Pete Donnelly (of The Figgs / NRBQ)
23 East Lancaster Ave
Ardmore, PA, 19003
Doors 6:30 PM / Show 7:00 PM
This event is 21 and over
Watch & Listen
Shelby Lynne Moorer was born in Quantico, Virginia, on October 22, 1968, and raised in Frankville, Alabama. She came from a musical family and her house was filled with the sounds of classic country music as well as The Beatles and Elvis. Her mother was a natural singer, and her father began teaching her to play guitar around age seven. Lynne once said in an interview, “I was singing before I could talk.”
After high school, Lynne decided to leave her Alabama life behind, for Nashville in 1989, so she could pursue her musical dreams. Once in Tennessee, Lynne met veteran songwriter Bob Tubert, and she gave him her demo tape. Tubert liked it and played it for the TV producer of Nashville Network's Nashville Now, who invited Lynne to perform on the show. The performance caught the attention of CBS Records, and Lynne was offered a contract with the label.
Over the next three years, Lynne produced an album a year: Sunrise (1989), Tough All Over (1990) and Soft Talk (1991), landing a few hits along the way. In 1991, she won the Academy of Country Music’s Top New Female Vocalist award.
Never complacent, after two more albums, Lynne became hungry for a change from the Nashville system, and for her next album she enlisted producer Bill Bottrell, who had worked with such artists as Michael Jackson, Madonna and Sheryl Crow. The resulting album, I Am Shelby Lynne (1999), recorded far away from Nashville on the Northern California coast, earned Lynne the Grammy for Best New Artist in 2000—which was especially poignant as she had been in the music business nearly 13 years.
Love, Shelby was released in 2001, followed by two self-produced albums:Identity Crisis (2003) and Suit Yourself (2005). Just a Little Lovin’, her critically acclaimed tribute to Dusty Springfield, was released in 2008. And the same year Suit Yourself came out, Lynne made her acting debut in the Johnny Cash biopic Walk the Line, playing Cash's mother. She has also appeared on the TV shows Head Case (2007) and Army Wives (2009).
Again showcasing her need to take a different path, Lynne founded her own label, Everso Records, and its first release, Tears, Lies, and Alibis, debuted at No. 16 on Billboard’s Top Independent Albums chart in April 2010. The album resonated with critics as well, and Newsday called it “her strongest album in a decade.” After this critical success, Lynne released her first-ever holiday collection, Merry Christmas, in time for 2010's holiday season.
In 2011, Everso released Revelation Road, and Lynne headed out on a year-long solo acoustic tour. In 2013, a five-song EP, Thanks, came out to rave reviews from the likes of Mother Jones and The New York Times. Lynne said of the album: “These songs are a way to express my love and gratitude to the universe and to all of the music appreciating souls out there for the friendship and fellowship that music brings us.”
In 2014, I Am Shelby Lynne got the deluxe reissue treatment.
I Can't Imagine was released in the spring of 2015, it was her first album for Rounder. The tour that followed included complete concert performances of the new recording and I Am Shelby Lynne in a single set.
Lynne and sister Allison Moorer teamed for the Side by Side tour, and considered recording an album together. The plan was shelved until 2017 when they got together in Los Angeles with producer Teddy Thompson and a small group of invited guest musicians including Benmont Tench, Erik Deutsch, Doug Pettibone, and Val McCallum. The sisters chose to record a host of covers from the classic country canon, alongside contemporary fare by pop and Americana songwriters. Their lone co-written original was the set closer "Is It Too Much?" Titled Not Dark Yet, the album was released by Thirty Tigers in August. They sold out venues across the U.S. And U.K. Lynne recently wrapped her first starring film role called Here I Am, a rock and roll saga, directed by Cynthia Mort (Nina, Tell Me You Love Me). Lynne co-wrote the music and film score. The new single Off My Mind is currently available online.
Pete Donnelly (of The Figgs / NRBQ)
Pete Donnelly is a Southern New Jersey/Philadelphia based musician/songwriter. His latest record “Face the Bird” 2013, is a return to the exploratory side of “home” recording. The result is a wide ranging exposition of songs, unabashedly displaying some far reaching influences.
Densely hypnotic, Mod RnB, Swinging Pop; The music is moody with it’s exuberance and desolation, childish romps and descriptive lyrics.
“Face the Bird” was recorded in an unused store front in Ocean City, NJ. Off season in Oct/2012. This city, a near desolate locale, offered the perfect place to retreat to and write/record. That was until Hurricane Sandy flooded the island and much of the North East. A harsh ending to a prolific month.
The record was finished in the home studio, as well a couple Philadelphia studios, including Waking Studio(owned by producer Bill Moriarty) where the single “Got Caught Up” was recorded. This song was written while out in California writing with friend Shelby Lynne. Her vocals are from that original writing/recording session.
Pete, who was a member of the legendary band NRBQ, is also a founding member of The Figgs, which has a world-wide fan base, a hearty discography, and has toured and recorded several times with Graham Parker.
As the ever active bass player and song writer in The Figgs, founded in Saratoga Springs, N.Y. in 1987, Donnelly has spent the better part of the past 25 years touring with the band, as well as a number of other artists such as Soul Asylum, Mike Viola & The Candy Butchers and Tommy Stinson.
Living in the Philadelphia area more than a decade, when not on the road, Pete Donnelly has been performing, engineering and/or producing for a variety of artists, including G. Love, Death Vessel, Carsie Blanton, John Legend, The Capitol Years and Amos Lee.
Pete’s Music is built upon sturdy pop melodies, and played with a genuine sense of care, Donnelly’s songs are testaments to his artistry.
$30 Advance / $35 Day of Show / $45 Seated
The Ardmore Music Hall
Sun, December 16
Thu, December 20
Fri, December 21
Sat, December 22
Sat, December 22