Amanda Palmer's Party In The Cemetery: Celebrating Woodstock's Gothic History

Amanda Palmer

Party In The Cemetery will be a very special night of Gothic celebration, featuring a full live set from WEEKNIGHT, and DJ sets from Mon Amie and a special guest appearance by your host Amanda Fucking Palmer.

Amanda Palmer is a singer, songwriter, playwright, pianist, filmmaker, and blogger who simultaneously embraces and explodes traditional frameworks of music, theatre, and art. She first came to prominence as one half of the Boston-based punk cabaret duo The Dresden Dolls, earning global applause for their wide-ranging theatricality and inventive songcraft. Her solo career has proven equally brave and boundless, including such groundbreaking works as the fan-funded Theatre Is Evil, which made a top 10 debut on the SoundScan/Billboard 200 upon its 2012 release and remains the top-funded original music project on Kickstarter. In 2013 she presented “The Art of Asking” at the annual TED conference, which has since been viewed over 10 million times worldwide. The following year saw Palmer expand her philosophy into the New York Times best seller, The Art of Asking: How I Learned To Stop Worrying And Let People Help. Since 2015, Palmer has used Patreon, a patronage subscription crowdfunding platform, to fund the creation of her art work while enabling her to collaborate with artists all over the world with over 11,000 patrons supporting her creations each month.

Noir

The voice of Athan Maroulis will always be linked to the seminal Los Angeles-based trio Spahn Ranch. Through five diverse albums, highlighted by songs such as “Vortex” and “Heretic’s Fork,” Spahn Ranch served the 1990s Industrial scene with a daring mix of intelligent electronics and Darkwave moods. In the aftermath of Spahn Ranch, Athan returned to his native New York City where he took a near decade-long break from music before joining Black Tape for a Blue Girl for a pair of albums and performances from Austin to Bucharest.
Afterwards, NOIR was formed as a project that would combine both Athan's Industrial and Gothic past while remaining very much in the electronic present. NOIR debuted with the "My Dear" single in late 2012, followed by the 2013 critically acclaimed album "Darkly Near," which Side Line Magazine said, "NOIR probably stands for the most intimate electro project Athan Maroulis has ever been involved with. It all sounds like revealing his deepest inner thoughts transposed into electronic grace and musical poetry."

Adding members Demetra Songs and Kai Irina Hahn, both on backing vocals and keyboards, NOIR began performing live in New York City followed by a series of road dates in the U.S. In 2014, NOIR completed a video for the song "My Dear," that was followed up by a video for "Timephase," along with the release of RE:MIT:TENT, featuring remixes by Assemblage 23, Dead Voices On Air, Ludovico Technique and many others.

In 2016, NOIR's "The Burning Bridge," introduced NOIR collaborator Erik Gustafson (16volt, Adoration Destroyed) and was dedicated to the late David Bowie. Featuring the title song along with interpretations of an obscure Ministry song from 1982 entitled "Same Old Madness," along with a cover of Duran Duran's "The Chauffeur," as well as NOIR's "In Every Dream Home A Heartache," a Roxy Music song recorded live on WFMU radio in 2013. A video for "The Burning Bridge" was released in 2017. That same year, NOIR recorded their rendition of "Back To Nature" for a Fad Gadget Tribute entitled "Under What Flag."

NOIR's fifth release "Reburning" features remixes of "The Burning Bridge" by The Rain Within, Decoded Feedback, Panic Lift with an exclusive remix of "Same Old Madness" by Bestial Mouths. Additionally, "Reburning" also includes a newly recorded acoustic version of the song "The Burning Bridge," arranged by guitarist Ron Cardazone featuring cellist Tracey Moth.

$13.00 - $15.00

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