Slow Caves, Floor Model
132 Laporte Ave
Fort Collins, CO, 80524
Doors 7:00 PM / Show 8:00 PM
Watch & Listen
Mike McFadden: Vocals, Guitar
Anthony Saladino: Bass
Anthony Spinnato: Drums
"We borrowed the name from a Josh Ritter album," Animal Years singer-songwriter-guitarist Mike McFadden says of his band's moniker. "Originally, we just liked the way the phrase sounded. But the more we thought about it, the more it meant to us, and we started saying things like 'Live your life in animal years.' If you knew that you'd only be around for a few years, you'd do things differently. That's how we try to operate as a band; we try to go for it every day, like we're gonna die tomorrow."
That level of urgency resonates throughout Far From Home, Animal Years' first eOne release. The five-song EP -- produced by Ryan Hadlock, renowned for his work with the Lumineers, Brandi Carlile and Vance Joy -- offers a consistently compelling distillation of the Brooklyn-by-way-of-Baltimore trio's irresistibly anthemic, unfailingly uplifting songcraft, which ranges from the fist-pumping infectiousness of "Caroline" to the introspective warmth of "Friends" to the bittersweet buoyancy of "Home (I Was Born)." McFadden's catchy, emotionally direct songwriting is matched by the band's exuberant performances, which combine McFadden's openhearted vocals and surging acoustic guitars with the punchy rhythmic kick of bassist Anthony Saladino and drummer Anthony Spinnato.
"Someone once described us in a review as 'singer-songwriter music with the amps turned up,'" McFadden notes. "The emphasis is on the songs and the songwriting, but we're definitely a rock band. Even if I'm playing an acoustic guitar, I'm playing it through an amp with the distortion on. We're always gonna be louder than the other bands on the bill."
Far From Home's memorable compositions and high-energy performances make it clear why Animal Years has already earned a fiercely loyal grass-roots fan base. Without the benefit of a mainstream record label, the band has built its audience the old-fashioned way: through dogged roadwork, winning over one fan at a time.
"When we moved to New York, we hit the city really hard, and things just grew organically," McFadden explains. "We naturally evolved from small clubs to bigger ones, and from small tours to bigger tours, with more people coming out each time. Everything has happened really organically, through us just being ourselves and trying to be as honest as we can."
The thee bandmates and producer Hadlock recorded Far From Home in the remote environs of Applehead Studios in Woodstock, NY, far from the band's normal urban surroundings.
"We really wanted to isolate ourselves in a place with no distractions other than making the record," McFadden explains. "So we all went up to Woodstock and worked in this great studio in a rebuilt barn. We've been demoing stuff for years, but this is the first time the three of us had made a record together. Ryan was really great to work with, and I think that he really brought out the best in us. It was great recording out there in the middle of nowhere; we'd record 12 hours a day, and then all hang out at night."
Far From Home showcases McFadden's knack for writing forthright songs that cut to the chase, lyrically and melodically. "On this EP, I wanted to write things that everyone can relate to," he asserts. "Sometimes lyrics can be open to interpretation, but for the most part I want people to know exactly what I'm talking about. All of these songs were written on the road, so a lot of the themes are about being away from home and missing people, and not taking people for granted.
"We had four songs that we really liked for the EP, but we knew that we needed one more that would really grab people's attention," he continues. "I was driving back from North Carolina, right at the end of a tour, and I wrote 'Caroline' in the car. Within ten minutes, I had pulled over to the side of the road and recorded the whole thing into my phone. A couple of days later, we made a rough demo, and everybody who heard it said 'Yeah, that's the one.' It's the song that got the attention of our record label, and now it's the first single from the EP."
The unpretentious attitude and hard-driving work ethic that define Animal Years were established early on, when Mike McFadden first began writing and performing his own songs in his mid-teens, releasing his first studio CD under his own name while still in high school in Baltimore. That inaugural effort won a good deal of attention, and even gained some local radio play. A second CD, released when McFadden was 18, was even better received by fans and local radio programmers, and soon his songs were being picked up for use in commercials from such advertisers as Coca-Cola and Pennzoil.
"That was the driver for me to think about quitting my job in Baltimore and going to New York to start Animal Years," McFadden recalls. "Before I moved to New York, I did another solo album, The Sun Will Rise. At that point, Anthony the bass player suggested that we find a drummer and make it into a band, so we rebranded the CD as an Animal Years release.
"It became a real band really quickly," McFadden reports. "When we started the band, we were all working jobs to raise money to make it happen, so we could afford to go on the road and into the studio. The guys started taking an equal part of the work, and everybody started contributing. It took some getting used to, but it was good not being alone and not having to do everything myself. The songwriting is still the same, because that's still me, but everyone's invested in this partnership and we're all getting something out of it."
Animal Years' timely relocation to New York proved to be a crucial turning point for the band. "The music scene in Baltimore is really big and varied, but I never felt like we ever really fit in there," says McFadden. "When we got to New York, we felt a lot more at home and got a much better reception. In New York, there're more people, there're more opportunities, there're more venues. You can play a few nights a week and still never run out of places to play."
Having already established themselves in their adopted hometown and having won a legion of new friends and fans on the road, Animal Years plan to continue doing what they do best: making music and touching people.
"We're planning on hitting the road super-hard," McFadden affirms. "We're definitely willing to put in the work, and make it happen by any means necessary. That's the only way you can do it these days. There are so many other people who are working as hard as you are, so you just have to work twice as hard."
Listening to Slow Caves, one is reminded that being sonically interesting doesn’t mean that a band must sacrifice having old fashioned hooks or pop sensibilities. Danish born brothers, Jakob and Oliver Mueller, provide the vocal and guitar backdrop for Slow Caves, a band (rounded out by childhood friends David Dugan - guitar/bass, and Jackson Lamperes – drums) who offer a relaxed and surf-y update on 80’s synth, 90’s jangle, and early aught’s indie rock. Formed in Ft. Collins, CO in 2014, Slow Caves quickly gained a reputation as a must-see local attraction. Soon the band was making an impression in Denver’s vibrant music scene, earning slots at tastemaker clubs such as The Hi Dive and Lost Lake Lounge. In 2015, the band showcased their music at SXSW in Austin and CMJ in New York. Then in late 2016, the band signed with Cincinnati-based Old Flame Records (Cloud Nothings, Dead Confederate), performed at Boise’s lauded, Treefort Festival and Austins' SXSW (March 2017), and released their Old Flame debut (Desert Minded-EP) on March 10, 2017. Since the release, the band has been touring all over North America and opened for bands such as DIIV, Cold War Kids, White Reaper, St. Lucia, Rooney, Cake and more.
Floor Model is a Northern Colorado music collective, featuring members from bands like Wire Faces, Fierce Bad Rabbit, Somerset Catalog, Slow Caves, EAOD (a love story), and others. If Guided by Voices and Vulfpeck had a baby, she grew up and dropped out of college after battling an addiction to Depeche Mode, she’d think Floor Model was okay in her book.
$5.00 - $12.00
PLEASE NOTE, WE ARE A STANDING-ROOM ONLY VENUE.