The Creation Factory, Vic N' the Narwhals, Danny Dodge & the Dodge Gang
7 S. Broadway
Denver, CO, 80209
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
Mystic Braves might be rooted in the psychedelic scene of the 1960s, but the band’s moment is happening right now.
After an impressive 2016 North American tour boasting packed shows from Brooklyn to San Francisco and beyond, the band returned home to Los Angeles only to sell out their homecoming show at the Echo, in advance. It’s only the latest in a string of triumphs for the band, who saw record turnout around the USA and for their winter European 2016 tour with sell out shows in London, Paris, Madrid, Berlin, Leon (Purple Weekend) and several other European cities.
Based in Echo Park, the Braves — who are signed to influential indie label Lolipop Records — are at the forefront of a white-hot garage band revival, and when the band isn’t selling out shows across the country, they’re playing alongside legendary groups like The Zombies and Brian Jonestown Massacre or providing the soundtrack for can’t-miss fashion events like Saint Laurent Paris’ Spring-Summer 2015 collection. While the group — made up of Julian Ducatenzeiler on guitar and vocals, Tony Malacara on bass and vocals, Shane Stotsenberg on guitar and vocals, Cameron Gartung on drums and Ignacio Gonzalez on organ and tambourine — isn’t straying far from what Ducatenzeiler calls “a blend of influence and sound that is unprecedented in contemporary music”.
“We’ve always been a pop-structured psych band and we’re continuing along those lines,” Ducatenzeiler says. “But we’re trying some new things out as well. We’ve elevated the songwriting” Indeed, the group is experimenting with more exotic instruments and is building a library of new songs to show off its invigorating style not only in the studio but at a series of big-ticket festivals including Burgerama, Beach Goth, Desert Daze and the Austin Psych Fest.
It’s a long way from how the band began. “We had no idea when we started that we’d come as far as we have,” Ducatenzeiler says. “But from the moment we released our demos, people have really responded.”
Mystic Braves sold out their first time show at the legendary Troubadour, West Hollywood, June 13, 2015
LA Record June 16, 2015
“Bust out the wavy gravy and let the psychedelia flow. The sold out crowd, unplugged and tuned into the Mystic Braves who are the grooviest boys you can imagine, came back to LA to close out their tour. Sporting the authentic style of the 60s and perfectly matching hair, the band infused a new edge to their style of retro music and the fans caught every chance to ride a wave. The flower power on their album Desert Island kept the kids up well past midnight and inspired moshing on every jam.”
“The scene at the Troubadour was indeed a dream-like, mind-bending, mind-altering, mind-expanding, mind-blowing musical trip.”
The Creation Factory
People don’t dance anymore to rock bands, but The Creation Factory is here to change that.
Channeling the sounds of 1960s psychedelic beats, the Los Angeles-based five-piece isn't just making music—"we're capturing the sort of sounds that people don’t hear anymore," says front man Shane Stots—it's creating an experience.
"We’re bringing sounds back from the grave, maybe better than they were before,” Stots, who’s also a member of Los Angeles rock group Mystic Braves, says-and he’s not kidding. The group uses authentic 1960s gear (and an era-appropriate look) to create blues-infected rock designed to get a crowd’s feet moving. It’s no wonder, then, that the band-which sold out its first show and has a full length debut album out this May on Lolipop Records will be heading to Europe in August to perform at the mod & 60’s underground weekender Euroyeye.
The Creation Factory was formed in 2014 when Stots and Iggy Gonzalez (drums) pieced together a style infused gang of psychedelic bandits, including band members Neil Soiland and Gabriel Pacheco on guitar and Glenn Brigman on keyboards.
While the musical appeal of The Creation Factory's hard to ignore, Stots insists the band's also out to show fans what they've been missing. “I’m trying to revive music and expose it to a younger generation," he says. "I'm going backwards to go forward."
So, while the past is firmly on The Creation Factory’s side, it’s the future that truly belongs to the band.
Vic N' the Narwhals
"Its like The Doors but with the keyboard style of Smash Mouth" - Tim
Danny Dodge & the Dodge Gang
Having been a fixture in the Portland music scene for the better part of a decade as front man for both No Tomorrow Boys and The Criminal Guitars, Danny Dodge’s first solo effort, “Baby, Let Me Be Your Mess” is a notable departure from the garage/punk of his former bands. Showcasing jangled power-pop riffs and clever lyrical hooks, Dodge’s new found project will relate more to the likes of The Byrds and Tom Petty than the punk of old. Songs like “You Need a Man, Not a Hurrican’” and “Worry ‘Bout Ya” cut to the heart of fond memories, romanticizing the listener with a 70’s era blast made by a front seat rock radio. The lyrical wordplay in songs like “Yakima Canutt” recall Dylan-esque motifs, smacked with a sense of dark humor Dodge acquired from long nights obsessing inside the American songbook. His obsession with things passed not only shaped him as a songwriter, but as a believer in the immortality of the hook. Enlisting the help of Dodge’s right hand man, Randal Blaschke on guitar, Roselit Bone’s Matt Mayhem and Victor Franco on bass and drums, respectively, Criminal Guitars’ Jacob Decker on organ and Jenny Don’t on backup vocals, Dodge built a powerful backing band to give life to the songs. The result is a 10 song collision of rock and country, diving into the well of Roger Miller and Stones-era Beggar’s Banquet with relative ease. Cut mostly live in a two day window at Portland’s Get Loud with Matt Drenik at the helm, there’s no denying the urgency and spirit of this Los Angeles rock ’n’ roll band.
$12.00 - $15.00
Thu, September 20
Fri, September 21
Sat, September 22
Sun, September 23
Mon, September 24