1402 Clinton St.
Doors 7:00 PM / Show 8:30 PM
This event is all ages
Observers would be aware that over the course of just a few years Barnett has become internationally renowned for her distinctive and acclaimed musical lexicon. Her effortless ability to flip an intensely private sentiment on its head and make it sound universal and relatable won her fans around the world. Her debut album, Sometimes I Sit and Think, and Sometimes I Just Sit saw her top year-end lists, crash the top 20 and sell out shows to adoring audiences on five continents. She played the most iconic and revered festival stages, was nominated for Best New Artist at the Grammy Awards in 2016 and also International Female Solo Artist at the Brits, not to mention scooping the top prizes in her homeland, including the Australian Music Prize, APRA’s Songwriter Of the Year and four ARIAs. “Lotta Sea Lice”, her collaborative album with kindred spirit Kurt Vile that came out last year was similarly lauded, ending up at number 11 in the album charts on release and garnering an NME Awards nomination for Best Collaboration.
So... how do you follow that up?
In Tell Me How You Really Feel, Barnett has revealed an exhilarating and unexpected shift. From its title (A question? An order?) to the unsettling cover image – a blood-red tinted self-portrait in uncomfortably tight close up – Barnett sets a different tone. There’s a new-found directness with this record, a muscularity to the instrumentation, a tenderness in her voice and a boldness to the lyrics. It speaks to Barnett entering a remarkable new phase of her musical evolution. She’s saying more, with less. Whereas once she examined the world through the prism of self-analysis, Tell Me How You Really Feel shifts that focus to those she interacts with – the good ones, the bad ones, the loved ones. Those she knows intimately and those who are strangers.
First single "Nameless, Faceless" is an infectious punk rock anthem. Simmering with indignation and sarcasm, it examines the phenomenon of incessant and anonymous internet trolls. Through song, Barnett is using the medium she knows best to return fire.
Every lyric is memorable as Barnett quotes one of the more creative burns she’s received in a comments section, “I could eat a bowl of alphabet soup and spit out better words than you”. It would be pure comedy if it didn’t invariably and insidiously cross over into anxiety about ones safety in the real world... illustrated perfectly by the chorus which borrows from a famous Margaret Atwood quote “I want to walk through the park in the dark / Men are scared that women will laugh at them / I want to walk through the park in the dark / Women are scared that men will kill them / I hold my keys between my fingers”.
Barnett and her band will play a short series of rare intimate album warm-up parties in May - tickets are on sale now. All tickets these shows include a copy of the album on digital, CD or vinyl formats!
Tell Me How You Really Feel will be released on May 18th through Mom + Pop, Marathon Artists and Barnett’s own label Milk! Records.
Katie Crutchfield is a natural at writing confessional pop songs. Since picking up the guitar as a teenager she has spent the better part of her young adult life travelling the country to play basement shows for feminist punks with bands like P.S. Eliot, Bad Banana and The Ackleys, all of which she sang for. Crutchfield and her twin sister Allison started these bands in high school, inspired by touring bands that would pass through Alabama, as well as a local community-run show space called Cave 9 where they both volunteered. The sisters were best known as P.S. Eliot, a band that developed a cultish underground following until disbanding in 2011. Deciding to go it alone, Crutchfield became Waxahatchee and released her debut album American Weekend in 2012 and its lo-fi acoustic guitar-pop songs made for one of the year’s best unsung records.
On this new record, Crutchfield's songs continue to be marked by her sharp, hooky songwriting; her striking voice and lyrics that simultaneously seem hyper-personal yet relentlessly relatable, teetering between endearingly nostaglic and depressingly dark. But whereas before the thematic focus of her songcraft was on break ups and passive-aggressive crushing, this record reflects on her family and Alabama upbringing. And whereas American Weekend was mostly just Crutchfield and her guitar, Cerulean Salt is occasionally amped up, with a full band and higher-fi production.
At times, Cerulean Salt creeps closer to the sound of PS Eliot: moody, 90s-inspired rock backed by Keith Spencer and Swearin' guitarist Kyle Gilbride on drums and bass. The full band means fleshed-out fuzzy lead guitars on "Coast to Coast", its poppy hook almost masking its dark lyrics. Big distorted guitars and deep steady drums mark songs like "Misery over Dispute" and "Waiting".
There's plenty of American Weekend's instrospection and minimalism to be found, though. "Blue Pt. II" is stripped down, Crutchfield and her sister Alison (of Swearin') singing in harmony with deadpan vox. She's still an open booking, musing on self-doubt versus self-reliance, transience versus permanence. "Peace and Quiet" ebbs and flows from moody, minimal verses to a sing-song chorus. "Swan Dive" tackles nostalgia, transience, indifference, regret — over the a minimal strum of an electric-guitar, the picking at a chirpy riff and the double-time tapping of a muted drum. The album closes with a haunting acoustic-guitar reflection on "You're Damaged," possibly the best Waxahatchee song to date.
$30.00 - $60.00
Absolutely no refunds - no exceptions. Lineups and times are subject to change. Valid government-issued photo ID required for entry to age-restricted events. Tickets available at the door (if not sold out). No re-entry.