Wheatus

Wheatus

American alternative rock band founded in 1995 in Northport, New York.

Alright Junior is a raw, genuine, modern alt rock trio who has a desire to communicate their collective internal focus. Touring aggressively since 2006, Alright Junior is keen on constantly being on the go, as this band’s live show is what defines them. This musical endeavor has led Alright Junior to share the stage with Incubus, Cake, Circa Survive, Local H, Toadies, Flogging Molly, Civil Twilight, Maps & Atlases, Sponge, Our Lady Peace, Nick Oliveri of Queens of the Stone Age, 10 Years, The Red Jumpsuit Apparatus, Young the Giant, The Ataris, The Head and The Heart, KONGOS, Bear Hands and more. The explosive, impulsive, and intense vocals of Jace Miller, mixed with the creative efficiency of Jamie Victor's bass/harmonies and Mike Fraclose's incendiary drumming, makes for an electric mixture of rock, with passionately haunting lyrics, infectious songwriting and stunning energy.

"Philadelphia's own Alright Junior has been one of my favorite locals for years now."
- Wendy Rollins, Assistant Program Director at Radio 104.5 WRFF

"Alright Junior...this is like Philadelphia's finest right here. It is such a treat getting to see these guys live. They're a talented band with HUGE stage presence. Not to mention they have addicting little songs, too."
- Jessie Sabella, On-Air Personality at Radio 104.5 WRFF

“They have endurance, no doubt, extolling their engendered appreciation for the last “good” era of rock music with all the spasmodic moves of an undomesticated bronco”
- Origivation Magazine (That Mag)

"I would describe Alright Junior as beautiful melodies, mixed with thought provoking lyrics, tied together by the threads of tangled guitars being dragged about by the rhythms of an incendiary drummer."
- Philly Rock Blog

“..Alright Junior is a must add to your collection."
- Campus Philly

“Alright Junior offer beautifully-arranged frenetic rock songs, doused with passion and finished off with a heavy dose of head thrashing. Lead singer Jace Miller is a born performer, and gestures frantically, grabs the microphone for dear life, and at one point even dives into the audience, almost knocking over an unsuspecting spectator. The entire band is all over the stage, thrashing harder than any band I’ve seen. I’m struck by the comparison of children on a Moonbounce.”
- Philly.com

Spelling Reform

Philadelphia indie rock group Spelling Reform continues to evolve on their new LP "No One’s Ever Changed." Building off their 2015 debut EP "Diving Bell," the band delivers more of their eclectic, distinctive sound – a mix of snarling pop rock and power pop, somber sing-alongs and melodic guitar solos. The tunes are anchored by singer/songwriter Dan Wisniewski’s feverous lyrics and urgent vocals, which have drawn comparisons to The Mountain Goats, Dan Bejar, the Silver Jews and Woody Allen (for real).

After years of songwriting and arranging, Wisniewski, bassist Tom Howley, guitarist Andrew Ciampa and drummer Mark Rybaltowski recorded the 11 songs on "No One’s Ever Changed" in a single, donut-fueled weekend in March 2016 in Philadelphia with Hop Along guitarist Joe Reinhart.

Sonically, the tunes pay homage to some of the band's major influences: the fun and loose pop of Wilco ("For Clair Patterson"), the hard-hitting yet melodic rock of Guided by Voices ("Microscope") and the acoustic folk rock of Neil Young ("Drag Your Horse").

Lyrically, Wisniewski stretches out on "No One’s Ever Changed." Character studies include the examination of the thoughts of a stalker on “Tuscaloosa” and personal tales, like “Everyone Else’s Experiences” and the brief title track, explore the awkwardness of bumping into old prom dates on the train to work and overhearing friends having sex.

Wisniewski’s wide-ranging interests in science and history also shine through: particle accelerators and Charles Willson Peale both make quick appearances. One song – “For Clair Patterson” – tackles the concept of time while also paying homage to the titular geologist who discovered the age of the earth in 1953.

Between its well-formed songs, energetic delivery and varied instrumentation, "No One’s Ever Changed" makes for a fascinating listen, and a worthy addition to a Philadelphia music scene that’s overflowing with amazing music. Spelling Reform, which has been compared to The Weakerthans, Apples in Stereo and Pixies, are on to something.

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