and comfort zone of Woodstock, NY, choosing to record in Los Angeles within the confines of just a four-day window. The musicians were directed not to overthink the songs, and Helm herself barely performed any of the selections while leading up to the recording. As a result, the sessions forced fast musical trust among the collaborators and yielded the vibrant instrumental improvisations heard throughout This Too Shall Light.



Although a profound songwriter herself, Helm and Henry jointly arranged a diverse collection of songs for the record, which range from Rod Stewart’s “Mandolin Wind” to Allen Toussaint’s “Freedom for the Stallion” and even the Milk Carton Kids’ “Michigan.” The title track in particular, written by Hiss Golden Messenger’s MC Taylor and Josh Kaufman (Josh Ritter, Bob Weir, Craig Finn), is a brilliant summation of the record’s sound and spirit. Seemingly a play on the old adage that “This too shall pass,” Helm’s voice veers from commanding to supplicating within a single soulful verse, as she manipulates that message so that light leads throughout even the darkest of times.



A lifelong musician and music-lover, Helm’s parents —The Band’s legendary drummer and singer Levon Helm and singer/songwriter Libby Titus — guided her training and influences. She later became a founding member of the alt-country collective Ollabelle and served as a backing musician in her father's Midnight Ramble Band. And on This Too Shall Light, Helm says that two songs in particular pay homage to Levon — “The Stones I Throw,” a song he released in 1965 with Levon and the Hawks, and the closing traditional number, an a cappella version of the hymnal “Gloryland,” which was passed from father to daughter.



While This Too Shall Light is only Helm’s second album under her own name, it serves as a comprehensive portrait covering her life's journeys and recoveries; They’re the stories that, no matter where they take her, seem to end and begin in the same place like a circle.

Grant Sabin and the Juke Joint Highball

ANTHROMUSICOLOGY - 12.14.12

"Grant Sabin is unquestionably one of the hardest working musicians around, playing with abandon at large and small venues throughout Colorado and beyond. As a solo artist Grant has captivated audiences for years with his raw voice, intense stage presence, and one-man band approach to creating music with slide guitar, harmonica, and stomp box. As a band leader, Grant turns the volume up to 11. The Grant Sabin Band includes, Alex Koshak (Flumps, Sugar Sounds, Briffaut) on Drums, and Sam Erickson (We Are Not A Glum Lot, Briffaut) on 2nd Guitar. Grant Sabin's Musical delivery comes from the heart and has earned him the respect of fans and fellow musicians alike."

- Steve Harris (KRCC)

“Grant Sabin is a unique, talented Blues prodigy. He is steeped in
traditional Blues, well beyond his years.”

- Rick Lewis (103.5 The Fox, Denver)

"Sabin's musical delivery serves as strong reminders that playing
from the heart is clearly an innate process for some folks. He is one
of those rare souls who "just has it". His eclectic approach to the
blues/folk/rock spectrum is honest and convincing. Its great to see
such passion and talent in young musicians. He is quickly on the path
to becoming a musical force."

- Aaron Moreland (Guitar Player, Moreland and Arbuckle)

"Colorado Springs' slide guitar-playing bluesman Grant Sabin is truly a throwback. The multi-instrumentalist's baby face contradicts both his gruff voice and his repertoire, which includes not only his own modern work, but tributes to Son House and Jimi Hendrix, as well."

- Westword

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